Difference between revisions of "Galeria Labirynt"
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; Literature | ; Literature | ||
− | * Tomasz Załuski, "Transnational Networks at Labirynth Gallery in Lublin and the Concept of Video Art as a Cultural Transfer", ''Sešit / Notebook'' 35, Prague: VVP AVU, 2023. [https://vvp.avu.cz/en/sesit/notebook-35/ Publisher]. [https://www.youtube.com/watch?v=o9fviRFzP6g Video talk]. | + | |
+ | * Tomasz Załuski, [https://www.academia.edu/118320237/ "Transnational Networks at Labirynth Gallery in Lublin and the Concept of Video Art as a Cultural Transfer"], ''Sešit / Notebook'' 35, Prague: VVP AVU, 2023. [https://vvp.avu.cz/en/sesit/notebook-35/ Publisher]. [https://www.youtube.com/watch?v=o9fviRFzP6g Video talk]. [https://www.academia.edu/118320237/] | ||
+ | |||
+ | * Tomasz Załuski, [https://doi.org/10.32020/ArtandDoc/27/2022/15 "Najbardziej efemeryczna ze sztuk. Wczesne realizacje z użyciem wideo w lubelskich galeriach Labirynt i BWA w latach 1976-1984"], ''Sztuka i Dokumentacja'', 2022, pp 181-233. [https://www.academia.edu/106236097/] | ||
; Links | ; Links | ||
* http://labirynt.com | * http://labirynt.com |
Revision as of 18:34, 12 July 2024
A gallery in Lublin.
- Literature
- Tomasz Załuski, "Transnational Networks at Labirynth Gallery in Lublin and the Concept of Video Art as a Cultural Transfer", Sešit / Notebook 35, Prague: VVP AVU, 2023. Publisher. Video talk. [1]
- Tomasz Załuski, "Najbardziej efemeryczna ze sztuk. Wczesne realizacje z użyciem wideo w lubelskich galeriach Labirynt i BWA w latach 1976-1984", Sztuka i Dokumentacja, 2022, pp 181-233. [2]
- Links