Difference between revisions of "Büro Bert"
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| + | '''Büro Bert''' (or BüroBert) was a collaboration between Jochen Becker and Renate Lorenz, founded in 1987 in Giessen, from 1994 based in [[Berlin]]. | ||
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| + | ==Publications== | ||
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| + | * ''Copyshop. Kunstpraxis und politische Öffentlichkeit. Ein Sampler von BüroBert'', Berlin/Amsterdam: Edition ID-Archiv, 1993, 240 pp. [https://monoskop.org/images/d/da/Art_in_Ruins_Stephan_Geene_BueroBert_1993_trap.pdf#page=4 TOC]. [https://www.idverlag.com/buchseite.php?buchID=27 Publisher]. {{de}} | ||
| + | ** Renate Lorenz, [https://monoskop.org/images/c/cd/Sheikh_Simon_2009_Positively_Counter-Publics_Revisited.pdf#page=2 "Kunstpraxis und politische Öffentlichkeit"], pp 7-19. | ||
| + | ** Jochen Becker, "Activate. Taktische Medien", pp 148-168. | ||
| + | ** Art in Ruins, Stephan Geene, BüroBert, [https://artinruins.net/debt-trap-kunst-praxis/some-trap/trap/ "trap"], pp 214-215, [[Media:Art in Ruins Stephan Geene BueroBert 1993 trap.pdf|PDF]]. | ||
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| + | * Büro Bert, minimal club, Susanne Schultz (eds.), ''geld.beat.synthetic / CopyShop 2. Abwerten bio/technologischer Annahmen'', Berlin: Edition ID-Archiv, 1996, 272 pp. Contributing editors: Susanne Schultz, Renate Lorenz, Stephan Geene, Sabeth Buchmann, Jochen Becker; other contributors: Judith Butler, Roswitha Mueller, Linda Singer, Katja Diefenbach, a.o. [https://www.idverlag.com/buchseite.php?buchID=58 Publisher]. Review: [https://www.kunstforum.de/artikel/burobert-minimal-club-susanne-schultz-copyshop-2/ Pesch] (Kunstforum). {{de}} | ||
| + | ** Renate Lorenz, [https://www.thealit.de/lab/LIFE/LIFEfiles/r_09_2.htm "Abwerten (bio)technologischer Annahmen"]. | ||
| + | ** BüroBert, "Gegenöffentlichkeit", pp 22-30. | ||
| + | |||
| + | * "CopyShop", in ''LAB. Jahrbuch für Künste und Apparate'', ed. KHM, Cologne: Walther König, 1999; repr. in ''Künste und Apparate – Berichte aus einem Labor (1995-2005)'', eds. Hans Ulrich Reck and Siegfried Zielinski, Herbert von Halem (KHM #6), 2022. [https://www.google.com/books/edition/Künste_und_Apparate/sEJvEAAAQBAJ?hl=cs&gbpv=1&pg=PA202&printsec=frontcover] [https://www.khm.de/termine/news.4002.lab-jahrbuch-1999-fur-kunste-und-apparate/] | ||
| + | |||
| + | ; Interviews, conversations | ||
| + | * Clegg & Guttmann, et al., [[Media:Clegg and Guttmann et al 1997 Serving Communities.pdf|"Serving Communities"]], ''October'' 80, Spring 1997, pp 128-129, 140-148. | ||
| + | |||
| + | ==Literature== | ||
| + | |||
| + | * Arnd Wesemann, "Büro Bert. Zufall und Alltag", ''Kunstforum'' 116: "Künstlergruppen: Von der Utopie einer Kollektiven Kunst", 1991, pp 294-296. [https://www.kunstforum.de/artikel/buro-bert/] {{de}} | ||
| + | |||
| + | * Holger Kube Ventura, "'Informationskunst' - eine Variante politisch-künstlerischer Strategien in den 1990er Jahren", in ''Borderline: Strategien und Taktiken für Kunst und soziale Praxis'', ed. AG Borderline-Kongress, Wiesbaden, 2002, pp 109-120. [https://books.google.com/books?id=JV5tmI1u3acC&pg=PA109] [http://web.archive.org/web/20040605192300/http://www.octopusweb.de/borderline/] {{de}} | ||
| + | |||
| + | * Simon Sheikh, [https://www.e-flux.com/journal/05/61541/positively-counter-publics-revisited/ "Positively Counter-Publics Revisited"], ''e-flux'' 5, Apr 2009, [[Media:Sheikh_Simon_2009_Positively_Counter-Publics_Revisited.pdf|PDF]]. | ||
| + | |||
| + | * Birgit Eusterschulte, [http://www.dgae.de/wp-content/uploads/2017/06/Eusterschulte-dgae_2018.pdf "Un/Mögliche Funktionalisierungen oder Die Fallen des Ausstellens"], Kongressakte des X. Kongresses der Deutschen Gesellschaft für Ästhetik, 2018. {{de}} | ||
| + | |||
| + | * Lucie Kolb, Philipp Messner, [[Media:Kolb Lucie Messner Philipp 2019 Kunst_und_Gegenoeffentlichkeit_um_1990.pdf|"Kunst und Gegenöffentlichkeit um 1990"]], ''Kultur & Gespenster'' 20, Hamburg: Textem, 2019, pp 58-69. [https://www.academia.edu/38566208] [https://textem-verlag.de/textem/magazine/kultur-und-gespenster/355] {{de}} | ||
| + | |||
| + | * Sven Lütticken, "Organizational Aesthetics", ''October'' 183, 2023, pp 17-49. Spanning the mid-1990s to the present, this account of organizational aesthetics includes critical discussions of artists, activists, theorists, and collectives including BüroBert, Alice Creischer, Andrea Fraser, Jeanne van Heeswijk, Geert Lovink, ruangrupa, and Jonas Staal. [https://doi.org/10.1162/octo_a_00475] {{en}} | ||
| + | |||
| + | ==See also== | ||
| + | [[minimal club]] | ||
| + | |||
| + | ==Links== | ||
| + | * [https://artinruins.net/debt-trap-kunst-praxis/some-trap/trap/ ''trap'', 1993], [https://artinruins.net/debt-trap-kunst-praxis/some-trap/another-trap-re-writing-history/] [https://artinruins.net/debt-trap-kunst-praxis/wp-content/uploads/sites/4/2016/11/Catalogue-Pages.pdf] | ||
* http://www.vergessen.com/hilus/content/projekte/93_unit_n/presse/presse_buero_bert.pdf | * http://www.vergessen.com/hilus/content/projekte/93_unit_n/presse/presse_buero_bert.pdf | ||
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Latest revision as of 15:23, 20 July 2023
Büro Bert (or BüroBert) was a collaboration between Jochen Becker and Renate Lorenz, founded in 1987 in Giessen, from 1994 based in Berlin.
Contents
Publications[edit]
- Copyshop. Kunstpraxis und politische Öffentlichkeit. Ein Sampler von BüroBert, Berlin/Amsterdam: Edition ID-Archiv, 1993, 240 pp. TOC. Publisher. (German)
- Renate Lorenz, "Kunstpraxis und politische Öffentlichkeit", pp 7-19.
- Jochen Becker, "Activate. Taktische Medien", pp 148-168.
- Art in Ruins, Stephan Geene, BüroBert, "trap", pp 214-215, PDF.
- Büro Bert, minimal club, Susanne Schultz (eds.), geld.beat.synthetic / CopyShop 2. Abwerten bio/technologischer Annahmen, Berlin: Edition ID-Archiv, 1996, 272 pp. Contributing editors: Susanne Schultz, Renate Lorenz, Stephan Geene, Sabeth Buchmann, Jochen Becker; other contributors: Judith Butler, Roswitha Mueller, Linda Singer, Katja Diefenbach, a.o. Publisher. Review: Pesch (Kunstforum). (German)
- Renate Lorenz, "Abwerten (bio)technologischer Annahmen".
- BüroBert, "Gegenöffentlichkeit", pp 22-30.
- "CopyShop", in LAB. Jahrbuch für Künste und Apparate, ed. KHM, Cologne: Walther König, 1999; repr. in Künste und Apparate – Berichte aus einem Labor (1995-2005), eds. Hans Ulrich Reck and Siegfried Zielinski, Herbert von Halem (KHM #6), 2022. [1] [2]
- Interviews, conversations
- Clegg & Guttmann, et al., "Serving Communities", October 80, Spring 1997, pp 128-129, 140-148.
Literature[edit]
- Arnd Wesemann, "Büro Bert. Zufall und Alltag", Kunstforum 116: "Künstlergruppen: Von der Utopie einer Kollektiven Kunst", 1991, pp 294-296. [3] (German)
- Holger Kube Ventura, "'Informationskunst' - eine Variante politisch-künstlerischer Strategien in den 1990er Jahren", in Borderline: Strategien und Taktiken für Kunst und soziale Praxis, ed. AG Borderline-Kongress, Wiesbaden, 2002, pp 109-120. [4] [5] (German)
- Simon Sheikh, "Positively Counter-Publics Revisited", e-flux 5, Apr 2009, PDF.
- Birgit Eusterschulte, "Un/Mögliche Funktionalisierungen oder Die Fallen des Ausstellens", Kongressakte des X. Kongresses der Deutschen Gesellschaft für Ästhetik, 2018. (German)
- Lucie Kolb, Philipp Messner, "Kunst und Gegenöffentlichkeit um 1990", Kultur & Gespenster 20, Hamburg: Textem, 2019, pp 58-69. [6] [7] (German)
- Sven Lütticken, "Organizational Aesthetics", October 183, 2023, pp 17-49. Spanning the mid-1990s to the present, this account of organizational aesthetics includes critical discussions of artists, activists, theorists, and collectives including BüroBert, Alice Creischer, Andrea Fraser, Jeanne van Heeswijk, Geert Lovink, ruangrupa, and Jonas Staal. [8] (English)
