Difference between revisions of "File:PAUPERTAS AUDAX BOLD POVERTY Postcards f.pdf"
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(The paper aims at presenting a glimpse of multifaceted recollections of Milan independent contemporary art scene, from the 80's until the XXI Century. Following the invitation to address the core topic of "poverty" in the publication edited by Eduarda Neves, the essay wants to cast some light on the specificity of the Milanese context, underlying its inherent contradictions and the stark juxtaposition between the lively richness of the city's artistic milieu and the structural lack of institu...) |
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Latest revision as of 14:02, 14 November 2024
Summary[edit]
The paper aims at presenting a glimpse of multifaceted recollections of Milan independent contemporary art scene, from the 80's until the XXI Century. Following the invitation to address the core topic of "poverty" in the publication edited by Eduarda Neves, the essay wants to cast some light on the specificity of the Milanese context, underlying its inherent contradictions and the stark juxtaposition between the lively richness of the city's artistic milieu and the structural lack of institutional alliances. Part of NEVES, Eduarda (Ed.) – TOMATO PROJECT. BODY. WORK. POVERTY. Porto: CEAA/ESAP-CESAP, 2022.
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| current | 14:02, 14 November 2024 | (3.05 MB) | G.verago (talk | contribs) | The paper aims at presenting a glimpse of multifaceted recollections of Milan independent contemporary art scene, from the 80's until the XXI Century. Following the invitation to address the core topic of "poverty" in the publication edited by Eduarda Neves, the essay wants to cast some light on the specificity of the Milanese context, underlying its inherent contradictions and the stark juxtaposition between the lively richness of the city's artistic milieu and the structural lack of institu... |
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