Difference between revisions of "Kaja Silverman"
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==Works== | ==Works== | ||
| − | * ''The Subject of Semiotics'', Oxford University Press, 1983, [[Media:Silverman_Kaja_The_Subject_of_Semiotics_1984.pdf|PDF]]. | + | * ''The Subject of Semiotics'', Oxford University Press, 1983, [[Media:Silverman_Kaja_The_Subject_of_Semiotics_1984.pdf|PDF]], [http://libgen.io/book/index.php?md5=5530CE3E93471DCB68520FDB9B6EF038 PDF]. |
* The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema, Indiana University, 1988, [http://libgen.io/book/index.php?md5=BEF9AE34FE3E0932992DA333186D7475 PDF]. | * The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema, Indiana University, 1988, [http://libgen.io/book/index.php?md5=BEF9AE34FE3E0932992DA333186D7475 PDF]. | ||
Revision as of 09:04, 4 April 2016
Kaja Silverman (1947) is an American film theorist and art historian.
Works
- The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema, Indiana University, 1988, PDF.
- Male Subjectivity at the Margins, London and New York: Routledge, 1992.
- with Harun Farocki, Speaking about Godard, New York University Press, 1998. Log.
- Flesh of My Flesh, Stanford University Press, 2009, PDF.
- The Miracle of Analogy, or, The History of Photography, part 1, Stanford University Press, 203 pp., 2015, EPUB. Log
