Difference between revisions of "Franz Thalmair"
| (17 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
| − | '''Franz Thalmair''' is a curator, writer and editor based in [[Vienna]], Austria. | + | '''Franz Thalmair''' (he/they) is a curator, writer, and editor, based in [[Vienna]], Austria. |
| − | ; | + | Currently, he works as a curator for contemporary art at the [https://www.mumok.at/ mumok – Museum moderner Kunst Stiftung Ludwig Wien] in Vienna (since 2019) and as artistic director and co-curator at the [https://www.lakeside-kunstraum.at Kunstraum Lakeside] in Klagenfurt (since 2018) | Curatorial director of the arts-based research project [http://www.ocopy.net originalcopy – Post-digital Strategies of Appropriation], University of Applied Arts Vienna (2016-2019) | Managing curator at the [https://secession.at Secession] in Vienna (2010-2014) | Freelance curatorial projects at institutions such as Museo Palacio de la Escuela de Medicina UNAM in Mexico City; Wiels Contemporary Art Centre in Brussels; Greylight Projects in Brussels; Karst in Plymouth (UK); Akbank Art Center in Istanbul; Mala Galerija/Moderna Galerija in Ljubljana. |
| − | + | Visiting professor and lecturer, University of Applied Arts Vienna, [https://transarts.at TransArts – Transdisciplinary Art] (2013-2025) | Lecturer, [https://www.aau.at University of Klagenfurt], Cultural Analysis – Visual Culture (2018-2021) | Lecturer, [https://www.kunstuni-linz.at University of Arts Linz], Media Culture and Art Theories (2012-2013) | Head of the culture department and editor for visual arts, [https://www.derstandard.at/kultur derStandard.at] (2007-2010) | Since 2007 comprehensive writing and editing for media such as [https://www.artforum.com/author/franz-thalmair Artforum], [https://www.kunstforum.de/person/thalmair-franz/ KUNSTFORUM International], [https://springerin.at/en/search/?q=Franz%20Thalmair springerin – Hefte für Gegenwartskunst], as well as numerous contributions to exhibition catalogues, art and artists' books. | |
| − | |||
| − | |||
| − | |||
| − | Visiting professor and lecturer, University of Applied Arts Vienna, [https://transarts.at TransArts – Transdisciplinary Art] (2013-2025 | ||
| − | |||
| − | |||
| − | |||
| − | Head of the culture department and editor for visual arts, [https://www.derstandard.at/kultur derStandard.at] (2007-2010) | Since 2007 comprehensive writing and editing for media such as [https://www.artforum.com/author/franz-thalmair Artforum / | ||
==Publications and exhibitions (selection)== | ==Publications and exhibitions (selection)== | ||
| Line 24: | Line 16: | ||
; Kunstraum Lakeside | ; Kunstraum Lakeside | ||
| − | * ''Host'' (ed./cur. with [[Gudrun Ratzinger]]), Vienna: Verlag für moderne Kunst, | + | * ''[https://www.lakeside-kunstraum.at/en/host-annual-publication-2024/ Host]'' (ed./cur. with [[Gudrun Ratzinger]]), Vienna: Verlag für moderne Kunst, 2024. |
* ''[https://www.lakeside-kunstraum.at/en/hollow-ground-doppelter-boden-annual-publication-2023/ Hollow Ground]'' (ed./cur. with [[Gudrun Ratzinger]]), Vienna: Verlag für moderne Kunst, 2024. | * ''[https://www.lakeside-kunstraum.at/en/hollow-ground-doppelter-boden-annual-publication-2023/ Hollow Ground]'' (ed./cur. with [[Gudrun Ratzinger]]), Vienna: Verlag für moderne Kunst, 2024. | ||
* ''[https://www.lakeside-kunstraum.at/en/a-sense-of-relatedness-beziehungsweisen-annual-publication-2022/ A Sense of Relatedness]'' (ed. with [[Gudrun Ratzinger]]), Vienna: Verlag für moderne Kunst, 2023. | * ''[https://www.lakeside-kunstraum.at/en/a-sense-of-relatedness-beziehungsweisen-annual-publication-2022/ A Sense of Relatedness]'' (ed. with [[Gudrun Ratzinger]]), Vienna: Verlag für moderne Kunst, 2023. | ||
| Line 43: | Line 35: | ||
* [https://figurationen.ch/hefte/die-st-rken-der-schw-che-virtues-of-vulnerability/ ''Die Stärken der Schwäche''] (ed. with Karin Harrasser), figurationen. gender literatur kultur #2, 2023. | * [https://figurationen.ch/hefte/die-st-rken-der-schw-che-virtues-of-vulnerability/ ''Die Stärken der Schwäche''] (ed. with Karin Harrasser), figurationen. gender literatur kultur #2, 2023. | ||
| − | * [https://www.kunstforum.de/band/2020-270-exhibit-ausstellen-als-kuenstlerische-praxis/ ''exhibit! Ausstellen als künstlerische Praxis''] (ed. with [[Gudrun Ratzinger]]), | + | * [https://www.kunstforum.de/band/2020-270-exhibit-ausstellen-als-kuenstlerische-praxis/ ''exhibit! Ausstellen als künstlerische Praxis''] (ed. with [[Gudrun Ratzinger]]), KUNSTFORUM International #270, 2020. |
| − | * [https://www.kunstforum.de/band/2018-256-publish-publizieren-als-kuenstlerische-praxis/ ''publish! Publizieren als künstlerische Praxis''] (ed.), | + | * [https://www.kunstforum.de/band/2018-256-publish-publizieren-als-kuenstlerische-praxis/ ''publish! Publizieren als künstlerische Praxis''] (ed.), KUNSTFORUM International #252, 2018. |
| − | * [https://springerin.at/2018/2/ ''originalcopy''] (ed. with [[Michael Kargl]]), springerin | + | * [https://springerin.at/2018/2/ ''originalcopy''] (ed. with [[Michael Kargl]]), springerin – Hefte für Gegenwartskunst #2, 2018. |
| − | * [https://www.kunstforum.de/band/2016-243/ ''postdigital 2. Erscheinungsformen und Ausbreitung eines Phänomens''] (ed.), | + | * [https://www.kunstforum.de/band/2016-243/ ''postdigital 2. Erscheinungsformen und Ausbreitung eines Phänomens''] (ed.), KUNSTFORUM International #243, 2016. |
| − | * [https://www.kunstforum.de/band/2016-243/ ''postdigital 1. Allgegenwart und Unsichtbarkeit eines Phänomens''] (ed.), | + | * [https://www.kunstforum.de/band/2016-243/ ''postdigital 1. Allgegenwart und Unsichtbarkeit eines Phänomens''] (ed.), KUNSTFORUM International #242, 2016. |
| − | ; | + | ; Miscellaneous |
* ''inframince infra-mince infra mince'' (ed./cur. with [[Gudrun Ratzinger]] and TransArts – Transdisciplinary Art), Berlin: DeGruyter, 2021. | * ''inframince infra-mince infra mince'' (ed./cur. with [[Gudrun Ratzinger]] and TransArts – Transdisciplinary Art), Berlin: DeGruyter, 2021. | ||
| Line 55: | Line 47: | ||
* ''[[Media:Kargl Michael Thalmair Franz eds originalcopy Post-Digital Strategies of Appropriation 2019.pdf|originalcopy: Post-Digital Strategies of Appropriation]]'' (ed./cur. with [[Michael Kargl]]), Berlin: De Gruyter, 2019. | * ''[[Media:Kargl Michael Thalmair Franz eds originalcopy Post-Digital Strategies of Appropriation 2019.pdf|originalcopy: Post-Digital Strategies of Appropriation]]'' (ed./cur. with [[Michael Kargl]]), Berlin: De Gruyter, 2019. | ||
| − | ** Exhibitions: [https://www.brux.at BRUX Freies Theater], Innsbruck | + | ** Exhibitions: [https://www.brux.at BRUX Freies Theater], Innsbruck | [https://ail.angewandte.at Angewandte Interdisciplinary Lab], Vienna | [https://www.wiels.org/ Wiels], Brussels |
* ''Lorem Ipsum Dolor Sit Amet – Possible Content for 18 Pages'' (ed./cur.), Berlin: Revolver Publishing, 2016. | * ''Lorem Ipsum Dolor Sit Amet – Possible Content for 18 Pages'' (ed./cur.), Berlin: Revolver Publishing, 2016. | ||
| Line 76: | Line 68: | ||
* ''[[Media:CONT3XT.NET eds Content Form Im-material 2011.pdf|Content Form Im-material]]'' (ed. with [[CONT3XT.NET]]), Nuremberg: Verlag für moderne Kunst, 2011. [https://jacket2.org/commentary/cont3xtnet-everything] | * ''[[Media:CONT3XT.NET eds Content Form Im-material 2011.pdf|Content Form Im-material]]'' (ed. with [[CONT3XT.NET]]), Nuremberg: Verlag für moderne Kunst, 2011. [https://jacket2.org/commentary/cont3xtnet-everything] | ||
| − | ** Exhibitions: [https://www.mg-lj.si/en Mala Galerija | + | ** Exhibitions: [https://www.mg-lj.si/en Mala Galerija/Moderna Galerija], Ljubjlana
| [https://www.kuveti.at Kunstpavillon], Innsbruck |
[https://www.i-a-m.tk Institut für Alles Mögliche], Berlin
|
==Links== | ==Links== | ||
Latest revision as of 09:30, 12 April 2025
Franz Thalmair (he/they) is a curator, writer, and editor, based in Vienna, Austria.
Currently, he works as a curator for contemporary art at the mumok – Museum moderner Kunst Stiftung Ludwig Wien in Vienna (since 2019) and as artistic director and co-curator at the Kunstraum Lakeside in Klagenfurt (since 2018) | Curatorial director of the arts-based research project originalcopy – Post-digital Strategies of Appropriation, University of Applied Arts Vienna (2016-2019) | Managing curator at the Secession in Vienna (2010-2014) | Freelance curatorial projects at institutions such as Museo Palacio de la Escuela de Medicina UNAM in Mexico City; Wiels Contemporary Art Centre in Brussels; Greylight Projects in Brussels; Karst in Plymouth (UK); Akbank Art Center in Istanbul; Mala Galerija/Moderna Galerija in Ljubljana.
Visiting professor and lecturer, University of Applied Arts Vienna, TransArts – Transdisciplinary Art (2013-2025) | Lecturer, University of Klagenfurt, Cultural Analysis – Visual Culture (2018-2021) | Lecturer, University of Arts Linz, Media Culture and Art Theories (2012-2013) | Head of the culture department and editor for visual arts, derStandard.at (2007-2010) | Since 2007 comprehensive writing and editing for media such as Artforum, KUNSTFORUM International, springerin – Hefte für Gegenwartskunst, as well as numerous contributions to exhibition catalogues, art and artists' books.
Publications and exhibitions (selection)[edit]
- mumok – Museum moderner Kunst Stiftung Ludwig Wien
- Agnes Fuchs. Her Eyes Were Green (ed./cur.), Cologne: Verlag der Buchhandlung Walther und Franz König, 2023.
- mixed up with others before we even begin (ed./cur.), Cologne: Verlag der Buchhandlung Walther und Franz König, 2022.
- Collaborations (ed./cur. with Heike Eipeldauer), Cologne: Verlag der Buchhandlung Walther und Franz König, 2022.
- Ane Mette Hol. Becoming (working title) (ed./cur.), Cologne: Verlag der Buchhandlung Walther und Franz König, 2021.
- Kunstraum Lakeside
- Host (ed./cur. with Gudrun Ratzinger), Vienna: Verlag für moderne Kunst, 2024.
- Hollow Ground (ed./cur. with Gudrun Ratzinger), Vienna: Verlag für moderne Kunst, 2024.
- A Sense of Relatedness (ed. with Gudrun Ratzinger), Vienna: Verlag für moderne Kunst, 2023.
- Future Perfect (ed./cur. with Gudrun Ratzinger), Vienna: Verlag für moderne Kunst, 2022.
- Format (ed./cur.), Vienna: Verlag für moderne Kunst, 2021.
- Process (ed./cur.), Vienna: Verlag für moderne Kunst, 2020.
- Research (ed./cur.), Vienna: Verlag für moderne Kunst, 2019.
- Secession
- making of. Members' edition (ed.), Vienna: Secession Edition, 2013.
- Slavs and Tatars. Not Moscow Not Mecca (ed./cur.), Berlin: Revolver Publishing, 2012.
- Wade Guyton. Drawings for a Small Room (ed./cur.), Berlin: Revolver Publishing, 2011.
- Attila Csörgő (ed./cur.), Berlin: Revolver Publishing, 2011.
- Maria Bussmann. Long Beach, NY (ed./cur.), Berlin: Revolver Publishing, 2010.
- Magazines
- Die Stärken der Schwäche (ed. with Karin Harrasser), figurationen. gender literatur kultur #2, 2023.
- exhibit! Ausstellen als künstlerische Praxis (ed. with Gudrun Ratzinger), KUNSTFORUM International #270, 2020.
- publish! Publizieren als künstlerische Praxis (ed.), KUNSTFORUM International #252, 2018.
- originalcopy (ed. with Michael Kargl), springerin – Hefte für Gegenwartskunst #2, 2018.
- postdigital 2. Erscheinungsformen und Ausbreitung eines Phänomens (ed.), KUNSTFORUM International #243, 2016.
- postdigital 1. Allgegenwart und Unsichtbarkeit eines Phänomens (ed.), KUNSTFORUM International #242, 2016.
- Miscellaneous
- inframince infra-mince infra mince (ed./cur. with Gudrun Ratzinger and TransArts – Transdisciplinary Art), Berlin: DeGruyter, 2021.
- Exhibition: Universitätsgalerie der Angewandten im Heiligenkreuzerhof, Vienna
- originalcopy: Post-Digital Strategies of Appropriation (ed./cur. with Michael Kargl), Berlin: De Gruyter, 2019.
- Exhibitions: BRUX Freies Theater, Innsbruck | Angewandte Interdisciplinary Lab, Vienna | Wiels, Brussels
- Lorem Ipsum Dolor Sit Amet – Possible Content for 18 Pages (ed./cur.), Berlin: Revolver Publishing, 2016.
- Exhibition: Miss Read: The Berlin Art Book Fair, Berlin
- A Set Of Lines, A Stack Of Paper – Possible Content for 18 Pages (ed./cur.), Berlin: Revolver Publishing, 2015.
- Exhibition: Karst, Plymouth/UK
- This Page Intentionally Left Blank – Possible Content for 18 Pages (ed./cur.), Berlin: Revolver Publishing, 2014.
- Exhibition: Akbank Sanat, Istanbul
- ba ≠ b+a. From The Collection Of The City Of Vienna (ed./cur.), Berlin: DeGruyter, 2017
.
- Exhibition: Musa Wien Museum, Vienna
- Re- (ed./cur. with TransArts – Transdisciplinary Art), Berlin: Revolver Publishing, 2015.
- Exhibition: Kunstraum Niederösterreich, Vienna
- Origo (At Point Zero Of The Point Of View) (ed./cur. with Birgit Rinagl)
, Berlin: Revolver Publishing, 2013.
- Exhibition: Kunsthalle Exnergasse, Vienna
- Content Form Im-material (ed. with CONT3XT.NET), Nuremberg: Verlag für moderne Kunst, 2011. [1]
- Exhibitions: Mala Galerija/Moderna Galerija, Ljubjlana | Kunstpavillon, Innsbruck | Institut für Alles Mögliche, Berlin