Walter Benjamin

Passport photograph of Walter Benjamin, Berlin, 1928
Born	July 15, 1892(1892-07-15) Berlin, German Empire
Died	September 26, 1940(1940-09-26) (aged 48) Portbou, Catalonia, Spain

Walter Benjamin (1892–1940) was born in Berlin, Germany, into a ‘wealthy run-of-the-mill assimilated Jewish family’. He was raised in a welloff quarter of the city and came of age during the Weimar Republic years before eventually settling in Paris in the 1930s. The historical record is patchy but apparently he earned his living, supported a wife and family until his divorce in 1930 and a passion for book collecting, from a combination of journal and newspaper publications, a stipend from the Frankfurt School, and by other ‘private means’, most likely his father, who was an art dealer and antiquarian.

The longevity and extent of Walter Benjamin’s posthumous fame and influence is in inverse proportion to the relative brevity of his life, and the even shorter time-span of his academic and publishing output. His publishing career spanned but a decade. His early academic record was chequered, to say the least, in that a mixture of ‘bungling and bad luck’ dogged the reception of his work effectively preventing him from establishing a university career. His two main pieces of scholarly research were published in 1920 and 1928, both of which were famously misunderstood at the time. It was only fifteen years after his death, with the publication of his collected work through the joint effort of Theodor Adorno and others, that his influence began to spread.

Perhaps the best known biographical detail of Benjamin’s life is how it ended, with suicide at the age of 48 on the Franco-Spanish border in September of 1940. He was uneasily awaiting a visa that would allow him to emigrate to the United States of America, after fleeing to France from Nazi persecution. In Arendt’s account, ‘the immediate occasion for Benjamin’s suicide was an uncommon stroke of bad luck’. Apparently, he mistakenly believed that he would not be able to obtain the necessary papers after being stopped at the Spanish border. Expecting to be sent back to Nazi Germany, he chose to kill himself instead. The historical and intellectural resonances of this personal choice have not gone unacknowledged by later commentators.

A crucial aspect to Walter Benjamin’s intellectual legacy is his role as co-founder of ‘Critical Theory’, the body of Marxist and Freudian influenced theory and research based at the University of Frankfurt. His close – albeit stormy – intellectual relationship with Adorno and Horkheimer, the doyens of the Frankfurt School, is an important theme in the literature. Benjamin, who ‘was no-one’s disciple’, was ‘probably the most peculiar Marxist ever produced by this movement, which God knows had its full share of oddities’; was involved in the European Communist movement – he visited the Soviet Union – and Zionist activism at the same time; dreamt of publishing a work made up entirely of quotations in a pre-postmodern age; contributed to aesthetic and architectural theory and philosophy of history; was an accomplished translator; wrote (famously) about Goethe, Proust, Baudelaire and Kafka, book collecting, wandering about the city, and technological change. This eclecticism is reflected in the vast quantity of secondary literature on his life and work. The main thing to remember for the interested reader is that caveats and arguments – about ideological affiliation, methodology, political applicability – abound when it comes to this thinker. (by Marianne Franklin, 2003, pp 14-16)

See also

• Walter Benjamin Archives

Literature

Benjamin's collected writings

• Versuche über Brecht, Frankfurt: Suhrkamp Verlag, 1966. (German) / Understanding Brecht, London/New York, Verso, 1998.
• Gesammelte Schriften, Bd I-IV, Frankfurt: Suhrkamp Verlag, 1974-76. (German) / One-Way Street and Other Writings, London: NLB, 1979. / Early Writings, 1910-1917, Cambridge/MA and London: Belknap Press of Harvard University Press, 2011.
• Gesammelte Schriften, Bd 5: Das Passagen-Werk, Frankfurt am Main: Suhrkamp Verlag, 1982. (German) / The Arcades Project, The Belknap Press, 1999.
• Discursos Interrumpidos I. Filosofia del arte y de la historia, Buenos Aires: Taurus, 1989. (Spanish)
• Illuminations: Essays and Reflections, New York: Schocken Books, trans. Harry Zohn, 2007.
  • Iluminaciones II: Baudelaire: un poeta en el esplendor del capitalismo, Madrid: Taurus, trans. Jesús Aguirre, 1972. (Spanish)
  • Iluminácie, Bratislava: Kalligram, trans. Adam Bžoch and Jana Truhlářová, 1999. (Slovak)
• Über den Begriff der Geschichte, edited by Gerard Raulet, Berlin: Suhrkamp, 2010. (German)

Articles by Benjamin

• "L’œuvre d’art à l’époque de sa reproduction méchanisée", 1936. (French) / "Произведение искусства в эпоху его технической воспроизводимости. Избранные эссе", 1996. (Russian) / The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media, Cambridge/London: The Belknap Press, 2008.
• Adorno, Benjamin, Bloch, Brecht, Lukács: Aesthetics and Politics, London: Verso, 1980.
• "Moscow Diary", October, No 35 (Winter 1985), MIT Press.

Private correspondence

• The Correspondence of Walter Benjamin, 1910-1940, University of Chicago Press, 1994.

Books on Benjamin

• Susan Buck-Morss, The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and the Frankfurt Institute, New York: The Free Press, 1977. Republished, 2002. London: Harvester Press, 1978. Paperback edition, 1979.
  • Susan Buck-Morss, Origen de la dialéctica negativa, Mexico: Siglo XXI editores, trans. Nora Rabotnikof, 1981. (Spanish)
• Terry Eagleton, Walter Benjamin, or, Towards a Revolutionary Criticism, London: NLB, 1981.
• Richard Wolin, Walter Benjamin: An Aesthetic of Redemption, University of California Press, 1994.
• Susan Buck-Morss, The Dialectics of Seeing: Walter Benjamin and the Arcades Project, MIT Press, 1989. Paperback edition, 1991.
  • Susan Buck-Morss, Dialektik des Sehens - Walter Benjamin und das Passagen-Werk, Frankfurt-am-Main: Suhrkamp Verlag, trans. Joachim Schulte, 1993; paperback 2000. (German) [1]
  • Susan Buck-Morss, Dialéctica de la mirada: Walter Benjamin y la dialéctica de los pasajes, Madrid: Visor, 1995. (Spanish)
  • Susan Buck-Morss, Dialética do olhar: Walter Benjamin e o projeto das passagens, Belo Horizonte: Editora da UFMG, trans. Ana Luiza Andrade, 2002. (Portuguese)
  • Susan Buck-Morss, Η διαλεκτική της όρασης: Ο Βάλτερ Μπένγιαμιν και το Σχέδιο Eργασίας περί Στοών, Crete University Press, trans. Αθανασάκης Μανόλης, 2009. (Greek) [2]
  • Susan Buck-Morss, Görmenin Diyalektiği: Walter Benjamin ve Pasajlar Projesi, Istanbul: Metis, trans. Ferit Burak Aydar, 2010. (Turkish) [3]
• Rainer Rochlitz, The Disenchantment of Art: The Philosophy of Walter Benjamin, Guilford Press, 1996.
• Kia Lindroos, Now-Time. Image-Space. Temporalization of Politics in Walter Benjamin's Philosophy of History and Art, Jyvaskyla: Kampus Kirja, 1998.
• Graeme Gilloch, Walter Benjamin: Critical Constellations, Polity Press, 2002.
• Andrew Benjamin, Charles Rice (eds.), Walter Benjamin and the Architecture of Modernity, Melbourne: re.press, 2009.
• César Rendueles, Ana Useros, Atlas Constelaciones, Madrid: Círculo de Bellas Artes, 2010. Catalogue. (Spanish)
• Momme Brodersen, Klassenbild mit Walter Benjamin: Eine Spurensuche, Munich: Siedler, 2012, 240 pp. (German)

Journal issues on Benjamin

• New German Critique No 17 (Spring 1979): "Walter Benjamin".
• Critical Inquiry 25-2 (Winter 1999): "Angelus Novus: Perspectives on Walter Benjamin".
• New German Critique No 83 (Summer-Spring 2001): "Walter Benjamin".
• Boundary 2 (Spring 2003): "Benjamin Now: Critical Encounters With the Arcades Project".

Articles on Benjamin

• Esther Leslie, "Walter Benjamin, Politics, Aesthetics, Rebelart, 2009.

External links

• The Walter Benjamin Research Syndicate
• "The Work of Art in the Age of Mechanical Reproduction" at Wikipedia
• Benjamin at Wikipedia