Difference between revisions of "Venice Biennale"
Jump to navigation
Jump to search
(Created page with "; Articles * Francesca Franco, "Computer Art vs. Computer Music. Different approaches to art & technology at the 1970 Venice Biennale", 2011. [http://isea2011.sabanciuniv.edu/pap...") |
|||
Line 1: | Line 1: | ||
− | ; | + | ; Literature |
* Francesca Franco, "Computer Art vs. Computer Music. Different approaches to art & technology at the 1970 Venice Biennale", 2011. [http://isea2011.sabanciuniv.edu/paper/computer-art-vs-computer-music-different-approaches-art-technology-1970-venice-biennale] | * Francesca Franco, "Computer Art vs. Computer Music. Different approaches to art & technology at the 1970 Venice Biennale", 2011. [http://isea2011.sabanciuniv.edu/paper/computer-art-vs-computer-music-different-approaches-art-technology-1970-venice-biennale] | ||
+ | * [https://doi.org/10.25432/2724-086X/1.1 ''OBOE, Journal on Biennials and Other Exhibitions'' 1(1): "Why Venice?"], eds. Clarissa Ricci and Camilla Salvaneschi, Venice, Spring/Summer 2020. |
Latest revision as of 15:46, 3 May 2022
- Literature
- Francesca Franco, "Computer Art vs. Computer Music. Different approaches to art & technology at the 1970 Venice Biennale", 2011. [1]
- OBOE, Journal on Biennials and Other Exhibitions 1(1): "Why Venice?", eds. Clarissa Ricci and Camilla Salvaneschi, Venice, Spring/Summer 2020.