Difference between revisions of "Ana Ribeiro"
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| − | '''Ana Ribeiro''' is a Time-based media conservator at Tate | + | '''Ana Ribeiro''' is a Time-based media conservator at Tate, [[London]]. Ana studied Conservation and Restoration in Lisbon (FCT-UNL) and trained in media conservation at the S.M.A.K (Ghent), NiMK (Amsterdam) and Tate where she now coordinates the acquisition of new time-based media artworks joining the collection. Since 2016 Ana has been caring for performance-based artworks and their communities, such as Lee Mingwei’s Our Labyrinth, and recently she has focused on the preservation of choreographic works and the conditions to sustain them in a museum context, contributing to the [https://www.tate.org.uk/about-us/projects/precarious-movements Precarious Movements] project as Institutional Associate Researcher. Ana is interested in understanding how Degrowth principles can allow for a more reflective, just and responsible conservation practice in the museum. [https://www.eventbrite.com/e/museums-degrowth-how-to-create-change-towards-a-post-growth-reality-tickets-1371659834489 (2025)] |
[[Series:Art conservation]] | [[Series:Art conservation]] | ||
{{DEFAULTSORT:Ribeiro, Ana}} | {{DEFAULTSORT:Ribeiro, Ana}} | ||
Latest revision as of 07:47, 5 June 2025
Ana Ribeiro is a Time-based media conservator at Tate, London. Ana studied Conservation and Restoration in Lisbon (FCT-UNL) and trained in media conservation at the S.M.A.K (Ghent), NiMK (Amsterdam) and Tate where she now coordinates the acquisition of new time-based media artworks joining the collection. Since 2016 Ana has been caring for performance-based artworks and their communities, such as Lee Mingwei’s Our Labyrinth, and recently she has focused on the preservation of choreographic works and the conditions to sustain them in a museum context, contributing to the Precarious Movements project as Institutional Associate Researcher. Ana is interested in understanding how Degrowth principles can allow for a more reflective, just and responsible conservation practice in the museum. (2025)
