Difference between revisions of "Rudolf Arnheim"

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==Literature==
 
==Literature==
* ''Film als Kunst'' ''[http://monoskop.org/log/?p=5228 Film as Art]'', Berlin, 1932, University of California Press, 1957
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* ''Film als Kunst'' [''[http://monoskop.org/log/?p=5228 Film as Art]''], Berlin, 1932, University of California Press, 1957
 
* ''[http://monoskop.org/log/?p=5475 Radio: An Art of Sound]'',Faber and Faber Limited, London, 1936, Arno Press, New York, 1971
 
* ''[http://monoskop.org/log/?p=5475 Radio: An Art of Sound]'',Faber and Faber Limited, London, 1936, Arno Press, New York, 1971
 
* ''[http://monoskop.org/log/?p=6097 Entropy and Art: Essay on Disorder and Order]'', University of California Press, 1971
 
* ''[http://monoskop.org/log/?p=6097 Entropy and Art: Essay on Disorder and Order]'', University of California Press, 1971
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* ''The Coming and Going of Images'' (cap.) in ''[http://monoskop.org/log/?p=1237 Oliver Grau (ed.): MediaArtHistories]'', MIT Press, 2007: 15-17
  
 
==Links==
 
==Links==

Revision as of 08:59, 29 January 2014

Rudolf Arnheim (July 15, 1904 – June 9, 2007) was a German-born author, art and film theorist, and perceptual psychologist.

His major books are Art and Visual Perception: A Psychology of the Creative Eye (1954), Visual Thinking (1969), and The Power of the Center: A Study of Composition in the Visual Arts (1982), but it is Art and Visual Perception for which he was most widely known. Revised, enlarged and published as a new version in 1974, it has been translated into fourteen languages. He lived in Germany, Italy, England, and America.

Literature

Links