Difference between revisions of "Hal Foster"
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− | '''Harold Foss "Hal" Foster''' (1955) is an American art critic and historian | + | '''Harold Foss "Hal" Foster''' (1955) is an American art critic and historian. |
==Works== | ==Works== | ||
− | * ''The Mink's Cry'', | + | * ''The Mink's Cry'', Port Townsend, WA: Bay Press, 1982. A children's story; illustrated by Milo Mottola. [http://www.thestranger.com/seattle/the-mysterious-disappearance-of-bay-press/Content?oid=9829] |
− | * editor, [http://monoskop.org/log/?p=5869 ''The Anti-Aesthetic: Essays on Postmodern Culture''], | + | * editor, [http://monoskop.org/log/?p=5869 ''The Anti-Aesthetic: Essays on Postmodern Culture''], Port Townsend, WA: Bay Press, 1983, xvi+159 pp, [[Media:Foster_Hal_ed_The_Anti-Aesthetic_Essays_on_Postmodern_Culture.pdf|PDF]]; repr., New York: New Press, 2002. Essays by Foster (preface), Habermas, Frampton, Krauss, Crimp, Owens, Ulmer, Jameson, Baudrillard, Said. [http://www.lib.uci.edu/about/publications/wellek/krauss/A13_anti_aesthetic.html Reviews list]. |
− | * ''[[Media:Foster_Hal_Recodings_Art_Spectacle_and_Cultural_Politics.pdf|Recodings: Art, Spectacle, Cultural Politics]]'', Seattle: Bay Press, | + | ** ''La posmodernidad'', Barcelona: Kairós, 1985, 238 pp. {{es}} |
− | * editor, [[Media:Foster_Hal_ed_Vision_and_Visuality.pdf|''Vision and Visuality'']], Seattle: Bay Press, 1987, 134 pp. | + | ** ''Han bigaku: posuto modan no shosō'' [反美学 : ポストモダンの諸相], Tokyo: Keisō Shobō, 1987, 308 pp. {{jp}} |
− | * ''Compulsive Beauty'', MIT Press, 1993, 344 pp. [http://mitpress.mit.edu/books/compulsive-beauty] | + | ** ''Fan mei xue: hou xian dai wen hua lun ji'' [反美學 : 後現代文化論集], Xin dian shi: Li xu, 1998, 270 pp. {{cn}} |
− | * ''The Return of the Real'', 1996. | + | * ''[[Media:Foster_Hal_Recodings_Art_Spectacle_and_Cultural_Politics.pdf|Recodings: Art, Spectacle, Cultural Politics]]'', Port Townsend, WA: Bay Press, 1985. Collection of 9 essays published 1982-85, revised. |
− | * editor, with Gordon Hughes, ''Richard Serra'', MIT Press, 2000. | + | ** ''Recodificação: arte, espetáculo, política cultural'', São Paulo: Paulista, 1996, 295 pp. {{br-pt}} |
− | * ''Design and Crime (And Other Diatribes)'', Verso, 2002, 176 pp; Verso, 2010, 192 pp. [http://www.versobooks.com/books/543-design-and-crime-and-other-diatribes] | + | * editor, ''[[Media:Foster_Hal_ed_Discussions_in_Contemporary_Culture_1.pdf|Discussions in Contemporary Culture, Number One]]'', Seattle: Bay Press, and New York: Dia Art Foundation, 1987, 172 pp, [http://openlibrary.org/works/OL3268261W/ OL]. [http://www.diaart.org/contents/page/15/1265] Based on a series of 6 weekly discussions organised by Foster at Dia Art Foundation in NYC, 10 Feb-17 Mar 1987. Texts by Crow, Rosler, Owens, Crimp, Kruger, Wodiczko, Fried, Krauss, Buchloh, Graham, Rankin, Kolbowski, Clifford, Dominguez, Minh-ha, Jardine, Feher. |
− | * ''[ | + | * editor, [[Media:Foster_Hal_ed_Vision_and_Visuality.pdf|''Vision and Visuality'']] (Discussions in Contemporary Culture, 2), Seattle: Bay Press, and New York: Dia Art Foundation, 1987, 134 pp. [http://www.diaart.org/contents/page/15/1265] Based on a day-long symposium held on 30 Apr 1988 at Dia's exhibition space in NYC. Texts by Jay, Crary, Krauss, Bryson, Rose. |
+ | ** ''Shikakuron'' [視覚論], trans. Kurenuma Norihisa, Tokyo: Heibonsha, 2000, 215 pp. {{jp}} | ||
+ | * ''Compulsive Beauty'', MIT Press, 1993, 344 pp. [http://mitpress.mit.edu/books/compulsive-beauty] A deconstructive reading of surrealism. | ||
+ | ** ''Belleza compulsiva'', trans. Tamata Stuby, Buenos Aires: Adriana Hidalgo, 2008, 335 pp. {{es}} | ||
+ | ** ''Zoraki güzellik'', trans. Şebnem Kaptan, Istanbul: Ayrıntı, 2011, 255 pp. {{tr}} | ||
+ | * ''The Return of the Real: Art and Theory at the End of the Century'', MIT Press, 1996, 321 pp. [http://mitpress.mit.edu/books/return-real] Suggests that after the models of art-as-text in the 1970s and art-as-simulacrum in the 1980s, we are now witness to a return to the real—to art and theory grounded in the materiality of actual bodies and social sites. | ||
+ | ** ''El retorno de lo real: la vanguardia a finales de siglo'', trans. Alfredo Brotons Muñoz, Madrid: Akal, 2001, [http://gen.lib.rus.ec/book/index.php?md5=f44122a37953bb0fa60aed7ee1bb968e PDF]. {{es}} | ||
+ | ** ''Silchae ŭi kwihwan: 20-segi mal ui Abanggarŭdŭ'', Pusan Kwangyŏksi: Kyŏsŏng Taehakkyo Ch'ulp'anbu, 2003, 362 pp. {{ko}} | ||
+ | ** ''Le retour du réel: la situation actuelle de l'avant-garde'', trans. Yves Cantaine, Frank Pierobon and Daniel Vander Gucht, Brussels: La lettre volée, 2005, 277 pp. {{fr}} | ||
+ | ** ''Il ritorno del reale: l'avanguardia alla fine del Novecento'', Milan: Postmedia, 2006, 255 pp. {{it}} | ||
+ | ** ''Gerçeğin geri dönüşü: yüzyılın sonunda avangard'', trans. Esin Hoşsucu, Istanbul: Ayrıntı, 2009, 282 pp. {{tr}} | ||
+ | ** ''Powrót realnego: awangarda u schyłku XX wieku'', trans. Mateusz Borowski and Małgorzata Sugiera, Kraków: Universitas, 2010, 281 pp. {{pl}} | ||
+ | * editor, with Gordon Hughes, ''Richard Serra'', MIT Press, 2000, 205 pp, [http://gen.lib.rus.ec/book/index.php?md5=9B110CFE9A5D81B874B28438C39926B1 PDF]. Essays by Buchloh, Michelson, Bois, Crimp, Krauss, Foster. | ||
+ | * ''Design and Crime (And Other Diatribes)'', Verso, 2002, 176 pp; Verso, 2010, 192 pp. [http://www.versobooks.com/books/543-design-and-crime-and-other-diatribes] On "political economy of design: .. the marketing of culture and the branding of identity, the development of spectacle-architecture and the rise of global cities." | ||
+ | ** ''Design & crime'', Milan: Postmedia, 2002, 141 pp. {{it}} | ||
+ | ** ''Diseño y delito y otras diatribas'', trans. Alfredo Brotons Muñoz, Madrid: Akal, 2004, 176 pp. {{es}} | ||
+ | ** ''Tasarım ve suç: müze - mimarlık - tasarım'', trans. Elçin Gen, Istanbul: İletişim, 2004, 198 pp. {{tr}} | ||
+ | ** ''Dizajn i zločin (i druge polemike)'', trans. Goran Vujasinović, Zagreb: V.B.Z., 2006, 156 pp. {{cr}} | ||
+ | ** ''Design & crime'', trans. Christophe Jacquet, Laure Manceau, Gauthier Herrmann, et al., Paris: Les Prairies ordinaires, 2008, 184 pp. {{fr}} | ||
+ | ** ''Dezain to hanzai'' [デザインと犯罪], trans. Igarashi Kōji, Tokyo: Heibonsha, 2011, 267 pp. {{jp}} | ||
+ | ** ''Design & Verbrechen und andere Schmähreden'', trans. Thomas Atzert, Berlin: Tiamat 2012, 222 pp. {{de}} | ||
+ | * with John Cullen Murphy, ''Return to Camelot'', Seattle: Fantagraphics, 2003. | ||
* with Rosalind Krauss, Yve-Alain Bois, and Benjamin H. D. Buchloh, ''Art Since 1900: Modernism, Antimodernism, Postmodernism'', London: Thames & Hudson, 2004, 704 pp, [http://gr.aaaaarg.org/ref/a050ef6306cdefebd5ded69ecd5e891c#0.01 ARG], [http://archive.org/details/HalFosterRosalindKraussArtSince1900ModernismAntimodernismAndPostmodernism IA]; 2nd ed., rev., 2012, 816 pp. [http://www.thamesandhudson.com/Art_Since_1900/9780500238899] Reviews: [http://www.artforum.com/diary/id=8733 Bishop] (2005), [http://books.guardian.co.uk/review/story/0,12084,1483283,00.html Collings] (2005), [http://www.nytimes.com/2005/12/11/books/review/11gewen.html Gewen] (2005), [http://leonardo.info/reviews/nov2005/art_dahlberg.html Dahlberg] (2006). | * with Rosalind Krauss, Yve-Alain Bois, and Benjamin H. D. Buchloh, ''Art Since 1900: Modernism, Antimodernism, Postmodernism'', London: Thames & Hudson, 2004, 704 pp, [http://gr.aaaaarg.org/ref/a050ef6306cdefebd5ded69ecd5e891c#0.01 ARG], [http://archive.org/details/HalFosterRosalindKraussArtSince1900ModernismAntimodernismAndPostmodernism IA]; 2nd ed., rev., 2012, 816 pp. [http://www.thamesandhudson.com/Art_Since_1900/9780500238899] Reviews: [http://www.artforum.com/diary/id=8733 Bishop] (2005), [http://books.guardian.co.uk/review/story/0,12084,1483283,00.html Collings] (2005), [http://www.nytimes.com/2005/12/11/books/review/11gewen.html Gewen] (2005), [http://leonardo.info/reviews/nov2005/art_dahlberg.html Dahlberg] (2006). | ||
− | * ''The Art-Architecture Complex'', Verso, 2011, [http://gr.aaaaarg.org/thing/52e095413078883d2700004a EPUB]. | + | ** ''Arte desde 1900: modernidad, antimodernidad, posmodernidad'', trans. Fabián Chueca, Francisco López and Alfredo Brotons Mun̋oz, Madrid: Akal, 2006, 704 pp. {{es}} |
− | * ''The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha'', | + | ** ''Arte dal 1900 : modernismo, antimodernismo, postmodernismo'', trans. Elio Grazioli, Bologna: Zanichelli, 2006, 704 pp. {{it}} |
+ | ** ''Umění po roce 1900: modernismus, antimodernismus, postmodernismus'', trans. Josef Hrdlička, Irena Ellis and Jitka Sedláčková, Prague: Slovart, 2007, 704 pp. {{cz}} | ||
+ | * ''[http://monoskop.org/log/?p=265 Prosthetic Gods]'', MIT Press, 2004, 455 pp. Argues that two forms came to dominate modernist art above all others: the primitive and the machine. | ||
+ | ** ''Dioses prostéticos'', trans. Alfredo Brotons Muñoz, Madrid: Akal, 2008, 383 pp. {{es}} | ||
+ | * ''Road to Sorrow's End'', Seattle: Fantagraphics, 2004. | ||
+ | * editor, with Mark Francis, ''Pop'', London: Phaidon, 2005. | ||
+ | * ''The Art-Architecture Complex'', Verso, 2011, 316 pp, [http://gr.aaaaarg.org/thing/52e095413078883d2700004a EPUB]. [http://www.versobooks.com/books/1438-the-art-architecture-complex] Argues that a fusion of architecture and art is a defining feature of contemporary culture; identifies a "global style" of architecture—as practiced by Norman Foster, Richard Rogers and Renzo Piano—analogous to the international style of Le Corbusier, Gropius and Mies. | ||
+ | ** ''El complejo arte-arquitectura'', trans. José Adrián Vitier, Madrid: Turner, 2013, 346 pp. {{es}} | ||
+ | ** ''Sanat mimarlık kompleksi: Küreselleşme çağında sanat, mimarlık ve tasarımın birliği'', trans. Serpil Özaloğlu, Istanbul: İletişim Yayınları, 2013, 365 pp. {{tr}} | ||
+ | ** ''Āto kenchiku fukugōtai'' [アート建築複合態], trans. Takimoto Masashi, Tokyo: Kajimashuppankai, 2014, 374 pp. {{jp}} | ||
+ | * ''The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha'', Princeton University Press, 2011. | ||
+ | ** ''Daiichi poppu jidai : hamiruton rikutensutain uōhōru rihitā rushē aruiwa poppu āto o meguru itsutsu no imēji'' [第一ポップ時代 : ハミルトン, リクテンスタイン, ウォーホール, リヒター, ルシェー, あるいはポップアートをめぐる五つのイメージ], trans. Nakano Tsutomu, Tokyo: Kawadeshobōshinsha, 2014. {{jp}} | ||
==Links== | ==Links== | ||
* http://en.wikipedia.org/wiki/Hal_Foster_(art_critic) | * http://en.wikipedia.org/wiki/Hal_Foster_(art_critic) |
Revision as of 19:52, 5 May 2015
Harold Foss "Hal" Foster (1955) is an American art critic and historian.
Works
- The Mink's Cry, Port Townsend, WA: Bay Press, 1982. A children's story; illustrated by Milo Mottola. [1]
- editor, The Anti-Aesthetic: Essays on Postmodern Culture, Port Townsend, WA: Bay Press, 1983, xvi+159 pp, PDF; repr., New York: New Press, 2002. Essays by Foster (preface), Habermas, Frampton, Krauss, Crimp, Owens, Ulmer, Jameson, Baudrillard, Said. Reviews list.
- La posmodernidad, Barcelona: Kairós, 1985, 238 pp. (Spanish)
- Han bigaku: posuto modan no shosō [反美学 : ポストモダンの諸相], Tokyo: Keisō Shobō, 1987, 308 pp. (Japanese)
- Fan mei xue: hou xian dai wen hua lun ji [反美學 : 後現代文化論集], Xin dian shi: Li xu, 1998, 270 pp. (Chinese)
- Recodings: Art, Spectacle, Cultural Politics, Port Townsend, WA: Bay Press, 1985. Collection of 9 essays published 1982-85, revised.
- Recodificação: arte, espetáculo, política cultural, São Paulo: Paulista, 1996, 295 pp. (Brazilian Portuguese)
- editor, Discussions in Contemporary Culture, Number One, Seattle: Bay Press, and New York: Dia Art Foundation, 1987, 172 pp, OL. [2] Based on a series of 6 weekly discussions organised by Foster at Dia Art Foundation in NYC, 10 Feb-17 Mar 1987. Texts by Crow, Rosler, Owens, Crimp, Kruger, Wodiczko, Fried, Krauss, Buchloh, Graham, Rankin, Kolbowski, Clifford, Dominguez, Minh-ha, Jardine, Feher.
- editor, Vision and Visuality (Discussions in Contemporary Culture, 2), Seattle: Bay Press, and New York: Dia Art Foundation, 1987, 134 pp. [3] Based on a day-long symposium held on 30 Apr 1988 at Dia's exhibition space in NYC. Texts by Jay, Crary, Krauss, Bryson, Rose.
- Shikakuron [視覚論], trans. Kurenuma Norihisa, Tokyo: Heibonsha, 2000, 215 pp. (Japanese)
- Compulsive Beauty, MIT Press, 1993, 344 pp. [4] A deconstructive reading of surrealism.
- Belleza compulsiva, trans. Tamata Stuby, Buenos Aires: Adriana Hidalgo, 2008, 335 pp. (Spanish)
- Zoraki güzellik, trans. Şebnem Kaptan, Istanbul: Ayrıntı, 2011, 255 pp. (Turkish)
- The Return of the Real: Art and Theory at the End of the Century, MIT Press, 1996, 321 pp. [5] Suggests that after the models of art-as-text in the 1970s and art-as-simulacrum in the 1980s, we are now witness to a return to the real—to art and theory grounded in the materiality of actual bodies and social sites.
- El retorno de lo real: la vanguardia a finales de siglo, trans. Alfredo Brotons Muñoz, Madrid: Akal, 2001, PDF. (Spanish)
- Silchae ŭi kwihwan: 20-segi mal ui Abanggarŭdŭ, Pusan Kwangyŏksi: Kyŏsŏng Taehakkyo Ch'ulp'anbu, 2003, 362 pp. (Korean)
- Le retour du réel: la situation actuelle de l'avant-garde, trans. Yves Cantaine, Frank Pierobon and Daniel Vander Gucht, Brussels: La lettre volée, 2005, 277 pp. (French)
- Il ritorno del reale: l'avanguardia alla fine del Novecento, Milan: Postmedia, 2006, 255 pp. (Italian)
- Gerçeğin geri dönüşü: yüzyılın sonunda avangard, trans. Esin Hoşsucu, Istanbul: Ayrıntı, 2009, 282 pp. (Turkish)
- Powrót realnego: awangarda u schyłku XX wieku, trans. Mateusz Borowski and Małgorzata Sugiera, Kraków: Universitas, 2010, 281 pp. (Polish)
- editor, with Gordon Hughes, Richard Serra, MIT Press, 2000, 205 pp, PDF. Essays by Buchloh, Michelson, Bois, Crimp, Krauss, Foster.
- Design and Crime (And Other Diatribes), Verso, 2002, 176 pp; Verso, 2010, 192 pp. [6] On "political economy of design: .. the marketing of culture and the branding of identity, the development of spectacle-architecture and the rise of global cities."
- Design & crime, Milan: Postmedia, 2002, 141 pp. (Italian)
- Diseño y delito y otras diatribas, trans. Alfredo Brotons Muñoz, Madrid: Akal, 2004, 176 pp. (Spanish)
- Tasarım ve suç: müze - mimarlık - tasarım, trans. Elçin Gen, Istanbul: İletişim, 2004, 198 pp. (Turkish)
- Dizajn i zločin (i druge polemike), trans. Goran Vujasinović, Zagreb: V.B.Z., 2006, 156 pp. (Croatian)
- Design & crime, trans. Christophe Jacquet, Laure Manceau, Gauthier Herrmann, et al., Paris: Les Prairies ordinaires, 2008, 184 pp. (French)
- Dezain to hanzai [デザインと犯罪], trans. Igarashi Kōji, Tokyo: Heibonsha, 2011, 267 pp. (Japanese)
- Design & Verbrechen und andere Schmähreden, trans. Thomas Atzert, Berlin: Tiamat 2012, 222 pp. (German)
- with John Cullen Murphy, Return to Camelot, Seattle: Fantagraphics, 2003.
- with Rosalind Krauss, Yve-Alain Bois, and Benjamin H. D. Buchloh, Art Since 1900: Modernism, Antimodernism, Postmodernism, London: Thames & Hudson, 2004, 704 pp, ARG, IA; 2nd ed., rev., 2012, 816 pp. [7] Reviews: Bishop (2005), Collings (2005), Gewen (2005), Dahlberg (2006).
- Arte desde 1900: modernidad, antimodernidad, posmodernidad, trans. Fabián Chueca, Francisco López and Alfredo Brotons Mun̋oz, Madrid: Akal, 2006, 704 pp. (Spanish)
- Arte dal 1900 : modernismo, antimodernismo, postmodernismo, trans. Elio Grazioli, Bologna: Zanichelli, 2006, 704 pp. (Italian)
- Umění po roce 1900: modernismus, antimodernismus, postmodernismus, trans. Josef Hrdlička, Irena Ellis and Jitka Sedláčková, Prague: Slovart, 2007, 704 pp. (Czech)
- Prosthetic Gods, MIT Press, 2004, 455 pp. Argues that two forms came to dominate modernist art above all others: the primitive and the machine.
- Dioses prostéticos, trans. Alfredo Brotons Muñoz, Madrid: Akal, 2008, 383 pp. (Spanish)
- Road to Sorrow's End, Seattle: Fantagraphics, 2004.
- editor, with Mark Francis, Pop, London: Phaidon, 2005.
- The Art-Architecture Complex, Verso, 2011, 316 pp, EPUB. [8] Argues that a fusion of architecture and art is a defining feature of contemporary culture; identifies a "global style" of architecture—as practiced by Norman Foster, Richard Rogers and Renzo Piano—analogous to the international style of Le Corbusier, Gropius and Mies.
- El complejo arte-arquitectura, trans. José Adrián Vitier, Madrid: Turner, 2013, 346 pp. (Spanish)
- Sanat mimarlık kompleksi: Küreselleşme çağında sanat, mimarlık ve tasarımın birliği, trans. Serpil Özaloğlu, Istanbul: İletişim Yayınları, 2013, 365 pp. (Turkish)
- Āto kenchiku fukugōtai [アート建築複合態], trans. Takimoto Masashi, Tokyo: Kajimashuppankai, 2014, 374 pp. (Japanese)
- The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha, Princeton University Press, 2011.
- Daiichi poppu jidai : hamiruton rikutensutain uōhōru rihitā rushē aruiwa poppu āto o meguru itsutsu no imēji [第一ポップ時代 : ハミルトン, リクテンスタイン, ウォーホール, リヒター, ルシェー, あるいはポップアートをめぐる五つのイメージ], trans. Nakano Tsutomu, Tokyo: Kawadeshobōshinsha, 2014. (Japanese)