Difference between revisions of "Zsuzsa László"
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− | '''Zsuzsa László''' is a researcher and curator at the Central European Research Institute for Art History (KEMKI), Budapest. She is a member of the editorial team of ''ARTMargins Online'', tranzit/hu’s board, and the Hungarian section of AICA. Her forthcoming dissertation discusses the emergence and critique of the concept of East European Art through exhibitions. Recent projects and publications she has co-curated, co-authored, and co-edited explore transnational exhibition histories, artist archives, progressive pedagogies, cultural transfers, and decentralized understanding of conceptualism and neo-avant-gardes in Cold War Eastern Europe, including ''Resonances: Regional and Transregional Cultural Transfer in the Art of the 1970s'' (2021‒23), ''What Will Be Already Exists: Temporalities of Cold War Archives in East-Central Europe and Beyond'' (2021), ''1971: Parallel Nonsynchronism'' (2018/22), ''Creativity Exercises'' (2014/15/16/20), ''Sitting Together'' (2016), and ''Parallel Chronologies'' (2009–23). [https://arthist.net/archive/39275 (2023)] | + | '''Zsuzsa László''' is a researcher and curator at the Central European Research Institute for Art History (KEMKI), [[Budapest]]. She is a member of the editorial team of ''ARTMargins Online'', tranzit/hu’s board, and the Hungarian section of AICA. Her forthcoming dissertation discusses the emergence and critique of the concept of East European Art through exhibitions. Recent projects and publications she has co-curated, co-authored, and co-edited explore transnational exhibition histories, artist archives, progressive pedagogies, cultural transfers, and decentralized understanding of conceptualism and neo-avant-gardes in Cold War Eastern Europe, including ''Resonances: Regional and Transregional Cultural Transfer in the Art of the 1970s'' (2021‒23), ''What Will Be Already Exists: Temporalities of Cold War Archives in East-Central Europe and Beyond'' (2021), ''1971: Parallel Nonsynchronism'' (2018/22), ''Creativity Exercises'' (2014/15/16/20), ''Sitting Together'' (2016), and ''Parallel Chronologies'' (2009–23). [https://arthist.net/archive/39275 (2023)] |
; Publications | ; Publications |
Latest revision as of 17:45, 3 January 2024
Zsuzsa László is a researcher and curator at the Central European Research Institute for Art History (KEMKI), Budapest. She is a member of the editorial team of ARTMargins Online, tranzit/hu’s board, and the Hungarian section of AICA. Her forthcoming dissertation discusses the emergence and critique of the concept of East European Art through exhibitions. Recent projects and publications she has co-curated, co-authored, and co-edited explore transnational exhibition histories, artist archives, progressive pedagogies, cultural transfers, and decentralized understanding of conceptualism and neo-avant-gardes in Cold War Eastern Europe, including Resonances: Regional and Transregional Cultural Transfer in the Art of the 1970s (2021‒23), What Will Be Already Exists: Temporalities of Cold War Archives in East-Central Europe and Beyond (2021), 1971: Parallel Nonsynchronism (2018/22), Creativity Exercises (2014/15/16/20), Sitting Together (2016), and Parallel Chronologies (2009–23). (2023)
- Publications
- co-editor, Spoločné posedenie: Paralelné chronológie zhôd okolností vo východnej Európe / Sitting Together: Parallel Chronologies of Coincidences in Eastern Europe, Bratislava: tranzit.sk, 2017, 26 pp. (Slovak)/(English)
- editor, with Dóra Hegyi and Franciska Zólyom, Creativity Exercises: Emancipatory Pedagogies in Art and Beyond, Berlin: Sternberg Press, Leipzig: GfZK—Museum of Contemporary Art, and Budapest: tranzit.hu, 2020, 380 pp. Publisher, Publisher. [1] [2]. Review: Suchin (Art Monthly).
- editor, with Emese Kürti, What Will Be Already Exists: Temporalities of Cold War Archives in East-Central Europe and Beyond, Bielefeld: transcript, 2021, 196 pp.
- Links