Difference between revisions of "Nicolas Malevé"

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Systems- and software developer with a long interest in the politics and practice of software. Uses Linux since 1998 and makes publishing- and distribution systems for collaborative work. Active in [[Constant VZW]]. Lives in [[Brussels]].
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'''Nicolas Malevé''', visual artist, data activist and computer science geek, is interested in the socio-technical networks of artificial intelligence and their epistemic implications. His doctoral thesis, ''[https://unthinking.photography/other/algorithms-of-vision Algorithms of Vision]'', focused on the concept of perception at the heart of automated vision algorithms and the work of annotators who classify, describe and filter the data needed for machine learning.
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His current research focuses on the controversies between visual artists and artificial image generation platforms. This work lies at the intersection of aesthetics and computer science. As part of the PostGenAI@Paris project, he is studying how the questions raised therein relate to the formalising mechanisms of law and the ways of seeing at play in the legal world. [https://www.sciencespo.fr/ecole-droit/en/directory/maleve-nicolas/ (2025)]
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His affiliations include [[Constant]], the [[Institute for Computational Vandalism]] and [http://activearchives.org/ Active Archives].
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; Links
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* [https://www.sciencespo.fr/ecole-droit/en/directory/maleve-nicolas/ SciencesPo]
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* [https://orcid.org/0000-0001-7041-8742 ORCID]
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* [https://constantvzw.org/site/_nicolas-maleve_.html Constant]
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* https://www.macba.cat/en/activities/high-latencies/
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* https://unthinking.photography/contributors/nicolas-maleve
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* [https://rwm.macba.cat/es/podcasts/altas-latencias-1/ "Altas latencias #1. Nicolás Malevé y Jara Rocha"], ''Radio Web MACBA'', 6 Sep 2024, 87 min. Podcast. [https://mastodon.social/@Radio_Web_MACBA/113090641280207045 Toot]. {{es}}
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[[Series:Data activism|Maleve, Nicolas]]

Latest revision as of 10:15, 22 November 2025

Nicolas Malevé, visual artist, data activist and computer science geek, is interested in the socio-technical networks of artificial intelligence and their epistemic implications. His doctoral thesis, Algorithms of Vision, focused on the concept of perception at the heart of automated vision algorithms and the work of annotators who classify, describe and filter the data needed for machine learning.

His current research focuses on the controversies between visual artists and artificial image generation platforms. This work lies at the intersection of aesthetics and computer science. As part of the PostGenAI@Paris project, he is studying how the questions raised therein relate to the formalising mechanisms of law and the ways of seeing at play in the legal world. (2025)

His affiliations include Constant, the Institute for Computational Vandalism and Active Archives.

Links