Difference between revisions of "Helen Jungyeon Ku"
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| − | '''Helen Jungyeon Ku''' is a curator at the National Museum of Modern and Contemporary Art | + | '''구정연 Helen Jungyeon Ku''' is Head of Research and Public Programs at Leeum Museum of Art, [[Seoul]], Korea. Previously she worked as a curator at the National Museum of Modern and Contemporary Art in Korea. She received her MA in art theory from the Korea National University of Arts. She co-founded [[mediabus]] and [[The Book Society]] after working as a design curator at the ZeroOne Design Center. She co-curated the exhibition ''Artists’ Documents: Art, Typography and Collaboration'' (MMCA, Seoul, 2016) and has edited several publications including MMCA Artist Studies Series ''Im Heung-soon: Toward a Poetics of Opacity and Hauntology'', ''Park Chan-kyong: Red Asia Complex'', and ''MMCA Studies 2019 The Transnational Museum''. In 2019, she curated an archive research forum entitled ''Re-inventing Archive: Design, Architecture, Visual Culture''. ([https://www.mill6chat.org/bio-following-traces-spinning-east-asia-creative-sharing/ 2019], upd.) |
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* [https://instagram.com/helen_jy_ku/ Instagram] | * [https://instagram.com/helen_jy_ku/ Instagram] | ||
Latest revision as of 19:19, 17 April 2025
구정연 Helen Jungyeon Ku is Head of Research and Public Programs at Leeum Museum of Art, Seoul, Korea. Previously she worked as a curator at the National Museum of Modern and Contemporary Art in Korea. She received her MA in art theory from the Korea National University of Arts. She co-founded mediabus and The Book Society after working as a design curator at the ZeroOne Design Center. She co-curated the exhibition Artists’ Documents: Art, Typography and Collaboration (MMCA, Seoul, 2016) and has edited several publications including MMCA Artist Studies Series Im Heung-soon: Toward a Poetics of Opacity and Hauntology, Park Chan-kyong: Red Asia Complex, and MMCA Studies 2019 The Transnational Museum. In 2019, she curated an archive research forum entitled Re-inventing Archive: Design, Architecture, Visual Culture. (2019, upd.)
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