Difference between revisions of "Daniel Muzyczuk"
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| − | '''Daniel Muzyczuk''' is | + | '''Daniel Muzyczuk''' (1980) is a curator and art critic. He is head of the Modern Art Department at Muzeum Sztuki in [[Łódź]]. |
| − | Muzyczuk curated numerous projects, such as: ''Gone to Croatan'' (with Robert Rumas), ''MORE IS MORE'' (with Agnieszka Pindera and Joanna Zielińska), ''Melancholy of | + | Muzyczuk curated numerous projects, such as: ''Long Gone Susan Philipsz'', ''Gone to Croatan'' (with Robert Rumas), ''MORE IS MORE'' (with Agnieszka Pindera and Joanna Zielińska), ''The Melancholy of Resistance: Works from the M HKA Collection'' (with Agnieszka Pindera), ''Views 2011'', ''Sounding the Body Electric: Experiments in Art and Music in Eastern Europe 1957–1984'' (with [[David Crowley]]), ''Notes from the Underground: Eastern European Alternative Art and Music Scene 1968–1994'' (with [[David Crowley]]), ''Museum of Rhythm'' (with Natasha Ginwala), and ''Through the Soundproof Curtain: The Polish Radio Experimental Studio'' (with Michał Mendyk). He was co-curator of the Polish Pavilion of the 55th Venice Biennale (with Agnieszka Pindera) and was the winner (together with Agnieszka Pindera) of the Igor Zabel Competition in 2011. He is a member of Grupa Budapeszt. From 2008 to 2011, he was a curator at the Centre of Contemporary Art Znaki Czasu (CoCA) in Toruń. [https://arthist.net/archive/39275 (2023)] |
; Publications | ; Publications | ||
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* editor, with David Crowley, ''[https://monoskop.org/log/?p=9894 Sounding the Body Electric: Experiments in Art and Music in Eastern Europe 1957-1984 / Dźwięki elektrycznego ciała: Eksperymenty w sztuce i muzyce w Europie Wschodniej 1957-1984]'', Łódź: Muzeum Sztuki w Łodzi, 2012, 222 pp. {{en}}/{{pl}} | * editor, with David Crowley, ''[https://monoskop.org/log/?p=9894 Sounding the Body Electric: Experiments in Art and Music in Eastern Europe 1957-1984 / Dźwięki elektrycznego ciała: Eksperymenty w sztuce i muzyce w Europie Wschodniej 1957-1984]'', Łódź: Muzeum Sztuki w Łodzi, 2012, 222 pp. {{en}}/{{pl}} | ||
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* editor, with David Crowley, ''Notes From the Underground: Art and Alternative Music in Eastern Europe 1968-1994 / Notatki z podziemia'', Łódź: Muzeum Sztuki w Łodzi, 2016, 446 pp. Explores the interconnections of art and music in Eastern Europe under communist rule in the 1970s and 1980s. [https://unearthingthemusic.eu/posts/hues-of-independence/ Muzyczuk's essay]. [https://msl.org.pl/en/eventsms/publications/notes-from-the-underground,2226.html] [https://www.cornerhousepublications.org/publications/notes-from-the-underground-notatki-z-podziemia/] {{pl}}/{{en}} | * editor, with David Crowley, ''Notes From the Underground: Art and Alternative Music in Eastern Europe 1968-1994 / Notatki z podziemia'', Łódź: Muzeum Sztuki w Łodzi, 2016, 446 pp. Explores the interconnections of art and music in Eastern Europe under communist rule in the 1970s and 1980s. [https://unearthingthemusic.eu/posts/hues-of-independence/ Muzyczuk's essay]. [https://msl.org.pl/en/eventsms/publications/notes-from-the-underground,2226.html] [https://www.cornerhousepublications.org/publications/notes-from-the-underground-notatki-z-podziemia/] {{pl}}/{{en}} | ||
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* co-editor, ''Ultra Sounds: The Sonic Art of Polish Radio Experimental Studio'', Karlsruhe: ZKM, Warsaw: Adam Mickiewicz Institute, and Łódź: Muzeum Sztuki w Łodzi, 2019, 336 pp. [https://msl.org.pl/en/eventsms/publications/ultra-sounds-the-sonic-art-of-polish-radio-experimental-studio,2730.html] {{en}} | * co-editor, ''Ultra Sounds: The Sonic Art of Polish Radio Experimental Studio'', Karlsruhe: ZKM, Warsaw: Adam Mickiewicz Institute, and Łódź: Muzeum Sztuki w Łodzi, 2019, 336 pp. [https://msl.org.pl/en/eventsms/publications/ultra-sounds-the-sonic-art-of-polish-radio-experimental-studio,2730.html] {{en}} | ||
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| + | [[Series:Art writers]] [[Series:Music writers]] | ||
| + | {{DEFAULTSORT:Muzyczuk, Daniel}} | ||
Latest revision as of 16:09, 27 December 2023
Daniel Muzyczuk (1980) is a curator and art critic. He is head of the Modern Art Department at Muzeum Sztuki in Łódź.
Muzyczuk curated numerous projects, such as: Long Gone Susan Philipsz, Gone to Croatan (with Robert Rumas), MORE IS MORE (with Agnieszka Pindera and Joanna Zielińska), The Melancholy of Resistance: Works from the M HKA Collection (with Agnieszka Pindera), Views 2011, Sounding the Body Electric: Experiments in Art and Music in Eastern Europe 1957–1984 (with David Crowley), Notes from the Underground: Eastern European Alternative Art and Music Scene 1968–1994 (with David Crowley), Museum of Rhythm (with Natasha Ginwala), and Through the Soundproof Curtain: The Polish Radio Experimental Studio (with Michał Mendyk). He was co-curator of the Polish Pavilion of the 55th Venice Biennale (with Agnieszka Pindera) and was the winner (together with Agnieszka Pindera) of the Igor Zabel Competition in 2011. He is a member of Grupa Budapeszt. From 2008 to 2011, he was a curator at the Centre of Contemporary Art Znaki Czasu (CoCA) in Toruń. (2023)
- Publications
- editor, with David Crowley, Sounding the Body Electric: Experiments in Art and Music in Eastern Europe 1957-1984 / Dźwięki elektrycznego ciała: Eksperymenty w sztuce i muzyce w Europie Wschodniej 1957-1984, Łódź: Muzeum Sztuki w Łodzi, 2012, 222 pp. (English)/(Polish)
- editor, with David Crowley, Notes From the Underground: Art and Alternative Music in Eastern Europe 1968-1994 / Notatki z podziemia, Łódź: Muzeum Sztuki w Łodzi, 2016, 446 pp. Explores the interconnections of art and music in Eastern Europe under communist rule in the 1970s and 1980s. Muzyczuk's essay. [1] [2] (Polish)/(English)
- co-editor, Ultra Sounds: The Sonic Art of Polish Radio Experimental Studio, Karlsruhe: ZKM, Warsaw: Adam Mickiewicz Institute, and Łódź: Muzeum Sztuki w Łodzi, 2019, 336 pp. [3] (English)
