Difference between revisions of "Nicolas Collins"
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| − | New York born and raised, Nicolas Collins | + | New York born and raised, '''Nicolas Collins''' spent most of the 1990s in Europe, where he was Visiting Artistic Director of [[STEIM|Stichting STEIM]] (Amsterdam), and a DAAD composer-in-residence in Berlin. He has been a Professor in the Department of Sound at the School of the Art Institute of Chicago since 1999, and a Research Fellow at the Orpheus Institute (Ghent) since 2016. From 1997-2017 he was Editor-in-Chief of the ''Leonardo Music Journal''. An early adopter of microcomputers for live performance, Collins also makes use of homemade electronic circuitry and conventional acoustic instruments. His book, ''[https://monoskop.org/log/?p=144 Handmade Electronic Music: The Art of Hardware Hacking]'' (Routledge), has influenced emerging electronic music worldwide. [http://www.nicolascollins.com/texts/shortbio.pdf] |
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| − | [[STEIM|Stichting STEIM]] (Amsterdam), and a DAAD composer-in-residence in Berlin. | ||
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| − | Chicago. | ||
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| − | http://www.nicolascollins.com | + | ; Links |
| + | * [http://www.nicolascollins.com Website] | ||
| − | [[ | + | [[Series:Music writers]] [[Series:Sound art]] |
| + | {{DEFAULTSORT:Collins, Nicolas}} | ||
Latest revision as of 08:59, 17 February 2025
New York born and raised, Nicolas Collins spent most of the 1990s in Europe, where he was Visiting Artistic Director of Stichting STEIM (Amsterdam), and a DAAD composer-in-residence in Berlin. He has been a Professor in the Department of Sound at the School of the Art Institute of Chicago since 1999, and a Research Fellow at the Orpheus Institute (Ghent) since 2016. From 1997-2017 he was Editor-in-Chief of the Leonardo Music Journal. An early adopter of microcomputers for live performance, Collins also makes use of homemade electronic circuitry and conventional acoustic instruments. His book, Handmade Electronic Music: The Art of Hardware Hacking (Routledge), has influenced emerging electronic music worldwide. [1]
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