Difference between revisions of "Hal Foster"
Jump to navigation
Jump to search
Sorindanut (talk | contribs) (Created page with "Harold Foss "'''Hal'''" '''Foster''' (born August 13, 1955) is an American art critic and historian. Foster's criticism focuses on the role of the avant-garde within postmoder...") |
Sorindanut (talk | contribs) |
||
Line 3: | Line 3: | ||
==Literature== | ==Literature== | ||
* ''The Mink's Cry'', Bay Press, 1982 | * ''The Mink's Cry'', Bay Press, 1982 | ||
− | * ''The Anti-Aesthetic: Essays on Postmodern Culture'', 1983 | + | * [[Media:Hal_Foster_The_Anti-aesthetic-_Essays_on_postmodern_culture_1983.pdf|''The Anti-Aesthetic: Essays on Postmodern Culture'']], 1983 |
* ''Recodings: Art, Spectacle, Cultural Politics'', Bay Press, 1985 | * ''Recodings: Art, Spectacle, Cultural Politics'', Bay Press, 1985 | ||
* ''Compulsive Beauty'', MIT Press, 1995 | * ''Compulsive Beauty'', MIT Press, 1995 |
Revision as of 11:45, 15 January 2014
Harold Foss "Hal" Foster (born August 13, 1955) is an American art critic and historian. Foster's criticism focuses on the role of the avant-garde within postmodernism.
Literature
- The Mink's Cry, Bay Press, 1982
- The Anti-Aesthetic: Essays on Postmodern Culture, 1983
- Recodings: Art, Spectacle, Cultural Politics, Bay Press, 1985
- Compulsive Beauty, MIT Press, 1995
- Discussions in Contemporary Culture, The New Press, 1988
- The Return of the Real, 1996
- Design and Crime (And Other Diatribes), 2002 (2nd. edition 2011)
- Prosthetic Gods (October Books), MIT Press, 2004
- The Art-Architecture Complex, Verso Books, 2011
- The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha, Princeton University Press, 2011