Difference between revisions of "Jonathan Sterne"
Jump to navigation
Jump to search
| (One intermediate revision by the same user not shown) | |||
| Line 1: | Line 1: | ||
| − | '''Jonathan Sterne''' | + | '''Jonathan Sterne''' (6 August 1970 - 20 March 2025) taught in the Department of Art History and Communication Studies at McGill University. He wrote several books: ''Diminished Faculties: A Political Phenomenology of Impairment'' (Duke 2021); ''[https://monoskop.org/log/?p=6984 MP3: The Meaning of a Format]'' (Duke 2012), ''[https://monoskop.org/log/?p=10737 The Audible Past: Cultural Origins of Sound Reproduction]'' (Duke 2003); as well as numerous articles on media, technologies and the politics of culture. He was also editor of ''The Sound Studies Reader'' (Routledge 2012) and co-editor of ''The Participatory Condition in the Digital Age'' (Minnesota 2016). |
; Links | ; Links | ||
| − | * [https://sterneworks.org/ | + | * [https://sterneworks.org/ Website] |
* [https://www.mcgill.ca/ahcs/people-contacts/faculty/sterne Profile on McGill] | * [https://www.mcgill.ca/ahcs/people-contacts/faculty/sterne Profile on McGill] | ||
| − | * [[Mastodon::https://assemblag.es/@jonathansterne | + | * Tribute: [https://dukeupress.wordpress.com/2025/03/21/farewell-to-jonathan-sterne/ Duke U Press], [https://www.cirmmt.org/en/news/inmemoriam-jonathansterne CIRMMT]. |
| + | * [[Mastodon::https://assemblag.es/@jonathansterne|Mastodon]] | ||
* [https://twitter.com/jonathansterne Twitter] | * [https://twitter.com/jonathansterne Twitter] | ||
[[Series:Media archaeology]] | [[Series:Media archaeology]] | ||
{{DEFAULTSORT:Sterne, Jonathan}} | {{DEFAULTSORT:Sterne, Jonathan}} | ||
Latest revision as of 22:02, 25 March 2025
Jonathan Sterne (6 August 1970 - 20 March 2025) taught in the Department of Art History and Communication Studies at McGill University. He wrote several books: Diminished Faculties: A Political Phenomenology of Impairment (Duke 2021); MP3: The Meaning of a Format (Duke 2012), The Audible Past: Cultural Origins of Sound Reproduction (Duke 2003); as well as numerous articles on media, technologies and the politics of culture. He was also editor of The Sound Studies Reader (Routledge 2012) and co-editor of The Participatory Condition in the Digital Age (Minnesota 2016).
- Links
- Website
- Profile on McGill
- Tribute: Duke U Press, CIRMMT.
- Mastodon
