Difference between revisions of "Margaret Iversen"
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* "The Surrealist Situation of the Photographed Object", in ''The Lure of the Object'', ed. Stephen Melville, Williamstown, MA: Sterling and Francine Clark Art Institute, 2005, pp 181-192. | * "The Surrealist Situation of the Photographed Object", in ''The Lure of the Object'', ed. Stephen Melville, Williamstown, MA: Sterling and Francine Clark Art Institute, 2005, pp 181-192. | ||
* [[Media:Iversen_Auto_Maticity_Ruscha_and_Performative_photography.pdf|"Auto-maticity: Ruscha and performative photography"]], ''Art History'' 32:5, 2009, pp 836-851. | * [[Media:Iversen_Auto_Maticity_Ruscha_and_Performative_photography.pdf|"Auto-maticity: Ruscha and performative photography"]], ''Art History'' 32:5, 2009, pp 836-851. | ||
| − | * [http:// | + | * [http://courtauld.org.uk/pdf/books-online/modernist-games/Modernist%20Games%20Chapter%206%20-%20Margaret%20Iversen%20-%20Double%20Spread.pdf "Chance and Choice in Cézanne"], ch 6 in [http://courtauld.ac.uk/research/courtauld-books-online/modernist-games-cezanne-and-his-card-players ''Modernist Games: Cezanne and his Card Players''], ed. Satish Padiyar, London: Courtauld Institute of Art, 2013. |
==Links== | ==Links== | ||
* http://www.essex.ac.uk/arthistory/staff/profile.aspx?ID=2456 | * http://www.essex.ac.uk/arthistory/staff/profile.aspx?ID=2456 | ||
Revision as of 23:41, 25 December 2015
Margaret Iversen is Professor of Art History and Theory at the University of Essex.
Publications
- Books
- Alois Riegl: Art History and Theory, 1993.
- Margaret Iversen, et al., Mary Kelly, Phaidon Press, 1997.
- with Francis Barker and Peter Hulme, Cannibalism and the Colonial World, 1998.
- editor, with Dana Arnold, Art and Thought, Wiley-Blackwell, 2003.
- Beyond Pleasure: Freud, Lacan, Barthes, 2007.
- Chance, London: Whitechapel Gallery, and MIT Press, 2010. Introduction.
- with Stephen Melville, Writing Art History: Disciplinary Departures , 2010.
- with Diarmuid Costello, Photography After Conceptual, 2011.
- Book chapters, articles
- "What Is A Photograph", Art History 17:3, Sep 1994, pp 450-463.
- "Readymade, Found Object, Photograph", Art Journal, Summer 2004, pp 44-57.
- "The Surrealist Situation of the Photographed Object", in The Lure of the Object, ed. Stephen Melville, Williamstown, MA: Sterling and Francine Clark Art Institute, 2005, pp 181-192.
- "Auto-maticity: Ruscha and performative photography", Art History 32:5, 2009, pp 836-851.
- "Chance and Choice in Cézanne", ch 6 in Modernist Games: Cezanne and his Card Players, ed. Satish Padiyar, London: Courtauld Institute of Art, 2013.
