Difference between revisions of "Nicolas Malevé"

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'''Nicolas Malevé''' is a visual artist, computer programmer and data activist, who lives and works between [[Brussels]] and [[London]]. Nicolas is currently working on a PhD thesis on the algorithms of vision at the London South Bank University in collaboration with The Photographers' Gallery. In this context, he initiated the project Variations on a Glance (2015-2018), a series of workshops on the experimental production of computer vision, conducted in several international venues such as Cambridge Digital Humanities Network (Cambridge, United Kingdom), Hangar (Barcelona, Spain), Algolit (Brussels, Belgium),  or Arhus University, (Arhus, Denmark). He is a member of [[Constant]] and the [http://sicv.activearchives.org/ Scandinavian Institute for Computational Vandalism]. In the [http://activearchives.org/ Active Archives] project, with [[Michael Murtaugh]], he experiments with techniques to engage with large collections of visual materials and explore different ways to navigate and question them. Nicolas contributed to exhibitions (documenta12, Kassel; Kiasma, Helsinki), research events (“Archive in Motion”, University of Oslo; Document, Fiction et Droit, Fine Arts Academy, Brussels; Image Net/Work, Fotomuseum, Winthertur), and publications by MIT Press and Presses Universitaires de Provence. [https://www.hslu.ch/en/lucerne-university-of-applied-sciences-and-arts/about-us/people-finder/profile/?pid=4507] [https://unthinking.photography/contributors/nicolas-maleve]
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'''Nicolas Malevé''', visual artist, data activist and computer science geek, is interested in the socio-technical networks of artificial intelligence and their epistemic implications. His doctoral thesis, ''[https://unthinking.photography/other/algorithms-of-vision Algorithms of Vision]'', focused on the concept of perception at the heart of automated vision algorithms and the work of annotators who classify, describe and filter the data needed for machine learning.
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His current research focuses on the controversies between visual artists and artificial image generation platforms. This work lies at the intersection of aesthetics and computer science. As part of the PostGenAI@Paris project, he is studying how the questions raised therein relate to the formalising mechanisms of law and the ways of seeing at play in the legal world. [https://www.sciencespo.fr/ecole-droit/en/directory/maleve-nicolas/ (2025)]
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His affiliations include [[Constant]], the [[Institute for Computational Vandalism]] and [http://activearchives.org/ Active Archives].
  
 
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; Links
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* https://constantvzw.org/site/_nicolas-maleve_.html
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* [https://www.sciencespo.fr/ecole-droit/en/directory/maleve-nicolas/ SciencesPo]
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* [https://orcid.org/0000-0001-7041-8742 ORCID]
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* [https://constantvzw.org/site/_nicolas-maleve_.html Constant]
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* https://www.macba.cat/en/activities/high-latencies/
 
* https://unthinking.photography/contributors/nicolas-maleve
 
* https://unthinking.photography/contributors/nicolas-maleve
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* [https://rwm.macba.cat/es/podcasts/altas-latencias-1/ "Altas latencias #1. Nicolás Malevé y Jara Rocha"], ''Radio Web MACBA'', 6 Sep 2024, 87 min. Podcast. [https://mastodon.social/@Radio_Web_MACBA/113090641280207045 Toot]. {{es}}
  
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[[Category:Data activism|Maleve, Nicolas]]
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[[Series:Data activism|Maleve, Nicolas]]

Latest revision as of 10:15, 22 November 2025

Nicolas Malevé, visual artist, data activist and computer science geek, is interested in the socio-technical networks of artificial intelligence and their epistemic implications. His doctoral thesis, Algorithms of Vision, focused on the concept of perception at the heart of automated vision algorithms and the work of annotators who classify, describe and filter the data needed for machine learning.

His current research focuses on the controversies between visual artists and artificial image generation platforms. This work lies at the intersection of aesthetics and computer science. As part of the PostGenAI@Paris project, he is studying how the questions raised therein relate to the formalising mechanisms of law and the ways of seeing at play in the legal world. (2025)

His affiliations include Constant, the Institute for Computational Vandalism and Active Archives.

Links
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