Difference between revisions of "Roxana Marcoci"
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| − | '''Roxana Marcoci''' is David Dechman Senior Curator of Photography at | + | '''Roxana Marcoci''' is the David Dechman Senior Curator and Acting Chief Curator of Photography at The Museum of Modern Art. She holds a PhD in art history, theory, and criticism from the Institute of Fine Arts at New York University. She is a recipient of the 2011 Center for Curatorial Leadership Fellowship. Marcoci has chaired the Central and Eastern European group (2013–23) and is currently the inaugural Chair of the West Asia group of MoMA’s Contemporary and Modern Art Perspectives (C-MAP) program. In 2010 Marcoci cofounded MoMA’s Forums on Contemporary Photography, an experimental platform for free-form critical discussions about the perspectives and scope of image-making among artists, curators, and cultural theorists. Her research engages transnational and diasporic histories of feminist art and new models of solidarity. Marcoci has published over 50 essays on modern and contemporary art and co-authored the three-volume ''Photography at MoMA'' (2015/17). |
| − | Marcoci has curated numerous exhibitions, including ''Our Selves: Photographs by Women Artists from Helen Kornblum'' (2022) | + | Marcoci has curated numerous exhibitions, including ''LaToya Ruby Frazier: Monuments of Solidarity'' (2024); ''An-My Lê, Between Two Rivers/Giữa hai giòng sông/Entre deux rivières'' (2023); ''Wolfgang Tillmans: To look without fear'' (2022), which traveled to the Art Gallery of Ontario (2023) and the San Francisco Museum of Modern Art (2024); ''Our Selves: Photographs by Women Artists from Helen Kornblum'' (2022); ''Carrie Mae Weems: From Here I Saw What Happened and I Cried'' (2020); ''Louise Lawler: WHY PICTURES NOW'' (2017); ''Zoe Leonard: Analogue'' (2015); ''From Bauhaus to Buenos Aires: Grete Stern and Horacio Coppola'' (2015); ''Christopher Williams: The Production Line of Happiness'' (2014); ''The Shaping of New Visions: Photography, Film, Photobook'' (2012); ''Taryn Simon: A Living Man Declared Dead and Other Chapters I–XVIII'' (2012); ''Sanja Iveković: Sweet Violence'' (2011); ''Staging Action: Performance in Photography Since 1960'' (2011); ''Pictures by Women: A History of Modern Photography'' (2010); and ''The Original Copy: Photography of Sculpture, 1839 to Today'' (2010). [https://www.moma.org/about/senior-staff/roxana-marcoci (2025)] |
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; Links | ; Links | ||
* [https://www.moma.org/about/senior-staff/roxana-marcoci Profile on MoMA] | * [https://www.moma.org/about/senior-staff/roxana-marcoci Profile on MoMA] | ||
| + | * [https://www.instagram.com/roxanamarcoci/ Instagram] | ||
[[Series:Photography]] [[Series:Art writers]] | [[Series:Photography]] [[Series:Art writers]] | ||
{{DEFAULTSORT:Marcoci, Roxana}} | {{DEFAULTSORT:Marcoci, Roxana}} | ||
Latest revision as of 09:28, 29 January 2025
Roxana Marcoci is the David Dechman Senior Curator and Acting Chief Curator of Photography at The Museum of Modern Art. She holds a PhD in art history, theory, and criticism from the Institute of Fine Arts at New York University. She is a recipient of the 2011 Center for Curatorial Leadership Fellowship. Marcoci has chaired the Central and Eastern European group (2013–23) and is currently the inaugural Chair of the West Asia group of MoMA’s Contemporary and Modern Art Perspectives (C-MAP) program. In 2010 Marcoci cofounded MoMA’s Forums on Contemporary Photography, an experimental platform for free-form critical discussions about the perspectives and scope of image-making among artists, curators, and cultural theorists. Her research engages transnational and diasporic histories of feminist art and new models of solidarity. Marcoci has published over 50 essays on modern and contemporary art and co-authored the three-volume Photography at MoMA (2015/17).
Marcoci has curated numerous exhibitions, including LaToya Ruby Frazier: Monuments of Solidarity (2024); An-My Lê, Between Two Rivers/Giữa hai giòng sông/Entre deux rivières (2023); Wolfgang Tillmans: To look without fear (2022), which traveled to the Art Gallery of Ontario (2023) and the San Francisco Museum of Modern Art (2024); Our Selves: Photographs by Women Artists from Helen Kornblum (2022); Carrie Mae Weems: From Here I Saw What Happened and I Cried (2020); Louise Lawler: WHY PICTURES NOW (2017); Zoe Leonard: Analogue (2015); From Bauhaus to Buenos Aires: Grete Stern and Horacio Coppola (2015); Christopher Williams: The Production Line of Happiness (2014); The Shaping of New Visions: Photography, Film, Photobook (2012); Taryn Simon: A Living Man Declared Dead and Other Chapters I–XVIII (2012); Sanja Iveković: Sweet Violence (2011); Staging Action: Performance in Photography Since 1960 (2011); Pictures by Women: A History of Modern Photography (2010); and The Original Copy: Photography of Sculpture, 1839 to Today (2010). (2025)
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