Difference between revisions of "Benedict Drew"
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| − | + | '''Benedict Drew''' (1977, Kyneton, Australia) works across video, sculpture, drawing, painting, and music. He creates large-scale installations, often concerned with ecstatic responses to socio-political anxiety. Solo exhibitions include The Trickle-Down Syndrome, Whitechapel Gallery, London; KAPUT, QUAD, Derby; Walker Art Gallery, Liverpool; and THE ANTI ECSTATIC MACHINES and Heads May Roll, Matt’s Gallery, London. Drew’s work has been exhibited internationally including at AdelaideFestival, Australia; Lofoten International Arts Festival, Norway; and in Hayward Touring exhibitions British Art Show 8 and Shonky: The Aesthetics of Awkwardness. He has been commissioned to create videoworks for public spaces including Art on the Underground, London and Focal Point Gallery, Southend-on-Sea. The installation KAPUT (2015) was acquired by the Arts Council Collection. Since the 1990s Benedict Drew has performed in improvising ensembles, programmed concerts and club nights, and was a producer at the cultural charity London Musicians Collective. Drew has released several records on labels including Mana Records and Kaleidoscope, and often collaborates with other artists and musicians. He launched his own label, [https://thanettapecentre.bandcamp.com/ Thanet Tape Centre], in 2020 and regularly makes work for radio. Benedict Drew is a Lecturer in Fine Art at Slade School of Fine Art, University College London and is represented by Matt’s Gallery, London. He lives and works in Whitstable and Margate, UK. [https://benedictdrew.com/Info (2025)] | |
| − | + | ; Links | |
| − | + | * [https://benedictdrew.com Website] | |
| + | * [https://benedictdrew.bandcamp.com/ Bandcamp] | ||
| + | * [https://www.ucl.ac.uk/slade/people/academic/bfdre41/ Slade School of Fine Art], UCL | ||
Latest revision as of 10:34, 22 November 2025
Benedict Drew (1977, Kyneton, Australia) works across video, sculpture, drawing, painting, and music. He creates large-scale installations, often concerned with ecstatic responses to socio-political anxiety. Solo exhibitions include The Trickle-Down Syndrome, Whitechapel Gallery, London; KAPUT, QUAD, Derby; Walker Art Gallery, Liverpool; and THE ANTI ECSTATIC MACHINES and Heads May Roll, Matt’s Gallery, London. Drew’s work has been exhibited internationally including at AdelaideFestival, Australia; Lofoten International Arts Festival, Norway; and in Hayward Touring exhibitions British Art Show 8 and Shonky: The Aesthetics of Awkwardness. He has been commissioned to create videoworks for public spaces including Art on the Underground, London and Focal Point Gallery, Southend-on-Sea. The installation KAPUT (2015) was acquired by the Arts Council Collection. Since the 1990s Benedict Drew has performed in improvising ensembles, programmed concerts and club nights, and was a producer at the cultural charity London Musicians Collective. Drew has released several records on labels including Mana Records and Kaleidoscope, and often collaborates with other artists and musicians. He launched his own label, Thanet Tape Centre, in 2020 and regularly makes work for radio. Benedict Drew is a Lecturer in Fine Art at Slade School of Fine Art, University College London and is represented by Matt’s Gallery, London. He lives and works in Whitstable and Margate, UK. (2025)
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