Difference between revisions of "Linnea Semmerling"
(Created page with "'''Linnea Semmerling''' is Director of the Düsseldorf IMAI - Inter Media Art Institute and Assistant Professor in Sound Studies and Sound Art at Leiden University. H...") |
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* [https://linneasemmerling.com/ Website] | * [https://linneasemmerling.com/ Website] | ||
| + | * [https://www.universiteitleiden.nl/en/staffmembers/linnea-semmerling/ U Leiden] | ||
| + | * [https://orcid.org/0009-0007-7216-6156 ORCID] | ||
| + | * [https://thedorf.de/gesichter/zu-tisch-mit/linnea-semmerling/ Interview], 2020. | ||
| + | * [https://instagram.com/linneasemmerling/ Instagram] | ||
[[Series:Sound art]] | [[Series:Sound art]] | ||
{{DEFAULTSORT:Semmerling, Linnea}} | {{DEFAULTSORT:Semmerling, Linnea}} | ||
Latest revision as of 11:10, 23 December 2025
Linnea Semmerling is Director of the Düsseldorf IMAI - Inter Media Art Institute and Assistant Professor in Sound Studies and Sound Art at Leiden University. Her first monograph Listening on Display: Exhibiting Sounding Artworks 1960 to the Present is forthcoming with Bloomsbury. She has previously (co-)curated and (co-)edited Conrad Schnitzler: Sometimes it gets out of hand and turns into music (Kunsthalle Düsseldorf / Walther König, 2023), Fringe of the Fringe: Queering Punk Media History (Hatje Cantz, 2023), There is no party so noisy as the one you’re not invited to (TENT Rotterdam, 2022), and Sound Art: Sound as a Medium of Art (ZKM / MIT Press, 2019), among others. Her curatorial and research interests concern socially engaged artistic practices and the relationships between technologies, institutions, and the senses. (2025)
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