Difference between revisions of "Lucinda Furlong"

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'''Lucinda B. Furlong''' is a critic and curator. She was curator of Media Arts, American Center, Paris, and assistant curator (1986-1991), Film and Video Department, Whitney Museum of American Art, New York.
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'''Lucinda B. Furlong''' (1954) is a critic and curator. She was curator of Media Arts, American Center, Paris, and assistant curator (1986-1991), Film and Video Department, Whitney Museum of American Art, New York.
  
 
; Publications
 
; Publications
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* "State of the Art Scan: The Ithaca Video Festival", ''Afterimage'' 9:6, Jan. 1982, pp 12-14. [https://www.vtape.org/critical-writing-index-article?id=1796]
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* [http://www.vasulka.org/archive/4-30c/AfterImageJan81(6004).pdf "Recipes for Television: Theory Creams Practice at the Kitchen"], ''Afterimage'', Jan 1981, pp 3-4.  
  
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* [[Media:Furlong Lucinda 1983 Notes Towards a History of Image-processed Video Eric Siegel Stephen Beck Dan Sandin Steve Rutt Bill and Louise Etra.pdf|"Notes Towards a History of Image-processed Video: Eric Siegel, Stephen Beck, Dan Sandin, Steve Rutt, Bill and Louise Etra"]], ''Afterimage'', Summer 1983, pp 35-38.
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* "New York Council on the Arts Revokes Rochester's TV Workshop Funding", ''Afterimage'' 9:6, Jan 1982, p 3. [https://www.vtape.org/critical-writing-index-article?id=3727]
  
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* [[Media:Furlong_Lucinda_1983_Notes Towards a History of Image-processed Video Steina and Woody Vasulka.pdf|"Notes Towards a History of Image-processed Video: Steina and Woody Vasulka"]], ''Afterimage'', Dec 1983, pp 12-17, [http://vasulka.org/Kitchen/essays_furlong/K_Furlong_01.html HTML]; repr. in ''Mémoires vives: From Nam June Paik to Sliders_Lab'', ed. Jean-Marie Dallet, Tielt: Lannoo, 2019, pp 56-73.  
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* "State of the Art Scan: The Ithaca Video Festival", ''Afterimage'' 9:6, Jan 1982, pp 12-14. [https://www.vtape.org/critical-writing-index-article?id=1796]
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* "A Mixed Blessing: 1981 San Francisco International Travelling Video Festival", ''Afterimage'' 9:10, May 1982, p 17. [https://www.vtape.org/critical-writing-index-article?id=1724]
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* "Color My World: Chicago Video", ''Afterimage'' 10:3, Oct 1982, pp 18-19. [https://www.vtape.org/critical-writing-index-article?id=3576]
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* "Big Bird Goes to the Museum: Video + Satellite", ''Afterimage'' 10:6, Jan 1983, pp 15-16. [https://www.vtape.org/critical-writing-index-article?id=1789]
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* [https://pdfs.semanticscholar.org/d209/b9f4d3321f74cb70262f3cf397ff47c4e74e.pdf "A Manner of Speaking: An Interview with Gary Hill"], ''Afterimage'' 10:8, Mar 1983, pp 9-16. [https://www.vtape.org/critical-writing-index-article?id=1792]
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* [[Media:Furlong Lucinda 1983 Notes Towards a History of Image-processed Video Eric Siegel Stephen Beck Dan Sandin Steve Rutt Bill and Louise Etra.pdf|"Notes Towards a History of Image-processed Video: Eric Siegel, Stephen Beck, Dan Sandin, Steve Rutt, Bill and Louise Etra"]], ''Afterimage'', Summer 1983, pp 35-38. [https://www.vtape.org/critical-writing-index-article?id=1747]
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* [[Media:Furlong_Lucinda_1983_Notes Towards a History of Image-processed Video Steina and Woody Vasulka.pdf|"Notes Towards a History of Image-processed Video: Steina and Woody Vasulka"]], ''Afterimage'', Dec 1983, pp 12-17, [http://vasulka.org/Kitchen/essays_furlong/K_Furlong_01.html HTML]; repr. in ''Mémoires vives: From Nam June Paik to Sliders_Lab'', ed. Jean-Marie Dallet, Tielt: Lannoo, 2019, pp 56-73. [https://www.vtape.org/critical-writing-index-article?id=1722]
 
** "Du signal video au traitement d'images digitales", trans. Isabelle Delord and Dominique Willoughby, in ''[http://www.vasulka.org/Catalogues/PDFs/Cat_Videastes.pdf Steina et Woody Vasulka: Vidéastes: 1969-1984]'', 2nd ed., rev. & corr., ed. Dominique Willoughby, Paris: Ciné-MBXA/Cinédoc, 1984, pp 33-47. {{fr}}
 
** "Du signal video au traitement d'images digitales", trans. Isabelle Delord and Dominique Willoughby, in ''[http://www.vasulka.org/Catalogues/PDFs/Cat_Videastes.pdf Steina et Woody Vasulka: Vidéastes: 1969-1984]'', 2nd ed., rev. & corr., ed. Dominique Willoughby, Paris: Ciné-MBXA/Cinédoc, 1984, pp 33-47. {{fr}}
  
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* [[Media:Furlong Lucinda 1985 Tracking Video Art Image Processing as a Genre.pdf|"Tracking Video Art: ‘Image Processing’ as a Genre"]], ''Art Journal'' 45, Fall 1985, pp 233-237.
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* "Raster Masters: Review of ''Video Art: A History''", ''Afterimage'' 11:8, Mar 1984, pp 17-18. Review of Barbara London's MoMA exhibition. [https://www.vtape.org/critical-writing-index-article?id=1712]
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* [https://archive.org/details/independent08foun/page/n93/mode/2up "Getting High Tech: The 'New' Television"], ''The Independent'' 8:2, Mar 1985, pp 14-16.
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* [[Media:Furlong Lucinda 1985 Tracking Video Art Image Processing as a Genre.pdf|"Tracking Video Art: ‘Image Processing’ as a Genre"]], ''Art Journal'' 45, Fall 1985, pp 233-237. [https://www.vtape.org/critical-writing-index-article?id=4376]
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* [https://archive.org/stream/independent09foun/#page/n63/mode/2up "Talking Union: The Screen Actors Guild and Independent Film"], ''The Independent'' 9:2, Mar 1986, pp 16-18.
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* [[Media:Furlong Lucinda 1988 Electronic Backtalk The Art of Interactive Video.pdf|"Electronic Backtalk: The Art of Interactive Video"]], ''The Independent'' 11:4, May 1988, pp 14-20, [https://archive.org/details/independent11foun/page/n165/mode/2up IA].
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* "AIDS Media: Counter-Representations", in ''New American Film and Video Series'', New York: Whitney Museum of American Art, 1989, pp 1-4. [https://www.vtape.org/critical-writing-index-article?id=637]
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* "From Object to Subject", program notes, New York: Whitney Museum of American Art, 1992.
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* [https://sci-hub.st/10.2307/777697 "Shu Lea Cheang's Genre-Bending Affirmations"], ''Art Journal'' 54(4): "Video Art", Winter 1995, pp 65-68. [https://www.vtape.org/critical-writing-index-article?id=1933]
  
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* [https://sci-hub.se/10.2307/777697 "Shu Lea Cheang's Genre-Bending Affirmations"], ''Art Journal'' 54(4): "Video Art", Winter 1995, pp 65-68.
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; See also
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* [[Video art]]

Latest revision as of 00:47, 28 January 2023

Lucinda B. Furlong (1954) is a critic and curator. She was curator of Media Arts, American Center, Paris, and assistant curator (1986-1991), Film and Video Department, Whitney Museum of American Art, New York.

Publications
  • "New York Council on the Arts Revokes Rochester's TV Workshop Funding", Afterimage 9:6, Jan 1982, p 3. [1]
  • "State of the Art Scan: The Ithaca Video Festival", Afterimage 9:6, Jan 1982, pp 12-14. [2]
  • "A Mixed Blessing: 1981 San Francisco International Travelling Video Festival", Afterimage 9:10, May 1982, p 17. [3]
  • "Color My World: Chicago Video", Afterimage 10:3, Oct 1982, pp 18-19. [4]
  • "Big Bird Goes to the Museum: Video + Satellite", Afterimage 10:6, Jan 1983, pp 15-16. [5]
  • "Raster Masters: Review of Video Art: A History", Afterimage 11:8, Mar 1984, pp 17-18. Review of Barbara London's MoMA exhibition. [9]
  • "AIDS Media: Counter-Representations", in New American Film and Video Series, New York: Whitney Museum of American Art, 1989, pp 1-4. [11]
  • "From Object to Subject", program notes, New York: Whitney Museum of American Art, 1992.
See also
Retrieved from "https://monoskop.org/index.php?title=Lucinda_Furlong&oldid=115445"