Difference between revisions of "Rebekka Kiesewetter"
m (Text replacement - "Personal website]" to "Website]") |
|||
| (One intermediate revision by the same user not shown) | |||
| Line 1: | Line 1: | ||
| − | '''Rebekka Kiesewetter''' is | + | '''Rebekka Kiesewetter''' is a Research Fellow at the Centre for Postdigital Cultures, Coventry University (UK), and a member of the [https://postdigitalcultures.org/strands/post-publishing/ Post-Publishing] research theme. Her research interests are, amongst others, the psychosocial dimensions of scholarly research, communication, and publishing; collaborative and interventionist research, writing, editing, and publishing cultures; experimental monograph publishing in the humanities; genealogies of open access publishing; more diverse and equitable futures for open access publishing; and intersectional feminist critiques of internationalised knowledge creation and sharing. She did a PhD titled Reading Differently: Expanding Open Access Definitions Towards Greater Knowledge Equity at the Centre for Postdigital Cultures and studied art history, business administration, and modern history at the University of Zurich (CH). |
| + | |||
| + | She is also a researcher on the [https://copim.pubpub.org/pub/open-book-futures-announcement/release/1 Open Book Futures] (OBF) research project; a co-convener of the [https://radicaloa.disruptivemedia.org.uk/ Radical Open Access Collective]; a co-editor of the [http://www.openhumanitiespress.org/books/series/liquid-books/ Combinatorial Books: Gathering Flowers] experimental book series with Open Humanities Press; and a an editorial board member of ''continent.'' journal. She also consults and supports early career researchers in exploring more collaborative, horizontal, and open approaches towards publishing their monographs. Previously, she was a Research Associate at WP6: Experimental Publishing, Re-use, and Impact of the Coventry University based [https://copim.pubpub.org/ COPIM] (Community-led Open Publication Infrastructures for Monographs) research project and a member of Jisc's Open Research Advisory Board. | ||
| + | |||
| + | Her previous work as a writer; managing editor; a writing tutor and thesis supervisor at the MA Studio for Immediate Spaces, Sandberg Institute, Amsterdam where she developed critical publishing as a learning environment for students to discuss societally relevant questions – such as who participates in knowledge creation on whose terms, and who owns knowledge – and to acquire various communication, publishing, and technological skills through collaborative work on publications; a visiting professor at diverse universities; curator; and researcher evolved at the intersections of experimental publishing, art, design, architecture, and the humanities. She is a founding member of [https://www.da-institut.org/ DA Institut], as well as a member and former co-director of [https://www.depotbasel.ch/ Depot Basel]. [https://www.rebekkakiesewetter.com/ (2024)] | ||
; Links | ; Links | ||
* [https://www.rebekkakiesewetter.com/ Website] | * [https://www.rebekkakiesewetter.com/ Website] | ||
| + | * [https://pureportal.coventry.ac.uk/en/persons/rebekka-kiesewetter Profile on Coventry U] | ||
| + | * [[Base:Mastodon|Mastodon:]] [[Mastodon::https://hcommons.social/@Rebekka_Kie]] | ||
* [https://twitter.com/Rebekka_Kie Twitter] | * [https://twitter.com/Rebekka_Kie Twitter] | ||
| − | [[ | + | [[Series:Artists' publishing]] |
| + | {{DEFAULTSORT:Kiesewetter, Rebekka}} | ||
Latest revision as of 09:08, 27 September 2024
Rebekka Kiesewetter is a Research Fellow at the Centre for Postdigital Cultures, Coventry University (UK), and a member of the Post-Publishing research theme. Her research interests are, amongst others, the psychosocial dimensions of scholarly research, communication, and publishing; collaborative and interventionist research, writing, editing, and publishing cultures; experimental monograph publishing in the humanities; genealogies of open access publishing; more diverse and equitable futures for open access publishing; and intersectional feminist critiques of internationalised knowledge creation and sharing. She did a PhD titled Reading Differently: Expanding Open Access Definitions Towards Greater Knowledge Equity at the Centre for Postdigital Cultures and studied art history, business administration, and modern history at the University of Zurich (CH).
She is also a researcher on the Open Book Futures (OBF) research project; a co-convener of the Radical Open Access Collective; a co-editor of the Combinatorial Books: Gathering Flowers experimental book series with Open Humanities Press; and a an editorial board member of continent. journal. She also consults and supports early career researchers in exploring more collaborative, horizontal, and open approaches towards publishing their monographs. Previously, she was a Research Associate at WP6: Experimental Publishing, Re-use, and Impact of the Coventry University based COPIM (Community-led Open Publication Infrastructures for Monographs) research project and a member of Jisc's Open Research Advisory Board.
Her previous work as a writer; managing editor; a writing tutor and thesis supervisor at the MA Studio for Immediate Spaces, Sandberg Institute, Amsterdam where she developed critical publishing as a learning environment for students to discuss societally relevant questions – such as who participates in knowledge creation on whose terms, and who owns knowledge – and to acquire various communication, publishing, and technological skills through collaborative work on publications; a visiting professor at diverse universities; curator; and researcher evolved at the intersections of experimental publishing, art, design, architecture, and the humanities. She is a founding member of DA Institut, as well as a member and former co-director of Depot Basel. (2024)
- Links
