Difference between revisions of "Oleksiy Radynski"

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Born 1984. [[Kiev]]-based art historian, critic and curator with a special interest to Soviet avant-garde and its influence on contemporary visual culture. Among recent works – extended essays on the interconnections between Walter Benjamin’s and Dziga Vertov’s approaches to media theory and practice and on research-based art strategies in Boris Mikhailov’s Unfinished Dissertation. In 2006-2007 edited the screen arts magazine KINO-KOLO. In 2006 carried out the research of conceptual practices in contemporary photography at CCA Zamek Ujazdovski, Warsaw. In 2008-2009 – curator at Kyiv city gallery Lavra. Currently – curator at Visual Culture Research Center (Kyiv). Post-graduate student at Cultural Studies Department of National University ‘Kyiv-Mohyla Academy’, preparing the dissertation on appropriation of Soviet montage theories in contemporary media.
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'''Oleksiy Radynski''' is a filmmaker and writer based in [[Kyiv]].  
  
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He was born in 1984 and raised in the ruins of a Documentary Film Studio in Kyiv. After studying film theory at Kyiv-Mohyla Academy, he took part in several film education experiments including ''Home Workspace Program'' (Ashkal Alwan, Beirut) and ''Labor in a Single Shot'' by [[Harun Farocki]] and Antje Ehmann.
  
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http://vcrc.ukma.kiev.ua/en/cv/radynski
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His films have been screened at the International Film Festival Rotterdam, the Oberhausen International Short Film Festival, DOK Leipzig, Kurzfilmtage Winterthur and other festivals, and received awards at Docudays UA, Molodist IFF, and the Kyiv International Short Film Festival. Selected filmography: ''Where Russia Ends'' (2024), ''Chornobyl 22'' (2023), ''Infinity According to Florian'' (2022), ''Circulation'' (2020), ''Facade Colour: Blue'' (2019), ''The Film of Kyiv. Episode One'' (2017), ''Landslide'' (2016), ''[https://vimeo.com/291894902 People Who Came to Power]'' (2015), ''Integration'' (2014), ''[https://vimeo.com/273678414 Incident at the Museum]'' (2013).
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His texts has been published in the anthologies ''Art and Theory of Post-1989 Central and East Europe: A Critical Anthology'' (2018), ''Being Together Precedes Being'' (2018), ''Proxy Politics: Power and Subversion in a Networked Age'' (2017), ''Sweet Sixties: Spirits and Specters of a Parallel Avant-Garde'' (2014), ''Post-Post-Soviet?: Art, Politics, and Society in Russia at the Turn of Decade'' (2013), ''Soviet Modernism 1955-1991: Unknown Stories'' (2012), and in ''e-flux'' journal, ''Political Critique, Regarding Spectatorship, colta.ru'' and other publications.
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In 2008, he co-founded [[Visual Culture Research Center]]. He was a 2019-2020 [[BAK|BAK Fellow at basis voor actuele kunst]], Utrecht.
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; Links
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* [https://vimeo.com/oleksiyradynski Vimeo]
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* [https://www.youtube.com/@PoliticalCritiqueUA YouTube]
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* [https://dafilms.cz/director/12072-oleksiy-radynski Radynski's films on Dafilms]
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* [https://www.instagram.com/oleksiy.radynski/ Instagram]
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* https://www.e-flux.com/journal/55/60303/maidan-and-beyond-part-i/
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* https://www.e-flux.com/journal/56/60331/maidan-and-beyond-part-ii-the-cacophony-of-donbas/
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* https://www.e-flux.com/journal/107/322782/is-data-the-new-gas/
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* http://web.archive.org/web/20100912025621/http://vcrc.ukma.kiev.ua/en/cv/radynski
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* https://www.bakonline.org/2020/08/27/fellow/online-screening-of-oleksiy-radynskis-landslide-and-interview-with-grant-watson/
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[[Series:Film]] [[Series:Art writers]]
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{{DEFAULTSORT:Radynski, Oleksiy}}

Latest revision as of 16:30, 12 October 2024

Oleksiy Radynski is a filmmaker and writer based in Kyiv.

He was born in 1984 and raised in the ruins of a Documentary Film Studio in Kyiv. After studying film theory at Kyiv-Mohyla Academy, he took part in several film education experiments including Home Workspace Program (Ashkal Alwan, Beirut) and Labor in a Single Shot by Harun Farocki and Antje Ehmann.

His films have been screened at the International Film Festival Rotterdam, the Oberhausen International Short Film Festival, DOK Leipzig, Kurzfilmtage Winterthur and other festivals, and received awards at Docudays UA, Molodist IFF, and the Kyiv International Short Film Festival. Selected filmography: Where Russia Ends (2024), Chornobyl 22 (2023), Infinity According to Florian (2022), Circulation (2020), Facade Colour: Blue (2019), The Film of Kyiv. Episode One (2017), Landslide (2016), People Who Came to Power (2015), Integration (2014), Incident at the Museum (2013).

His texts has been published in the anthologies Art and Theory of Post-1989 Central and East Europe: A Critical Anthology (2018), Being Together Precedes Being (2018), Proxy Politics: Power and Subversion in a Networked Age (2017), Sweet Sixties: Spirits and Specters of a Parallel Avant-Garde (2014), Post-Post-Soviet?: Art, Politics, and Society in Russia at the Turn of Decade (2013), Soviet Modernism 1955-1991: Unknown Stories (2012), and in e-flux journal, Political Critique, Regarding Spectatorship, colta.ru and other publications.

In 2008, he co-founded Visual Culture Research Center. He was a 2019-2020 BAK Fellow at basis voor actuele kunst, Utrecht.

Links
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