Difference between revisions of "Oleksiy Radynski"

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Born 1984. [[Kiev]]-based art historian, critic and curator with a special interest to Soviet avant-garde and its influence on contemporary visual culture. Among recent works – extended essays on the interconnections between Walter Benjamin’s and Dziga Vertov’s approaches to media theory and practice and on research-based art strategies in Boris Mikhailov’s Unfinished Dissertation. In 2006-2007 edited the screen arts magazine KINO-KOLO. In 2006 carried out the research of conceptual practices in contemporary photography at CCA Zamek Ujazdovski, Warsaw. In 2008-2009 – curator at Kyiv city gallery Lavra. Currently – curator at Visual Culture Research Center (Kyiv). Post-graduate student at Cultural Studies Department of National University ‘Kyiv-Mohyla Academy’, preparing the dissertation on appropriation of Soviet montage theories in contemporary media.
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Oleksiy Radynski is a filmmaker and writer based in [[Kyiv]]. He is a member of Visual Culture Research Center, an initiative for art, knowledge, and politics founded in Kyiv, 2008. Since 2011, he has been an editor of Ukrainian edition of ''Political Critique'' magazine.  
  
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His texts had recently been published in the anthologies ''Soviet Modernism 1955-1991: Unknown Stories'' (2012), ''Post-Post-Soviet?: Art, Politics, and Society in Russia at the Turn of Decade'' (2013); ''Sweet Sixties: Spirits and Specters of a Parallel Avant-Garde'' (2014). His latest films include ''[http://www.youtube.com/watch?v=W7rC5eoHGmc Incident in the Museum]'' (2013), ''[http://www.youtube.com/watch?v=UoRv4t7L2M0&list=UUEbJK92fvuVW7AR01RX1P7g Ukraine Goes To War]'' (with [[Tomas Rafa]], 2014), and ''Integration'' (2014).
  
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http://vcrc.ukma.kiev.ua/en/cv/radynski
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* http://www.e-flux.com/journal/maidan-and-beyond-part-ii-the-cacophony-of-donbas/
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* http://vcrc.ukma.kiev.ua/en/cv/radynski

Revision as of 16:46, 8 July 2014

Oleksiy Radynski is a filmmaker and writer based in Kyiv. He is a member of Visual Culture Research Center, an initiative for art, knowledge, and politics founded in Kyiv, 2008. Since 2011, he has been an editor of Ukrainian edition of Political Critique magazine.

His texts had recently been published in the anthologies Soviet Modernism 1955-1991: Unknown Stories (2012), Post-Post-Soviet?: Art, Politics, and Society in Russia at the Turn of Decade (2013); Sweet Sixties: Spirits and Specters of a Parallel Avant-Garde (2014). His latest films include Incident in the Museum (2013), Ukraine Goes To War (with Tomas Rafa, 2014), and Integration (2014).

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