Difference between revisions of "Lutz Dammbeck"
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; Films | ; Films | ||
* ''[https://archive.org/details/dammbeck-herakles-1984 Herakles]'', 1984. | * ''[https://archive.org/details/dammbeck-herakles-1984 Herakles]'', 1984. | ||
+ | * ''[https://archive.org/details/realfilm1986 REALFilm]'', 1986. | ||
* [https://archive.org/details/DasNetz_LutzDammbeck ''The Net: The Unabomber, LSD and the Internet''], 2003, 115 min. | * [https://archive.org/details/DasNetz_LutzDammbeck ''The Net: The Unabomber, LSD and the Internet''], 2003, 115 min. | ||
Latest revision as of 20:08, 17 April 2020
Painter, graphician, filmmaker, intermedia artist. Born 1948 in Leipzig. In his Mediencollagen [media collages] performances presented mainly in the underground scenes in GDR in the 1980s he combined media artifacts – image, sound and text – taken from German contemporary history and cultural heritage.
- Films
- Herakles, 1984.
- REALFilm, 1986.
- The Net: The Unabomber, LSD and the Internet, 2003, 115 min.
- Literature
- Christine Rahn, Multimedia in der DDR. Das Herakles-Konzept von Lutz Dammbeck, Leipzig: Universität Leipzig, 2007, 134 pp. Master's thesis. (German)
- Seth Howes, "Heraklesmaschine: Lutz Dammbeck's Experimental Cinema and the Expropriation of Senses", ch 2 in Howes, Moving Images on the Margins: Experimental Film in Late Socialist East Germany, Rochester, NY: Camden House, 2019. [1] (English)
- Links