Difference between revisions of "Margaret Iversen"
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* "What Is A Photograph", Art History, 1994: 450–463 [included in: ''Psychoanalysis in Art History'' (Art History Special Issue, Vol 17, No. 3, September 1994)]. | * "What Is A Photograph", Art History, 1994: 450–463 [included in: ''Psychoanalysis in Art History'' (Art History Special Issue, Vol 17, No. 3, September 1994)]. | ||
* [http://mcguffie.com/pages/pdf1/Readymade,%20found%20object,%20photograph.pdf "Readymade, found object, photograph"], ''Art Journal'', Summer 2004:44-57. | * [http://mcguffie.com/pages/pdf1/Readymade,%20found%20object,%20photograph.pdf "Readymade, found object, photograph"], ''Art Journal'', Summer 2004:44-57. | ||
| + | * "The Surrealist Situation of the Photographed Object", chap. in: Stephen Melville (ed.), ''The Lure of the Object'', Williamstown, MA: Sterling and Francine Clark | ||
| + | Art Institute, 2005: 181-92. | ||
* [[Media:Iversen_Auto_Maticity_Ruscha_and_Performative_photography.pdf|"Auto-maticity: Ruscha and performative photography"]], ''Art History'', vol. 32, no.5, 2009: 836-851. | * [[Media:Iversen_Auto_Maticity_Ruscha_and_Performative_photography.pdf|"Auto-maticity: Ruscha and performative photography"]], ''Art History'', vol. 32, no.5, 2009: 836-851. | ||
* [https://www.courtauld.ac.uk/booksonline/modernistgames/files/Modernist%20Games%20Chapter%206%20-%20Margaret%20Iversen%20-%20Single%20Spread.pdf "Chance and Cjoise in CÉZANNE"], Chap. 6, in:[http://www.courtauld.ac.uk/booksonline/modernistgames/index.shtml ''MODERNIST GAMES. CÉZANNE AND HIS CARD PLAYERS''], Satish Padiyar (ed.), London: The Courtauld Institute of Art, 2013. | * [https://www.courtauld.ac.uk/booksonline/modernistgames/files/Modernist%20Games%20Chapter%206%20-%20Margaret%20Iversen%20-%20Single%20Spread.pdf "Chance and Cjoise in CÉZANNE"], Chap. 6, in:[http://www.courtauld.ac.uk/booksonline/modernistgames/index.shtml ''MODERNIST GAMES. CÉZANNE AND HIS CARD PLAYERS''], Satish Padiyar (ed.), London: The Courtauld Institute of Art, 2013. | ||
Revision as of 14:03, 27 February 2014
Margaret Iversen is Professor of Art History and Theory at the University of Essex. Her present and future research is devoted to the overlapping fields of photography and contemporary art. She was director of a large AHRC research project called Aesthetics after Photography (2007-2010), an interdisciplinary project in partnership with Diarmuid Costello of the Philosophy Department, University of Warwick.
Publications
- Articles, chapters
- "What Is A Photograph", Art History, 1994: 450–463 [included in: Psychoanalysis in Art History (Art History Special Issue, Vol 17, No. 3, September 1994)].
- "Readymade, found object, photograph", Art Journal, Summer 2004:44-57.
- "The Surrealist Situation of the Photographed Object", chap. in: Stephen Melville (ed.), The Lure of the Object, Williamstown, MA: Sterling and Francine Clark
Art Institute, 2005: 181-92.
- "Auto-maticity: Ruscha and performative photography", Art History, vol. 32, no.5, 2009: 836-851.
- "Chance and Cjoise in CÉZANNE", Chap. 6, in:MODERNIST GAMES. CÉZANNE AND HIS CARD PLAYERS, Satish Padiyar (ed.), London: The Courtauld Institute of Art, 2013.
- Books
- Alois Riegl: Art History and Theory, 1993.
- Margaret Iversen, et al., Mary Kelly, Phaidon Press, 1997.
- with Francis Barker and Peter Hulme, Cannibalism and the Colonial World, 1998.
- with Dana Arnold (ed.), Art and Thought, Wiley-Blackwell, 2003.
- Beyond Pleasure: Freud, Lacan, Barthes (Refiguring Modernism), 2007.
- Chance, co-published by Whitechapel Gallery and the MIT Press, 2010, (Introduction//The Aesthetics of Chance).
- with Stephen Melville, Writing Art History: Disciplinary Departures , 2010.
- with Diarmuid Costello, Photography After Conceptual, 2011.
