Difference between revisions of "Franz Thalmair"
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* ''[https://www.lakeside-kunstraum.at/en/a-sense-of-relatedness-beziehungsweisen-annual-publication-2022/ A Sense of Relatedness]'' (ed. with [[Gudrun Ratzinger]]), Vienna: Verlag für moderne Kunst, 2023. | * ''[https://www.lakeside-kunstraum.at/en/a-sense-of-relatedness-beziehungsweisen-annual-publication-2022/ A Sense of Relatedness]'' (ed. with [[Gudrun Ratzinger]]), Vienna: Verlag für moderne Kunst, 2023. | ||
* ''[https://www.lakeside-kunstraum.at/en/future-perfect-vollendete-zukunft-annual-publication-2021/ Future Perfect]'' (ed./cur. with [[Gudrun Ratzinger]]), Vienna: Verlag für moderne Kunst, 2022. | * ''[https://www.lakeside-kunstraum.at/en/future-perfect-vollendete-zukunft-annual-publication-2021/ Future Perfect]'' (ed./cur. with [[Gudrun Ratzinger]]), Vienna: Verlag für moderne Kunst, 2022. | ||
| − | * ''[https://www.lakeside-kunstraum.at/en/format-annual-publication-2020/ Format]'' (ed.), Vienna: Verlag für moderne Kunst, 2021. | + | * ''[https://www.lakeside-kunstraum.at/en/format-annual-publication-2020/ Format]'' (ed./cur.), Vienna: Verlag für moderne Kunst, 2021. |
* ''[https://www.lakeside-kunstraum.at/en/process-prozess-annual-publication-2019/ Process]'' (ed./cur.), Vienna: Verlag für moderne Kunst, 2020. | * ''[https://www.lakeside-kunstraum.at/en/process-prozess-annual-publication-2019/ Process]'' (ed./cur.), Vienna: Verlag für moderne Kunst, 2020. | ||
* ''[https://www.lakeside-kunstraum.at/en/research-recherche-annual-publication-2018/ Research]'' (ed./cur.), Vienna: Verlag für moderne Kunst, 2019. | * ''[https://www.lakeside-kunstraum.at/en/research-recherche-annual-publication-2018/ Research]'' (ed./cur.), Vienna: Verlag für moderne Kunst, 2019. | ||
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; Other | ; Other | ||
| − | * ''inframince infra-mince infra mince'' (ed. with | + | * ''inframince infra-mince infra mince'' (ed./cur. with [[Gudrun Ratzinger]]), Berlin: DeGruyter, 2021. Exhibition: [https://universitaetsgalerie.dieangewandte.at/ Universitätsgalerie der Angewandten im Heiligenkreuzerhof], Vienna. |
* ''[[Media:Kargl Michael Thalmair Franz eds originalcopy Post-Digital Strategies of Appropriation 2019.pdf|originalcopy: Post-Digital Strategies of Appropriation]]'' (ed./cur. with Michael Kargl), Berlin: De Gruyter, 2019. | * ''[[Media:Kargl Michael Thalmair Franz eds originalcopy Post-Digital Strategies of Appropriation 2019.pdf|originalcopy: Post-Digital Strategies of Appropriation]]'' (ed./cur. with Michael Kargl), Berlin: De Gruyter, 2019. | ||
* ''ba ≠ b+a | From The Collection Of The City Of Vienna'' (ed./cur.), Berlin: DeGruyter, 2017
. Exhibition: [https://www.wienmuseum.at/ Musa Wien Museum], Vienna. | * ''ba ≠ b+a | From The Collection Of The City Of Vienna'' (ed./cur.), Berlin: DeGruyter, 2017
. Exhibition: [https://www.wienmuseum.at/ Musa Wien Museum], Vienna. | ||
* ''Re-'' (ed./cur.), Berlin: Revolver Publishing, 2015. Exhibition: [https://www.kunstraum.net/ Kunstraum Niederösterreich], Vienna. | * ''Re-'' (ed./cur.), Berlin: Revolver Publishing, 2015. Exhibition: [https://www.kunstraum.net/ Kunstraum Niederösterreich], Vienna. | ||
| − | * ''Origo (At Point Zero Of The Point Of View)'' (ed. with Birgit Rinagl)
, Berlin: Revolver Publishing, 2013. Exhibition: [https://www.wuk.at/kunsthalle-exnergasse/ Kunsthalle Exnergasse], Vienna. | + | * ''Origo (At Point Zero Of The Point Of View)'' (ed. with Birgit Rinagl)
, Berlin: Revolver Publishing, 2013. |
| + | Exhibition: [https://www.wuk.at/kunsthalle-exnergasse/ Kunsthalle Exnergasse], Vienna. | ||
* ''[[Media:CONT3XT.NET eds Content Form Im-material 2011.pdf|Content Form Im-material]]'' (ed. with [[CONT3XT.NET]]), Nuremberg: Verlag für moderne Kunst, 2011. [https://jacket2.org/commentary/cont3xtnet-everything] | * ''[[Media:CONT3XT.NET eds Content Form Im-material 2011.pdf|Content Form Im-material]]'' (ed. with [[CONT3XT.NET]]), Nuremberg: Verlag für moderne Kunst, 2011. [https://jacket2.org/commentary/cont3xtnet-everything] | ||
* ''[[Media:CONT3XT.NET eds Circulating Contexts Curating Media Net Art 2007.pdf|Circulating Contexts: Curating Media / Net / Art]]'' (ed. with [[CONT3XT.NET]]), Nuremberg: Verlag für moderne Kunst, 2007. | * ''[[Media:CONT3XT.NET eds Circulating Contexts Curating Media Net Art 2007.pdf|Circulating Contexts: Curating Media / Net / Art]]'' (ed. with [[CONT3XT.NET]]), Nuremberg: Verlag für moderne Kunst, 2007. | ||
Revision as of 04:17, 12 April 2025
Franz Thalmair is a curator, writer and editor based in Vienna, Austria.
- Curating
Curator for contemporary art, mumok – Museum moderner Kunst Stiftung Ludwig Wien, Vienna (since 2019) | Artistic director and curator (with Gudrun Ratzinger), Kunstraum Lakeside, Klagenfurt (2018-2026) | Managing curator, Secession, Vienna (2010-2014) | Co-founder of CONT3XT.NET (2006-2012) | Freelance projects for art spaces and institutions such as Museo Palacio de la Escuela de Medicina – UNAM, Mexico City; Wiels, Brussels; Greylight Projects, Brussels; Karst, Plymouth/UK; Akbank Art Center, Istanbul; Mala Galerija – Moderna Galerija, Ljubljana; Galerija Galzenica, Velika Gorica/Zagreb; Institut für Alles Mögliche, Berlin; Miss Read: Art Book Fair, Berlin; Vienna Art Book Fair, Vienna; Brux Freies Theater, Innsbruck; Kunstpavillon, Innsbruck; Kunsthalle Exnergasse, Vienna; Flucc, Vienna etc.
- Teaching and research
Visiting professor and lecturer, University of Applied Arts Vienna, TransArts - Transdisciplinary Art (2013-2025) | Director (with Michael Kargl) of the arts-based research project originalcopy – Post-digital Strategies of Appropriation, University of Applied Arts Vienna, Media Theory (2016-2019) | Lecturer, University of Klagenfurt, Cultural Analysis – Visual Culture (2018-2021) | Lecturer, University of Arts Linz, Media Culture and Art Theories (2012-2013).
- Writing and editing
Head of the culture department and editor for visual arts, derStandard.at (2007-2010) | Since 2007 comprehensive writing and editing for media such as Artforum / Artforum.com, springerin – Hefte für Gegenwartskunst, KUNSTFORUM International, as well as numerous contributions to exhibition catalogues, art and artists' books.
Publications and exhibitions (selection)
- mumok – Museum moderner Kunst Stiftung Ludwig Wien
- Agnes Fuchs. Her Eyes Were Green (ed./cur.), Cologne: Verlag der Buchhandlung Walther und Franz König, 2023.
- mixed up with others before we even begin (ed./cur.), Cologne: Verlag der Buchhandlung Walther und Franz König, 2022.
- Collaborations (ed./cur. with Heike Eipeldauer), Cologne: Verlag der Buchhandlung Walther und Franz König, 2022.
- Ane Mette Hol. Becoming (working title) (ed./cur.), Cologne: Verlag der Buchhandlung Walther und Franz König, 2021.
- Kunstraum Lakeside
- Host (ed./cur. with Gudrun Ratzinger), Vienna: Verlag für moderne Kunst, 2025.
- Hollow Ground (ed./cur. with Gudrun Ratzinger), Vienna: Verlag für moderne Kunst, 2024.
- A Sense of Relatedness (ed. with Gudrun Ratzinger), Vienna: Verlag für moderne Kunst, 2023.
- Future Perfect (ed./cur. with Gudrun Ratzinger), Vienna: Verlag für moderne Kunst, 2022.
- Format (ed./cur.), Vienna: Verlag für moderne Kunst, 2021.
- Process (ed./cur.), Vienna: Verlag für moderne Kunst, 2020.
- Research (ed./cur.), Vienna: Verlag für moderne Kunst, 2019.
- Secession
- making of. Members' edition (ed.), Vienna: Secession Edition, 2013.
- Slavs and Tatars. Not Moscow Not Mecca (ed./cur.), Berlin: Revolver Publishing, 2012.
- Wade Guyton. Drawings for a Small Room (ed./cur.), Berlin: Revolver Publishing, 2011.
- Attila Csörgő (ed./cur.), Berlin: Revolver Publishing, 2011.
- Maria Bussmann. Long Beach, NY (ed./cur.), Berlin: Revolver Publishing, 2010.
- Magazines
- figurationen. gender literatur kultur 2: "Die Stärken der Schwäche" (ed. with Karin Harrasser), Cologne, 2023. (German)
- Kunstforum 270: "exhibit! Ausstellen als künstlerische Praxis" (ed. with Gudrun Ratzinger), Cologne, 2020. (German)
- Kunstforum 252: "publish! Publizieren als künstlerische Praxis" (ed.), Cologne, 2018. (German)
- springerin. Hefte für Gegenwartskunst 2: "originalcopy" (ed.), Vienna, 2018. (German)
- Kunstforum 243: "Postdigital 2. Erscheinungsformen und Ausbreitung eines Phänomens" (ed.), Cologne, 2016. (German)
- Kunstforum 242: "Postdigital 1. Allgegenwart und Unsichtbarkeit eines Phänomens" (ed.), Cologne, 2016. (German)
- Artists' books
- Marcus Boon, In Praise Of Copying (Cambridge, MA: Harvard University Press, 2010), 1–285. (ed.), Berlin: Revolver Publishing, 2019.
- VIE 02/01/17—03/31/17 TYO (ed.), Berlin: Revolver Publishing, 2019.
- Lorem Ipsum Dolor Sit Amet (ed./cur.), Berlin: Revolver Publishing, 2014. Performance: Miss Read – The Berlin Art Book Fair, Berlin.
- A Set Of Lines, A Stack Of Paper (ed./cur.), Berlin: Revolver Publishing, 2015. Exhibition: Karst, Plymouth/UK
- This Page Intentionally Left Blank (ed./cur.), Berlin: Revolver Publishing, 2014. Exhibition: Akbank Sanat, Istanbul.
- Other
- inframince infra-mince infra mince (ed./cur. with Gudrun Ratzinger), Berlin: DeGruyter, 2021. Exhibition: Universitätsgalerie der Angewandten im Heiligenkreuzerhof, Vienna.
- originalcopy: Post-Digital Strategies of Appropriation (ed./cur. with Michael Kargl), Berlin: De Gruyter, 2019.
- ba ≠ b+a | From The Collection Of The City Of Vienna (ed./cur.), Berlin: DeGruyter, 2017 . Exhibition: Musa Wien Museum, Vienna.
- Re- (ed./cur.), Berlin: Revolver Publishing, 2015. Exhibition: Kunstraum Niederösterreich, Vienna.
- Origo (At Point Zero Of The Point Of View) (ed. with Birgit Rinagl) , Berlin: Revolver Publishing, 2013.
Exhibition: Kunsthalle Exnergasse, Vienna.
- Content Form Im-material (ed. with CONT3XT.NET), Nuremberg: Verlag für moderne Kunst, 2011. [1]
- Circulating Contexts: Curating Media / Net / Art (ed. with CONT3XT.NET), Nuremberg: Verlag für moderne Kunst, 2007.
