Difference between revisions of "Kaja Silverman"
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* ''Male Subjectivity at the Margins'', London and New York: Routledge, 1992. | * ''Male Subjectivity at the Margins'', London and New York: Routledge, 1992. | ||
− | * with Harun Farocki, ''Speaking about Godard'', New York University Press, 1998. [http://monoskop.org/log/?p=12846 Log]. | + | * with Harun Farocki, ''Speaking about Godard'', New York University Press, 1998, [https://archive.org/details/farocki_harun_silverman_kaja_speaking_about_godard IA]. [http://monoskop.org/log/?p=12846 Log]. |
* ''Flesh of My Flesh'', Stanford University Press, 2009, [http://libgen.io/book/index.php?md5=1E93B36698AB26673E9292CAB447D23D PDF], [https://archive.org/details/SilvermanKajaFleshOfMyFlesh2009 IA]. | * ''Flesh of My Flesh'', Stanford University Press, 2009, [http://libgen.io/book/index.php?md5=1E93B36698AB26673E9292CAB447D23D PDF], [https://archive.org/details/SilvermanKajaFleshOfMyFlesh2009 IA]. |
Revision as of 09:48, 4 April 2016
Kaja Silverman (1947) is an American film theorist and art historian.
Works
- The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema, Indiana University Press, 1988, PDF, PDF, IA.
- Male Subjectivity at the Margins, London and New York: Routledge, 1992.
- The Miracle of Analogy, or, The History of Photography, part 1, Stanford University Press, 203 pp., 2015, PDF, EPUB, IA. Log
Literature
- Shohini Chaudhuri, Feminist Film Theorists: Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed, Routledge, 2006.