Difference between revisions of "Susan Milano"
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| − | '''Susan Milano'''’s introduction to video started at Global Village in 1970, working with co-founder, John Reilly as a teaching assistant for video production courses.. At [[Steina Vasulka]]’s suggestion, she organized what came to be the first Women’s Video Festival at [[the Kitchen]] in 1972. She led the video program at the [[Women's Interart Center]] and began incorporating sculptures and installations into succeeding Festivals and shows held there. After taking a workshop with Shirley Clarke she joined the TP Videospace Troupe, which strongly influenced her subsequent work, notably ''Video Swing'' and ''BackSeat''. As a producer for Barry Rebo, they brought small format video to the field of location production for Pink Floyd, Bruce Springsteen, and Mohammed Ali among others. She maintains a substantial archive of files, documents, videotapes and ephemera chronicling video’s early days in New York. | + | '''Susan Milano'''’s introduction to video started at Global Village in 1970, working with co-founder, John Reilly as a teaching assistant for video production courses.. At [[Steina Vasulka]]’s suggestion, she organized what came to be the first Women’s Video Festival at [[the Kitchen]] in 1972. She led the video program at the [[Women's Interart Center]] and began incorporating sculptures and installations into succeeding Festivals and shows held there. After taking a workshop with Shirley Clarke she joined the TP Videospace Troupe, which strongly influenced her subsequent work, notably ''Video Swing'' and ''BackSeat''. As a producer for Barry Rebo, they brought small format video to the field of location production for Pink Floyd, Bruce Springsteen, and Mohammed Ali among others. She maintains a substantial archive of files, documents, videotapes and ephemera chronicling video’s early days in New York. [https://mediaburn.org/blog/guerrilla-television-bios/ (2024)] |
; Links | ; Links | ||
* [https://features.eai.org/oral-histories/susanmilano Oral history interview], EAI, 2021 | * [https://features.eai.org/oral-histories/susanmilano Oral history interview], EAI, 2021 | ||
| + | * https://features.eai.org/video-features/susan-milanos-back-seat | ||
| + | * https://mediaburn.org/video/about-environments-susan-milano-some-voices-some-visions-women-videotape-artists-1975/ | ||
[[Series:Video art]] | [[Series:Video art]] | ||
{{DEFAULTSORT:Milano, Susan}} | {{DEFAULTSORT:Milano, Susan}} | ||
Latest revision as of 21:56, 16 October 2025
Susan Milano’s introduction to video started at Global Village in 1970, working with co-founder, John Reilly as a teaching assistant for video production courses.. At Steina Vasulka’s suggestion, she organized what came to be the first Women’s Video Festival at the Kitchen in 1972. She led the video program at the Women's Interart Center and began incorporating sculptures and installations into succeeding Festivals and shows held there. After taking a workshop with Shirley Clarke she joined the TP Videospace Troupe, which strongly influenced her subsequent work, notably Video Swing and BackSeat. As a producer for Barry Rebo, they brought small format video to the field of location production for Pink Floyd, Bruce Springsteen, and Mohammed Ali among others. She maintains a substantial archive of files, documents, videotapes and ephemera chronicling video’s early days in New York. (2024)
- Links
