Difference between revisions of "Klara Kemp-Welch"
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| − | '''Klara Kemp-Welch''' works on intersections between modern and contemporary art and politics. She was educated at the School of Slavonic and East European Studies and University College London, where her doctorate (2008) was supervised by Professor Briony Fer. She is the author of ''[[Media:Kemp-Welch Klara Antipolitics in Central European Art Reticence as Dissidence under Post-Totalitarian Rule 1956-1989 2014.pdf|Antipolitics in Central European Art. Reticence as Dissidence under Post-Totalitarian Rule 1956-1989]]'' (London: IB Tauris, 2014), ''[https://monoskop.org/log/?p=22149 Networking the Bloc. Experimental Art in Eastern Europe 1965-1989]'' (Cambridge Massachusetts and London, England: MIT Press, 2019) and co-editor of ''[[Media:Hock_Kemp-Welch_Owen_eds_A_Reader_in_East-Central_European_Modernism_1918-1956_2019.pdf|A Reader in East-Central European Modernism 1918-1956]]'' with [[Beata Hock]] and Jonathan Owen (London: Courtauld Books Online, 2019). She is now writing a monograph on contemporary art, migration and mobility in the European Union. [https://courtauld.ac.uk/people/klara-kemp-welch/ (2023)] | + | '''Klara Kemp-Welch''' is Reader in 20th Century Modernism at the Courtauld Institute of Art in London, where she teaches courses on East European art and Cold War culture. She works on intersections between modern and contemporary art and politics. She was educated at the School of Slavonic and East European Studies and University College London, where her doctorate (2008) was supervised by Professor Briony Fer. She is the author of ''[[Media:Kemp-Welch Klara Antipolitics in Central European Art Reticence as Dissidence under Post-Totalitarian Rule 1956-1989 2014.pdf|Antipolitics in Central European Art. Reticence as Dissidence under Post-Totalitarian Rule 1956-1989]]'' (London: IB Tauris, 2014), ''[https://monoskop.org/log/?p=22149 Networking the Bloc. Experimental Art in Eastern Europe 1965-1989]'' (Cambridge Massachusetts and London, England: MIT Press, 2019) and co-editor of ''[[Media:Hock_Kemp-Welch_Owen_eds_A_Reader_in_East-Central_European_Modernism_1918-1956_2019.pdf|A Reader in East-Central European Modernism 1918-1956]]'' with [[Beata Hock]] and Jonathan Owen (London: Courtauld Books Online, 2019). She is now writing a monograph on contemporary art, migration and mobility in the European Union. [https://courtauld.ac.uk/people/klara-kemp-welch/ (2023)] |
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* [https://courtauld.academia.edu/KlaraKempWelch Academia.edu] | * [https://courtauld.academia.edu/KlaraKempWelch Academia.edu] | ||
| − | [[Series:Art history]] | + | [[Series:Art history]] [[Series:Art writers]] |
{{DEFAULTSORT:Kemp-Welch, Klara}} | {{DEFAULTSORT:Kemp-Welch, Klara}} | ||
Latest revision as of 20:01, 17 January 2024
Klara Kemp-Welch is Reader in 20th Century Modernism at the Courtauld Institute of Art in London, where she teaches courses on East European art and Cold War culture. She works on intersections between modern and contemporary art and politics. She was educated at the School of Slavonic and East European Studies and University College London, where her doctorate (2008) was supervised by Professor Briony Fer. She is the author of Antipolitics in Central European Art. Reticence as Dissidence under Post-Totalitarian Rule 1956-1989 (London: IB Tauris, 2014), Networking the Bloc. Experimental Art in Eastern Europe 1965-1989 (Cambridge Massachusetts and London, England: MIT Press, 2019) and co-editor of A Reader in East-Central European Modernism 1918-1956 with Beata Hock and Jonathan Owen (London: Courtauld Books Online, 2019). She is now writing a monograph on contemporary art, migration and mobility in the European Union. (2023)
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