Difference between revisions of "Kaja Silverman"
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* ''Male Subjectivity at the Margins'', London and New York: Routledge, 1992. | * ''Male Subjectivity at the Margins'', London and New York: Routledge, 1992. | ||
* with Harun Farocki, ''Speaking about Godard'', New York University Press, 1998. [http://monoskop.org/log/?p=12846 Log]. | * with Harun Farocki, ''Speaking about Godard'', New York University Press, 1998. [http://monoskop.org/log/?p=12846 Log]. | ||
+ | * ''Flesh of My Flesh'', Stanford University Press, 2009. | ||
* ''The Miracle of Analogy, or, The History of Photography'', vol. 1, Publisher Stanford University Press, 203 pp., 2015. [http://monoskop.org/log/?p=16627 Log] | * ''The Miracle of Analogy, or, The History of Photography'', vol. 1, Publisher Stanford University Press, 203 pp., 2015. [http://monoskop.org/log/?p=16627 Log] | ||
Revision as of 03:51, 4 April 2016
Kaja Silverman (1947) is an American film theorist and art historian.
Works
- The Subject of Semiotics, Oxford University Press, 1983, PDF.
- Male Subjectivity at the Margins, London and New York: Routledge, 1992.
- with Harun Farocki, Speaking about Godard, New York University Press, 1998. Log.
- Flesh of My Flesh, Stanford University Press, 2009.
- The Miracle of Analogy, or, The History of Photography, vol. 1, Publisher Stanford University Press, 203 pp., 2015. Log