Difference between revisions of "Katarzyna Krakowiak"

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Born 1980. She explores sculpture and architecture with the use of various media, notably sound.
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'''Katarzyna Krakowiak''' (1980) is an artist who creates sculptures, performances, objects, compositions and sound installations that investigate languages used to describe architecture. She carries a PhD from Academy of Fine Arts in Poznań, Poland and a post-doctorate from Academy of Fine Arts in Gdańsk, Poland. Her goal is to generate acoustic environments allowing viewers-listeners to become part of the artwork and encounter architecture at the level of sound. Exploring the borders of architecture, Krakowiak builds large-scale installations based on existing structures. She now focuses on formulating the concept of architecture in linguistic categories – as an imperfective verb and a space of becoming, which appears in different ways depending on its function, as well as on the sonic manifestations of human-nonhuman relationships. Krakowiak has been honored with numerous distinctions awarded by St. John’s College at Oxford University, Ministry of Science and Higher Education and Ministry of Culture and National Heritage in Poland, and the American foundation Trust for Mutual Education, among other institutions. In 2012, she received a special award for her exhibition ''Making the Walls Quake as if They Were Dilated with the Secret Knowledge of Great Power'' (curated by Michał Libera) in the Polish Pavilion at the 13th Venice Biennale of Architecture. In 2020, she created the work ''It Begins with One Word. Choose Your Own'' at the Barcelona Pavilion designed by Mies van der Rohe. Her newest work, on current display at Jeu de Paume in Paris, is an installation ''Where does any Miracle Start'', inspired by the sounds of insects often inaudible to human ears as well as their eerie presence and resilience. In the years 2019-2022 she led the Sound Space Studio at the Academy of Fine Arts in Warsaw and since 2022 she co-leads the Interdepartmental Studio of Activities, which she runs together with prof. Mirosław Bałka. She lives and works in Otwock, Poland, and Oliva, Spain. She also identifies as a gardener, tuning in with and learning from the soil and plants on a daily basis. [http://katarzyna-krakowiak.com/bio-en/ (2023)]
 
 
In 2006 she graduated from the Sculpture Transplantation Studio, at the Academy of Fine Arts in [[Poznań]], under Mirosław Bałka, where she worked as assistant from 2004 to 2007. Exhibitions include ''Who Owns the Air?'', Galeria Foksal (Warsaw, 2011), ''Game and Theory'', South London Gallery (London, 2009). Her works were presented in group exhibitions at, among others, KUMU Museum (Tallinn, 2011) and HMKV (Dortmund, 2011). In 2011 she has been working at the Studio Urban Interior Design (Department of Interior Design) at the Academy of Fine Arts in Gdańsk (in collaboration with Jacek Dominiczak). Working with [[Krzysztof Gutfrański]] as part of the ''Ekspektatywa'' series (Fundacja Bęc Zmiana, 2010) she has prepared and published a manual for constructing your own Metaphones. Her work ''Making the walls quake as if they were dilating with the secret knowledge of great powers'' curated by Michal Libera as part of the Venice Biennale has been awarded a Special Mention.
 
  
 
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* [http://krakowiak.hmfactory.com/ Home page]
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* [http://katarzyna-krakowiak.com/bio-en/ Website]
 
* http://www.20khz.hmfactory.com/
 
* http://www.20khz.hmfactory.com/
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* https://www.pismowidok.org/en/archive/27-formatting-of-late-television/parasites-on-waves
  
[[Category:Sound art|Krakowiak, Katarzyna]]
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[[Series:Sound art|Krakowiak, Katarzyna]]

Latest revision as of 17:12, 27 December 2023

Katarzyna Krakowiak (1980) is an artist who creates sculptures, performances, objects, compositions and sound installations that investigate languages used to describe architecture. She carries a PhD from Academy of Fine Arts in Poznań, Poland and a post-doctorate from Academy of Fine Arts in Gdańsk, Poland. Her goal is to generate acoustic environments allowing viewers-listeners to become part of the artwork and encounter architecture at the level of sound. Exploring the borders of architecture, Krakowiak builds large-scale installations based on existing structures. She now focuses on formulating the concept of architecture in linguistic categories – as an imperfective verb and a space of becoming, which appears in different ways depending on its function, as well as on the sonic manifestations of human-nonhuman relationships. Krakowiak has been honored with numerous distinctions awarded by St. John’s College at Oxford University, Ministry of Science and Higher Education and Ministry of Culture and National Heritage in Poland, and the American foundation Trust for Mutual Education, among other institutions. In 2012, she received a special award for her exhibition Making the Walls Quake as if They Were Dilated with the Secret Knowledge of Great Power (curated by Michał Libera) in the Polish Pavilion at the 13th Venice Biennale of Architecture. In 2020, she created the work It Begins with One Word. Choose Your Own at the Barcelona Pavilion designed by Mies van der Rohe. Her newest work, on current display at Jeu de Paume in Paris, is an installation Where does any Miracle Start, inspired by the sounds of insects often inaudible to human ears as well as their eerie presence and resilience. In the years 2019-2022 she led the Sound Space Studio at the Academy of Fine Arts in Warsaw and since 2022 she co-leads the Interdepartmental Studio of Activities, which she runs together with prof. Mirosław Bałka. She lives and works in Otwock, Poland, and Oliva, Spain. She also identifies as a gardener, tuning in with and learning from the soil and plants on a daily basis. (2023)

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