Difference between revisions of "KwieKulik"
Jump to navigation
Jump to search
| Line 6: | Line 6: | ||
* ''KwieKulik'', eds. Łukasz Ronduda and Georg Schollhammer, Warsaw: Museum of Modern Art in Warsaw, 2013, 576 pp. [https://artmuseum.pl/en/publikacje/red-lukasz-ronduda-georg-schollhammer-kwiekulik Publisher]. | * ''KwieKulik'', eds. Łukasz Ronduda and Georg Schollhammer, Warsaw: Museum of Modern Art in Warsaw, 2013, 576 pp. [https://artmuseum.pl/en/publikacje/red-lukasz-ronduda-georg-schollhammer-kwiekulik Publisher]. | ||
| + | |||
| + | * Tomasz Załuski, [https://bazhum.muzhp.pl/media/files/Sztuka_i_Dokumentacja/Sztuka_i_Dokumentacja-r2014-t-n11/Sztuka_i_Dokumentacja-r2014-t-n11-s19-41/Sztuka_i_Dokumentacja-r2014-t-n11-s19-41.pdf "Świat podzielony. Geopolityka sztuki według KwieKulik"], ''Sztuka i Dokumentacja'' 11, 2014, pp 19-41. {{pl}} | ||
| + | |||
| + | * Tomasz Załuski, [https://sci-hub.st/10.1080/09528822.2018.1520445 "KwieKulik and the Political Economy of the Potboiler"], ''Third Text'' 32:4, 2018, pp 392-411. [https://doi.org/10.1080/09528822.2018.1520445 DOI]. {{en}} | ||
| + | |||
| + | * Tomasz Załuski, [http://miejsce.asp.waw.pl/fandom-kwiekulik-albo-niekonczacy-sie-serial-o-archiwum-2/ "Fandom KwieKulik albo niekończący się serial o archiwum"], ''Miejsce'' 4, 2018. {{pl}} | ||
* Marianna Michałowska, [https://www.researchgate.net/publication/339303270 "KwieKulik's ''Performance for the Camera'' as Documentary Experiment in Art of Polish Neo-Avant-Garde"], ''Journal of Applied Cultural Studies'' 4, 2019, pp 75-87. {{en}} | * Marianna Michałowska, [https://www.researchgate.net/publication/339303270 "KwieKulik's ''Performance for the Camera'' as Documentary Experiment in Art of Polish Neo-Avant-Garde"], ''Journal of Applied Cultural Studies'' 4, 2019, pp 75-87. {{en}} | ||
| + | |||
| + | * Tomasz Załuski, [https://www.academia.edu/43267136/ "How to Live and Work with Two Artistic Biographies. Zofia Kulik's Archival Drive"], in ''Zofia Kulik. Methodology, My Love'', ed. Agata Jakubowska, Warsaw: Museum of Modern Art, 2019. {{en}} | ||
| + | |||
| + | * Tomasz Załuski, [https://www.academia.edu/93888131/ "Des photographies comme choses, des choses comme photographies. Les photos-objets du Warsztat Formy Filmowej et la documentation des activités matérielles et spatiales du duo KwieKulik"], in ''Photo/Objet/Concept. Pour une lecture élargie de la photographie dans l'art conceptuel'', eds. Larisa Dryansky and Guillaume Le Gall, Peter Lang, and Brussels: Éditions Scientifiques Internationales, 2020, pp 59-78. {{fr}} | ||
* Tomasz Załuski, [https://monoskop.org/images/3/3f/Kurti_Emese_Laszlo_Zsuzsa_What_Will_Be_Already_Exists_2021.pdf#page=134 "The Alternative Official? KwieKulik’s Studio of Activities, Documentation and Propagation as a State-Financed Performative Archive under Real Socialism"], in ''[https://monoskop.org/log/?p=23237 What Will Be Already Exists: Temporalities of Cold War Archives in East-Central Europe and Beyond]'', eds. Emese Kürti and Zsuzsa László, Bielefeld: transcript, 2021, pp 133-149. {{en}} | * Tomasz Załuski, [https://monoskop.org/images/3/3f/Kurti_Emese_Laszlo_Zsuzsa_What_Will_Be_Already_Exists_2021.pdf#page=134 "The Alternative Official? KwieKulik’s Studio of Activities, Documentation and Propagation as a State-Financed Performative Archive under Real Socialism"], in ''[https://monoskop.org/log/?p=23237 What Will Be Already Exists: Temporalities of Cold War Archives in East-Central Europe and Beyond]'', eds. Emese Kürti and Zsuzsa László, Bielefeld: transcript, 2021, pp 133-149. {{en}} | ||
* Tobey Yunjing Pan, [[Media:Yunjing Pan Tobey 2022 KwieKulik through the Lens of Feminism The Acted out Passiveness of Zofia Kulik and Her Maintenance Work.pdf|"KwieKulik through the Lens of Feminism: The Acted out Passiveness of Zofia Kulik and Her Maintenance Work"]], ''Third Text'' 36:3, 2022, pp 241-261. [https://doi.org/10.1080/09528822.2022.2058801] {{en}} | * Tobey Yunjing Pan, [[Media:Yunjing Pan Tobey 2022 KwieKulik through the Lens of Feminism The Acted out Passiveness of Zofia Kulik and Her Maintenance Work.pdf|"KwieKulik through the Lens of Feminism: The Acted out Passiveness of Zofia Kulik and Her Maintenance Work"]], ''Third Text'' 36:3, 2022, pp 241-261. [https://doi.org/10.1080/09528822.2022.2058801] {{en}} | ||
Revision as of 18:12, 12 July 2024
KwieKulik was the artistic duo of Zofia Kulik and Przemysław Kwiek, active between 1971-1987.
- Literature
- Marianna Michałowska, "KwieKulik a rzeczywistość", Opcje 1:30, 2000, pp 48–52. (Polish)
- KwieKulik, eds. Łukasz Ronduda and Georg Schollhammer, Warsaw: Museum of Modern Art in Warsaw, 2013, 576 pp. Publisher.
- Tomasz Załuski, "Świat podzielony. Geopolityka sztuki według KwieKulik", Sztuka i Dokumentacja 11, 2014, pp 19-41. (Polish)
- Tomasz Załuski, "KwieKulik and the Political Economy of the Potboiler", Third Text 32:4, 2018, pp 392-411. DOI. (English)
- Tomasz Załuski, "Fandom KwieKulik albo niekończący się serial o archiwum", Miejsce 4, 2018. (Polish)
- Marianna Michałowska, "KwieKulik's Performance for the Camera as Documentary Experiment in Art of Polish Neo-Avant-Garde", Journal of Applied Cultural Studies 4, 2019, pp 75-87. (English)
- Tomasz Załuski, "How to Live and Work with Two Artistic Biographies. Zofia Kulik's Archival Drive", in Zofia Kulik. Methodology, My Love, ed. Agata Jakubowska, Warsaw: Museum of Modern Art, 2019. (English)
- Tomasz Załuski, "Des photographies comme choses, des choses comme photographies. Les photos-objets du Warsztat Formy Filmowej et la documentation des activités matérielles et spatiales du duo KwieKulik", in Photo/Objet/Concept. Pour une lecture élargie de la photographie dans l'art conceptuel, eds. Larisa Dryansky and Guillaume Le Gall, Peter Lang, and Brussels: Éditions Scientifiques Internationales, 2020, pp 59-78. (French)
- Tomasz Załuski, "The Alternative Official? KwieKulik’s Studio of Activities, Documentation and Propagation as a State-Financed Performative Archive under Real Socialism", in What Will Be Already Exists: Temporalities of Cold War Archives in East-Central Europe and Beyond, eds. Emese Kürti and Zsuzsa László, Bielefeld: transcript, 2021, pp 133-149. (English)
- Tobey Yunjing Pan, "KwieKulik through the Lens of Feminism: The Acted out Passiveness of Zofia Kulik and Her Maintenance Work", Third Text 36:3, 2022, pp 241-261. [1] (English)
