Difference between revisions of "Johanna Drucker"

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(→‎Publications: Added monoskop log links for selected publications)
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'''Scholarly publications'''
 
'''Scholarly publications'''
* ''Graphesis: The Visual Production of Knowledge in a Digital Era'', (Harvard University Press, 2013).
+
* ''[https://monoskop.org/log/?p=16834 Graphesis: The Visual Production of Knowledge in a Digital Era]'', (Harvard University Press, 2014).
 
* ''What Is? (A Letter, Writing, A document, Graphic about Graphic Textuality, etc.)'', (Cuneiform Press, January 2013)
 
* ''What Is? (A Letter, Writing, A document, Graphic about Graphic Textuality, etc.)'', (Cuneiform Press, January 2013)
 +
* ''[https://monoskop.org/log/?p=11516 Diagrammatic Writing]'' (Onomatopee, 2013)
 
* ''Druckworks: 40 Years of Books and Projects'', exhibition catalogue for retrospective, (Epicenter Press, Columbia College, Chicago, 2012)
 
* ''Druckworks: 40 Years of Books and Projects'', exhibition catalogue for retrospective, (Epicenter Press, Columbia College, Chicago, 2012)
 
* ''Digital_Humanities'', with Anne Burdick, Todd Presner, Peter Lunenfeld, and Jeffrey Schnapp (MIT Press, 2012)  
 
* ''Digital_Humanities'', with Anne Burdick, Todd Presner, Peter Lunenfeld, and Jeffrey Schnapp (MIT Press, 2012)  
 
* ''Le Petit Journal des Refusées'', critical edition (Rice University Press, 2009)
 
* ''Le Petit Journal des Refusées'', critical edition (Rice University Press, 2009)
* ''SpecLab: Digital Aesthetics and Speculative Computing'', (University of Chicago Press, 2008)
+
* ''[https://monoskop.org/log/?p=562 SpecLab: Digital Aesthetics and Speculative Computing]'', (University of Chicago Press, 2008)
 
* ''Graphic Design History: A Critical Guide'', with Emily McVarish, (Pearson/Prentice Hall, 2008)
 
* ''Graphic Design History: A Critical Guide'', with Emily McVarish, (Pearson/Prentice Hall, 2008)
 
* ''Sweet Dreams: Contemporary Art and Complicity'' (University of Chicago Press, 2005)  
 
* ''Sweet Dreams: Contemporary Art and Complicity'' (University of Chicago Press, 2005)  
 
* ''Figuring the Word: Essays on Books, Writing, and Visual Poetics'' (Granary Books, 1998)  
 
* ''Figuring the Word: Essays on Books, Writing, and Visual Poetics'' (Granary Books, 1998)  
* ''The Century of Artists' Books'' (Granary Books, 1995)
+
* ''[https://monoskop.org/log/?p=20320 The Century of Artists' Books]'' (Granary Books, 1995)
 
* ''The Alphabetic Labyrinth: The Letters in History and Imagination'' (Thames and Hudson, Spring 1995)
 
* ''The Alphabetic Labyrinth: The Letters in History and Imagination'' (Thames and Hudson, Spring 1995)
 
* ''The Visible Word: Experimental Typography and Modern Art'' (The University of Chicago Press, Spring 1994)  
 
* ''The Visible Word: Experimental Typography and Modern Art'' (The University of Chicago Press, Spring 1994)  

Revision as of 22:50, 30 December 2018

Publications

Scholarly publications

  • Graphesis: The Visual Production of Knowledge in a Digital Era, (Harvard University Press, 2014).
  • What Is? (A Letter, Writing, A document, Graphic about Graphic Textuality, etc.), (Cuneiform Press, January 2013)
  • Diagrammatic Writing (Onomatopee, 2013)
  • Druckworks: 40 Years of Books and Projects, exhibition catalogue for retrospective, (Epicenter Press, Columbia College, Chicago, 2012)
  • Digital_Humanities, with Anne Burdick, Todd Presner, Peter Lunenfeld, and Jeffrey Schnapp (MIT Press, 2012)
  • Le Petit Journal des Refusées, critical edition (Rice University Press, 2009)
  • SpecLab: Digital Aesthetics and Speculative Computing, (University of Chicago Press, 2008)
  • Graphic Design History: A Critical Guide, with Emily McVarish, (Pearson/Prentice Hall, 2008)
  • Sweet Dreams: Contemporary Art and Complicity (University of Chicago Press, 2005)
  • Figuring the Word: Essays on Books, Writing, and Visual Poetics (Granary Books, 1998)
  • The Century of Artists' Books (Granary Books, 1995)
  • The Alphabetic Labyrinth: The Letters in History and Imagination (Thames and Hudson, Spring 1995)
  • The Visible Word: Experimental Typography and Modern Art (The University of Chicago Press, Spring 1994)
  • Theorizing Modernism: Visual Art and the Critical Tradition (Columbia University Press, Summer 1994)