Difference between revisions of "Sabeth Buchmann"
(Created page with "'''Sabeth Buchmann''' is an art historian and critic, and professor for the history of modern and postmodern at the Academy of Fine Arts, Vienna. She is a board member of...") |
|||
| (2 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
| − | '''Sabeth Buchmann''' | + | '''Sabeth Buchmann''' (Berlin/ Vienna); since 2004 Professor of the History of Modern and Postmodern Art at the Academy of Fine Arts, Institute for Art and Cultural Studies, Vienna; guest lecturer ar the Maumaus, Lisbon; co-editor of PoLyPen - a series on art criticism and political theory ([[b_books]], Berlin), board member of the art magazine ''Texte zur Kunst'' and of the European Kunsthalle. Recent publications: author of ''Kunst als Infrastruktur'' (2023), co-editor of ''Broken Relations: Infrastructure, Aesthetic, and Critique'' (2022), co-editor of ''Die Stimme als Voice & Vote. Festschrift für Diedrich Diederichsen'' (2018); co-editor of ''Putting Rehearsals to the Test. Practices of Rehearsal in Fine Arts, Film. Theater, Theory, and Politics'' (2016). Previous publications and activities: co-editor of ''art works. Ästhetik des Postfordismus'' (2015), co-editor of ''Textile Theorien der Moderne. Alois Riegl in der Kunstkritik'' (2015); co-author of ''Hélio Oiticica & Neville D’Almeida: Experiments in Cosmococa'' (2013), co-ed. of ''Film, Avantgarde und Biopolitik'' (2009); author of ''Denken gegen das Denken – Produktion, Technologie, Subjektivität bei Sol LeWitt, Yvonne Rainer und Hélio Oiticica'' (2007); co-editor of ''Art After Conceptual Art'' (2006); founding member of the artist group [[Minimal Club]] (1984-1999) and of the art and theory magazine ''[[A.N.Y.P.]]'' (1989-1999). |
| + | |||
| + | Modern and contemporary art from a social and economic critical perspective with a focus on notions of work and production, film and media history, discourses of biopolitics and infrastructure; many years of research on experimental procedures and practices of rehearsal in the visual and performative arts. [https://www.akbild.ac.at/en/university/staff/245ADF01ADB34B29?set_language=en (2025)] | ||
; Links | ; Links | ||
| − | * [https://www.akbild.ac.at/de/universitaet/mitarbeiterinnen/245ADF01ADB34B29 | + | * [https://www.akbild.ac.at/de/universitaet/mitarbeiterinnen/245ADF01ADB34B29 Academy of Fine Arts Vienna] |
* [https://www.akbild.ac.at/de/universitaet/mitarbeiterinnen/245ADF01ADB34B29/Publicationlistsb.pdf Publications] | * [https://www.akbild.ac.at/de/universitaet/mitarbeiterinnen/245ADF01ADB34B29/Publicationlistsb.pdf Publications] | ||
* [https://en.wikipedia.org/wiki/Sabeth_Buchmann Wikipedia] | * [https://en.wikipedia.org/wiki/Sabeth_Buchmann Wikipedia] | ||
| + | |||
| + | [[Series:Art history]] [[Series:Art writers]] | ||
| + | {{DEFAULTSORT:Buchmann, Sabeth}} | ||
Latest revision as of 10:25, 21 May 2025
Sabeth Buchmann (Berlin/ Vienna); since 2004 Professor of the History of Modern and Postmodern Art at the Academy of Fine Arts, Institute for Art and Cultural Studies, Vienna; guest lecturer ar the Maumaus, Lisbon; co-editor of PoLyPen - a series on art criticism and political theory (b_books, Berlin), board member of the art magazine Texte zur Kunst and of the European Kunsthalle. Recent publications: author of Kunst als Infrastruktur (2023), co-editor of Broken Relations: Infrastructure, Aesthetic, and Critique (2022), co-editor of Die Stimme als Voice & Vote. Festschrift für Diedrich Diederichsen (2018); co-editor of Putting Rehearsals to the Test. Practices of Rehearsal in Fine Arts, Film. Theater, Theory, and Politics (2016). Previous publications and activities: co-editor of art works. Ästhetik des Postfordismus (2015), co-editor of Textile Theorien der Moderne. Alois Riegl in der Kunstkritik (2015); co-author of Hélio Oiticica & Neville D’Almeida: Experiments in Cosmococa (2013), co-ed. of Film, Avantgarde und Biopolitik (2009); author of Denken gegen das Denken – Produktion, Technologie, Subjektivität bei Sol LeWitt, Yvonne Rainer und Hélio Oiticica (2007); co-editor of Art After Conceptual Art (2006); founding member of the artist group Minimal Club (1984-1999) and of the art and theory magazine A.N.Y.P. (1989-1999).
Modern and contemporary art from a social and economic critical perspective with a focus on notions of work and production, film and media history, discourses of biopolitics and infrastructure; many years of research on experimental procedures and practices of rehearsal in the visual and performative arts. (2025)
- Links
