Difference between revisions of "Nikola Stoyanov"
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| − | '''Nikola | + | '''Nikola Stoyanov''' is a visual artist and philosopher living in [[Varna]], Bulgaria. He is the author of numerous exhibitions, specialising in photography and digital art. His work delves into theory-fiction, post-humanist research, and the boundaries of visual art. Trained in philosophy and the history of technology in the United Kingdom, Stoyanov has translated works of the [[Cybernetic Culture Research Unit]], the early [[Nick Land]] and the late [[Mark Fisher]] into Bulgarian. His theory-fiction has appeared both in writing and as visual art. |
His work aims to traverse the boundary between research-based and speculative practices. Area of interest include the intersection of infrastructure, technological apparatus, art, and everyday life, intertwining the humanities with scientific methodologies. His practice employs multi-linear approaches to creative and collaborative endeavours. | His work aims to traverse the boundary between research-based and speculative practices. Area of interest include the intersection of infrastructure, technological apparatus, art, and everyday life, intertwining the humanities with scientific methodologies. His practice employs multi-linear approaches to creative and collaborative endeavours. | ||
Latest revision as of 11:36, 15 September 2025
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| Born |
December 26, 1994 Varna, Bulgaria |
|---|---|
| Lives in | Varna, Bulgaria |
| Web | Personal website, Blog |
Nikola Stoyanov is a visual artist and philosopher living in Varna, Bulgaria. He is the author of numerous exhibitions, specialising in photography and digital art. His work delves into theory-fiction, post-humanist research, and the boundaries of visual art. Trained in philosophy and the history of technology in the United Kingdom, Stoyanov has translated works of the Cybernetic Culture Research Unit, the early Nick Land and the late Mark Fisher into Bulgarian. His theory-fiction has appeared both in writing and as visual art.
His work aims to traverse the boundary between research-based and speculative practices. Area of interest include the intersection of infrastructure, technological apparatus, art, and everyday life, intertwining the humanities with scientific methodologies. His practice employs multi-linear approaches to creative and collaborative endeavours.
Exhibitions[edit]
- Post Cards and Contraband (2024);
- Nature Morte (2023);
- Latent Space (2022);
- Re:Process (2022);
- I-Ixa (2021);
- In:Process (2021)
Books[edit]
- Картички и Контрабанда (2023) ISBN:978-619-92510-1-0. [1]
- Nature Morte (2023) ISBN:978-619-92510-0-3. [2]
- В:Процес (2021), ISBN:978-619-188-514-5. [3]
- Links
