Difference between revisions of "Margaret Iversen"
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| − | '''Margaret Iversen''' is Professor of Art History and Theory at the University of Essex | + | '''Margaret Iversen''' is Professor of Art History and Theory at the University of Essex. |
==Publications== | ==Publications== | ||
| − | + | ; Books | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | ;Books | ||
* ''Alois Riegl: Art History and Theory'', 1993. | * ''Alois Riegl: Art History and Theory'', 1993. | ||
* Margaret Iversen, et al., ''Mary Kelly'', Phaidon Press, 1997. | * Margaret Iversen, et al., ''Mary Kelly'', Phaidon Press, 1997. | ||
* with Francis Barker and Peter Hulme, ''Cannibalism and the Colonial World'', 1998. | * with Francis Barker and Peter Hulme, ''Cannibalism and the Colonial World'', 1998. | ||
| − | * with Dana Arnold | + | * editor, with Dana Arnold, [http://gen.lib.rus.ec/book/index.php?md5=D837F216D1E8DB965211E5D2CA4609EF ''Art and Thought''], Wiley-Blackwell, 2003. |
| − | * ''Beyond Pleasure: Freud, Lacan, Barthes | + | * ''Beyond Pleasure: Freud, Lacan, Barthes'', 2007. |
| − | * ''Chance'', | + | * ''Chance'', London: Whitechapel Gallery, and MIT Press, 2010. [http://www.nasaht.com.au/web_images/12IVERSENCHANCE.pdf Introduction]. |
* with Stephen Melville, ''Writing Art History: Disciplinary Departures '', 2010. | * with Stephen Melville, ''Writing Art History: Disciplinary Departures '', 2010. | ||
* with Diarmuid Costello, ''Photography After Conceptual'', 2011. | * with Diarmuid Costello, ''Photography After Conceptual'', 2011. | ||
| + | |||
| + | ; Book chapters, articles | ||
| + | * "What Is A Photograph", ''Art History'' 17:3, Sep 1994, pp 450-463. | ||
| + | * [http://mcguffie.com/pages/pdf1/Readymade,%20found%20object,%20photograph.pdf "Readymade, Found Object, Photograph"], ''Art Journal'', Summer 2004, pp 44-57. | ||
| + | * "The Surrealist Situation of the Photographed Object", in ''The Lure of the Object'', ed. Stephen Melville, Williamstown, MA: Sterling and Francine Clark Art Institute, 2005, pp 181-192. | ||
| + | * [[Media:Iversen_Auto_Maticity_Ruscha_and_Performative_photography.pdf|"Auto-maticity: Ruscha and performative photography"]], ''Art History'' 32:5, 2009, pp 836-851. | ||
| + | * [http://www.courtauld.ac.uk/booksonline/modernistgames/files/Modernist%20Games%20Chapter%206%20-%20Margaret%20Iversen%20-%20Single%20Spread.pdf "Chance and Cjoise in CÉZANNE"], ch 6 in [http://www.courtauld.ac.uk/booksonline/modernistgames/index.shtml ''Modernist Games: Cezanne and his Card Players''], ed. Satish Padiyar, London: Courtauld Institute of Art, 2013. | ||
==Links== | ==Links== | ||
* http://www.essex.ac.uk/arthistory/staff/profile.aspx?ID=2456 | * http://www.essex.ac.uk/arthistory/staff/profile.aspx?ID=2456 | ||
Revision as of 23:39, 25 December 2015
Margaret Iversen is Professor of Art History and Theory at the University of Essex.
Publications
- Books
- Alois Riegl: Art History and Theory, 1993.
- Margaret Iversen, et al., Mary Kelly, Phaidon Press, 1997.
- with Francis Barker and Peter Hulme, Cannibalism and the Colonial World, 1998.
- editor, with Dana Arnold, Art and Thought, Wiley-Blackwell, 2003.
- Beyond Pleasure: Freud, Lacan, Barthes, 2007.
- Chance, London: Whitechapel Gallery, and MIT Press, 2010. Introduction.
- with Stephen Melville, Writing Art History: Disciplinary Departures , 2010.
- with Diarmuid Costello, Photography After Conceptual, 2011.
- Book chapters, articles
- "What Is A Photograph", Art History 17:3, Sep 1994, pp 450-463.
- "Readymade, Found Object, Photograph", Art Journal, Summer 2004, pp 44-57.
- "The Surrealist Situation of the Photographed Object", in The Lure of the Object, ed. Stephen Melville, Williamstown, MA: Sterling and Francine Clark Art Institute, 2005, pp 181-192.
- "Auto-maticity: Ruscha and performative photography", Art History 32:5, 2009, pp 836-851.
- "Chance and Cjoise in CÉZANNE", ch 6 in Modernist Games: Cezanne and his Card Players, ed. Satish Padiyar, London: Courtauld Institute of Art, 2013.
