Difference between revisions of "Rosalind E. Krauss"
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* ''October'' journal. | * ''October'' journal. | ||
* ''The Sculpture of David Smith: A Catalogue Raisonné'', New York: Garland, 1977. | * ''The Sculpture of David Smith: A Catalogue Raisonné'', New York: Garland, 1977. | ||
+ | * with Annette Michelson, et al., ''October: The Second Decade, 1986-1996'', MIT Press, 1997, [http://gen.lib.rus.ec/book/index.php?md5=6A802173D465AD311E99B35199E40641 PDF]. | ||
===Selected essays=== | ===Selected essays=== | ||
Line 54: | Line 55: | ||
==Literature== | ==Literature== | ||
− | |||
* "Rosalind Krauss", in Judy K. Collischan Van Wagner, ''Women Shaping Art: Profiles of Power'', New York: Praeger, 1984, pp 149-164. | * "Rosalind Krauss", in Judy K. Collischan Van Wagner, ''Women Shaping Art: Profiles of Power'', New York: Praeger, 1984, pp 149-164. | ||
− | * Janet Malcolm, [http://archives.newyorker.com/?i=1986-10-27#folio=046 | + | * Janet Malcolm, "A Girl of the Zeitgeist", Part II, ''The New Yorker'', 27 Oct 1986. [http://archives.newyorker.com/?i=1986-10-27#folio=046] |
* Scott Rothkopf, "Krauss and the Art of Cultural Controversy", ''The Harvard Crimson'', 16 May 1997. | * Scott Rothkopf, "Krauss and the Art of Cultural Controversy", ''The Harvard Crimson'', 16 May 1997. | ||
− | * Jean Lauzon, " | + | * Jean Lauzon, "Notes sur l’indice à l’index: contribution au 'photographique' de Rosalind Krauss", ''Horizons philosophiques'' 9:1 (1998), pp 73-85, [http://www.erudit.org/revue/hphi/1998/v9/n1/801092ar.pdf PDF]. {{fr}} |
− | * Anna C. Chave, "Minimalism and Biography", ''Art Bulletin'' ( | + | * Anna C. Chave, "Minimalism and Biography", ''Art Bulletin'' (Mar 2000). |
+ | * David Carrier, ''Rosalind Krauss and American Philosophical Art Criticism'', Greenwood Publishing, 2002, [http://archive.org/details/DavidCarrierRosalindKraussAndAmericanAmericanPhilosophicalArtCriticism IA], [http://gen.lib.rus.ec/book/index.php?md5=8772F8AE934FE2C41FE2809CD2EBE34E PDF]. | ||
* David Raskin, "The Shiny Illusionism of Krauss and Judd", ''Art Journal'' (Spring 2006). | * David Raskin, "The Shiny Illusionism of Krauss and Judd", ''Art Journal'' (Spring 2006). | ||
− | + | * Katia Schneller, "Sur les traces de Rosalind Krauss. La réception française de la notion d’index. 1977-1990", ''Études photographiques'' 21 (Dec 2007), pp 123-143, [http://etudesphotographiques.revues.org/2483 HTML]. {{fr}} | |
− | |||
− | * Katia Schneller, | ||
==See also== | ==See also== |
Revision as of 13:50, 11 April 2015
Judy Olausen, Rosalind Krauss, c1978. [1] | |
Born |
November 30, 1941 Washington, D.C., United States |
---|---|
Web | Aaaaarg, Wikipedia, Using "Academia.edu" as base chain is not permitted during the annotation process. |
Rosalind Epstein Krauss (1941) is an American art critic and theorist. She is a professor at Columbia University in New York City.
Works
(in English unless noted)
Books
- Terminal Iron Works: The Sculpture of David Smith, MIT Press, 1971.
- Passages in Modern Sculpture, MIT Press, 1977.
- The Originality of the Avant-Garde and Other Modernist Myths, MIT Press, 1985.
- L'Amour fou: Photography & Surrealism, London: Arts Council, 1986.
- Le photographique: pour une théorie des écarts. Histoire et théorie de la photographie, trans. Marc Bloch and Jean Kampf, Paris: Macula, 1990, 232 pp. Collection of essays from 1974-85. (French) Review: Murray (1993-94, EN).
- The Optical Unconscious, MIT Press, 1993, 365 pp, Log. Review: Kimball (1993).
- El inconsciente óptico, trans. J. Miguel Esteban Cloquell, Madrid: Tecnos, 1997, 371 pp, PDF. (Spanish)
- with Yve Alain Bois. Formless: A User's Guide, Zone Books, 1997, 304 pp, Log.
- A Voyage on the North Sea: Art in the Age of the Post-Medium Condition, Thames & Hudson, 2000, 64 pp, Log.
- with Hal Foster, Yve-Alain Bois, and Benjamin H. D. Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, London: Thames & Hudson, 2004, 704 pp, ARG. [2] Reviews: Bishop (2005), Collings (2005), Gewen (2005).
Editor
- October journal.
- The Sculpture of David Smith: A Catalogue Raisonné, New York: Garland, 1977.
- with Annette Michelson, et al., October: The Second Decade, 1986-1996, MIT Press, 1997, PDF.
Selected essays
- "Sculpture in the Expanded Field", October 8 (Spring 1979), pp 30-44, PDF, ARG; repr. in The Anti-Aesthetic: Essays on PostModern Culture, ed. Hal Foster, Washington: Bay Press, 1984, PDF.
- "A escultura no campo ampliado", Gávea 1 (1984), pp 87-93; repr. Arte & Ensaios 15:17, Rio de Janeiro: EBA, UFRJ, 2008, pp 128-137, PDF. (Brazilian Portuguese)
- "Photography's Discursive Spaces", Art Journal (Winter 1982), ARG.
- "A Note on Photography and the Simulacral", October 31 (Winter 1984), pp 49-68, IA, PDF.
Bibliography
- Eddie Yeghiayan, "Rosalind Krauss. A Selected Bibliography", 1995.
Literature
- "Rosalind Krauss", in Judy K. Collischan Van Wagner, Women Shaping Art: Profiles of Power, New York: Praeger, 1984, pp 149-164.
- Janet Malcolm, "A Girl of the Zeitgeist", Part II, The New Yorker, 27 Oct 1986. [3]
- Scott Rothkopf, "Krauss and the Art of Cultural Controversy", The Harvard Crimson, 16 May 1997.
- Jean Lauzon, "Notes sur l’indice à l’index: contribution au 'photographique' de Rosalind Krauss", Horizons philosophiques 9:1 (1998), pp 73-85, PDF. (French)
- Anna C. Chave, "Minimalism and Biography", Art Bulletin (Mar 2000).
- David Carrier, Rosalind Krauss and American Philosophical Art Criticism, Greenwood Publishing, 2002, IA, PDF.
- David Raskin, "The Shiny Illusionism of Krauss and Judd", Art Journal (Spring 2006).
- Katia Schneller, "Sur les traces de Rosalind Krauss. La réception française de la notion d’index. 1977-1990", Études photographiques 21 (Dec 2007), pp 123-143, HTML. (French)
See also
Links