Nicolas Bourriaud

Nicolas Bourriaud (1965) is a French curator and art critic.

Works

• editor, Traffic, Bordeaux: Capmusée d'art contemporain, 1996. Exh. cat. (French)

• L'ère tertiaire: roman, Paris: Flammarion, 1997, 227 pp. Novel. (French)

• Esthétique relationnelle, Dijon: Les Presses du réel, 1998, 123 pp; new ed., 2004, 123 pp. Publisher. (French)
  • Relational Aesthetics, trans. Simon Pleasance and Fronza Woods with Mathieu Copeland, Dijon: Les Presses du réel, 2002, 125 pp; repr., 2009, 125 pp, PDF. Publisher. Reviews: Bishop (October), Foster (London Rev Books), Martin (Third Text). (English)
  • İlişkisel estetik, trans. Saadet Özen, Istanbul: Bağlam Yayıncılık, 2005, 179 pp; 2nd ed., 2018. Publisher. (Turkish)
  • Relationel æstetik, trans. Morten Salling, Copenhagen: Det Kongelige Danske Kunstakademi, 2005, 127 pp. (Danish)
  • Estética relacional, trans. Cecilia Beceyro and Sergio Delgado, Buenos Aires: Adriana Hidalgo, 2006, 143 pp; repr., 2017. Publisher. (Spanish)
  • Relasjonell estetikk, trans. Boel Christensen-Scheel, Oslo: Pax, 2007, 237 pp. (Norwegian)
  • "Relacijska estetika", trans. Tanja Lesničar-Pučko, in Bourriaud, Relacijska estetika. Postprodukcija: kultura kot scenarij: kako umetnost reprogramira sodobni svet, afterw. Nataša Petrešin, Ljubljana: Maska, 2007. Publisher. (Slovenian)
  • Relációesztétika, trans. Judit Pálfi and Bálint Pinczés, Budapest: Műcsarnok, 2007, 94 pp. Reviews: Fehér (Buksz), Kürti (Revizor). (Hungarian)
  • "Estetica relaţională", trans. Cristian Nae, in Bourriaud, Estetica relaţională. Postproducţie: cultura ca scenariu: cum reprogramează arta lumea contemporană, Cluj-Napoca: Idea Design & Print, 2007. (Romanian)
  • Estética relacional, trans. Denise Bottmann, São Paulo: Martins Fontes, 2009, 151 pp. Publisher. (Brazilian Portuguese)
  • Estetica relazionale, trans. Marco Enrico Giacomelli, Milan: Postmedia, 2010, 127 pp; 2nd ed., 2016, 141 pp; 3rd ed., 2020, 157 pp. (Italian)
  • 관계의 미학, Seoul: Mijinsa (미진사), 2011, 223 pp. (Korean)
  • Estetyka relacyjna, trans. Łukasz Białkowski, Cracow: Muzeum Sztuki Współczesnej MOCAK, 2012, 150 pp. Publisher. Review: Barcikowska (Ruch fil). (Polish)
  • Kankeisei no bigaku [関係性の美学], trans. Tsuji Noriyuki, Tokyo: 水声社, 2024, 244 pp. (Japanese)

• Formes de vie: l'art moderne et l'invention de soi: essai, Paris: Denoël, 1999, 187 pp; new ed., 2003, 168 pp; repr., 2009, 168 pp. (French)
  • Formas de vida: el arte moderno y la invención de sí, Murcia: Cendeac, 2009. (Spanish)
  • Formas de vida: a arte moderna e a invenção de si, trans. Dorothée de Bruchard, São Paulo: Martins Fontes, 2011, 192 pp. Publisher. Review: Fabbrini (Trans/Form/Ação). (Brazilian Portuguese)
  • Forme di vita: l'arte moderna e l'invenzione del sè, Milan: Postmedia, 2015, 141 pp. (Italian)

• Postproduction. La culture comme scénario: comment l’art reprogramme le monde contemporain, Dijon: Les Presses du réel, 2002; repr., 2009, 95 pp. (French)
  • Postproduction: Culture as Screenplay: How Art Reprograms the World, trans. Jeanine Herman, New York and Berlin: Lukas & Sternberg, 2002; 2nd ed., 2005; 3rd ed., 2007. (English)
  • Postproducción. La cultura como escenario: modos en que el arte reprograma el mundo contemporáneo, trans. Silvio Mattoni, Buenos Aires: Adriana Hidalgo, 2004; repr., 2007, 128 pp; 3rd ed., 2009, 123 pp. Publisher. (Spanish)
  • Postproduction: come l'arte riprogramma il mondo, Milan: Postmedia, 2004, 95 pp. Chapter 1. [1] (Italian)
  • Postprodüksiyon: senaryo olarak kültür: sanat dünyayı nasıl yeniden programlıyor, trans. Nermin Saybaşılı, Istanbul: Bağlam Yayıncılık, 2004, 148 pp; 2nd ed., 2018. Foreword. Publisher. (Turkish)
  • Postprodukce: kultura jako scénář: jak umění nově programuje současný svět, trans. Petr Turek, Prague: tranzit.cz (navigace 1), 2004, 106 pp. (Czech)
  • Postproduktion, trans. Morten Salling, Copenhagen: Det Kgl. Danske Kunstakademi, 2006, 95 pp. (Danish)
  • "Postprodukcija", trans. Tanja Lesničar-Pučko, in Bourriaud, Relacijska estetika. Postprodukcija: kultura kot scenarij: kako umetnost reprogramira sodobni svet, afterw. Nataša Petrešin, Ljubljana: Maska, 2007. Publisher. (Slovenian)
  • Utómunkálatok. Hogyan programozza át a művészt korunk világát, trans. Júlia Jancsó, Budapest: Műcsarnok, 2007, 66 pp. Reviews: Fehér (Buksz), Kürti (Revizor). (Hungarian)
  • "Postproducţie", trans. Cristian Nae, in Bourriaud, Estetica relaţională. Postproducţie: cultura ca scenariu: cum reprogramează arta lumea contemporană, Cluj-Napoca: Idea Design & Print, 2007. (Romanian)
  • Pós-produção: como a arte reprograma o mundo contemporâneo, trans. Denise Bottmann, São Paulo: Martins Fontes, 2009, 112 pp. Publisher. (Brazilian Portuguese)
  • Hou zhi pin: wen hua ru ju ben: yi zhu yi he zhong fang shi zhong zu dang dai shi jie [后制品: 文化如剧本: 艺术以何种方式重组当代世界], Beijing: 金城出版社, 2014, 104 pp. (Chinese)
  • 포스트프로덕션: 시나리오로서의 문화, 예술은 세상을 어떻게 재프로그램 하는가, Seoul: 그레파이트 온 핑크, 2016, 136 pp. (Korean)
  • Postprodukcja: kultura jako scenariusz - jak sztuka przeprogramowuje współczesny świat, Cracow: Wydawnictwo Akademii Sztuk Pięknych im. Jana Matejki w Krakowie, 2023, 80 pp. (Polish)

• editor, Playlist, Paris: Palais de Tokyo/Editions cercle d'art, 2004, 220 pp. Exh. cat. (French)

• editor, Altermodern: Tate Triennial, London: Tate, 2009, 224 pp. Exh. cat. Introduction. (English)

• Radicant: pour une esthétique de la globalisation, Paris: Denoël, 2009, 217 pp. (French)
  • The Radicant, trans. Lili Porten and James Gussen, New York: Lukas and Sternberg, 2009, 177 pp. (English)
  • Radicante, trans. Michèle Guillemont, Buenos Aires: Adriana Hidalgo, 2009, 226 pp; repr., 2018. Publisher. (Spanish)
  • Radikant, Berlin: Merve, 2009, 203 pp. (German)
  • Radicante: por uma estética da globalização, trans. Dorothée de Bruchard, São Paulo: Martins Fontes, 2011, 196 pp. Publisher. Review: Fabbrini (Trans/Form/Ação). (Brazilian Portuguese)
  • 래디컨트: 니꼴라 부리요의 현대 미술이론, trans. Jungae Park (박정애), Seoul: Mijinsa (미진사), 2013, 256 pp. (Korean)
  • Il radicante: per un'estetica, Milan: Postmedia, 2014, 207 pp. (Italian)
  • Radikan, trans. Talat Mehmet Öngüt, Istanbul: Bağlam Yayıncılık, 2019, 215 pp. Publisher. (Turkish)
  • Radikanto: gurōbarizēshon no bigaku ni mukete [ラディカント: グローバリゼーションの美学に向けて], Tokyo: フィルムアート社, 2022, 294 pp. (Japanese)

• La Exforma, trans. Eduardo Berti, Buenos Aires: Adriana Hidalgo, 2015, 142 pp. Publisher. (Spanish)
  • The Exform, trans. Erik Butler, London: Verso, 2016, xvii+107 pp. Publisher. (English)
  • L'exforma: arte, ideologia e scarto, trans. Michela Dellaia, Milan: Postmedia, 2016, 107 pp. (Italian)
  • L'exforme: art, idéologie et rejet, Paris: Presses Universitaires de France, 2017, 139 pp. (French)
  • Exform, trans. Uli Nickel, Leipzig: Merve, 2020, 152 pp. (German)
  • Ekseupom [엑스폼 : 미술, 이데올로기, 쓰레기], Seoul: ····A : hyeonsil Munhwa Yeongu (····A : 현실문화연구), 2022, 223 pp. (Korean)

• Formes et trajets, 2 vols., Dijon: Les presses du réel, and Zurich: JRP Ringier, 2018, 233 & 331 pp. (French)

• Inclusiones: estética del capitaloceno, trans. Eduardo Berti, Buenos Aires: Adriana Hidalgo, 2020, 231 pp. Publisher. (Spanish)
  • Inclusioni: estetica del capitalocene, Milan: Postmedia, 2020, 159 pp. (Italian)
  • Inclusions: esthétique du capitalocène, Paris: Presses universitaires de France, 2021, 227 pp. Review: Dommergue (Critique d'art). (French)
  • Inclusions: Aesthetics of the Capitalocene, trans. Denyse Beaulieu, London: Sternberg Press, 2022, 144 pp. Publisher. (English)

• editor, Planète B: le sublime et la crise climatique, Paris: Radicants, 2022, 131 pp. Exh. cat. Review: Dommergue (Critique d'art). [2] (French)
  • Planet B: Climate Change and the New Sublime, trans. Denyce Beaulieu, Paris: Radicants, 2022, 131 pp. (English)
  • 플래닛 B.: 기후 변화 그리고 새로운 숭고, trans. 안소현, Seoul: 이안북스, 2023, 143 pp. (Korean)

Links

• http://www.archivesdelacritiquedart.org/outils_documentaires/critiques_d_art/220
• Wikipedia-FR