Difference between revisions of "Anthony Iles"

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Anthony Iles is a writer and editor based in [[London]]. He is a contributing editor to [[Mute]], an online and quarterly print magazine. He is the author of a pamphlet on flexible architecture, participation and regeneration around the London 2012 Olympics entitled 'The Lower Lea Valley as Fun Palace and Creative Prison': [http://www.divshare.com/download/6016897-66f] and co-editor, with [[Mattin]], of the recent book Noise & Capitalism, San Sebastian: Arteleku, 2009: [http://www.arteleku.net/audiolab/noise_capitalism.pdf].
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'''Anthony Iles''' is a doctoral candidate and Visiting Tutor at the School of Art & Design, Middlesex University. He is a Commissioning Editor for the series Documents in Contemporary Art published by the Whitechapel Gallery and MIT Press. A founder member of the Full Unemployment Cinema and a Contributing Editor with ''[[Mute|Mute / Metamute]]'' since 2005, he is the author, with [[Josephine Berry]], of the book, ''No Room to Move: Art and the Regenerate City'' (Mute, London 2011), contributing editor to the recent publications, ''[https://monoskop.org/log/?p=10123 Provocative Alloys: A Post-Media Anthology]'' (Mute, London, and Post-Media Lab, Lüneburg, 2013), ''[[Media:Cunningham Iles Mattar Vishmidt eds Anguish Language Writing and Crisis 2015.pdf|Anguish Language: Writing and Crisis]]'' (Archive Books, Berlin, 2015), and ''Look at Hazards, Look at Losses'' (Mute/Kuda, 2017) and a contributor to ''Brave New Work: A Reader on Harun Farocki’s Film A New Product'' (Buchhandlung Walther König, 2014). Other recent essays by Anthony have been published in the journals ''Cesura//Acceso, Mute, Radical Philosophy, Rab-Rab: Journal for Political and Formal Inquiries in Art and Logos''. [https://saladofpearls.wordpress.com/2019/06/14/print-and-society-workshop/ (2019)]
 
 
He is co-author, with [[Josephine Berry Slater]], of the book, ''No Room to Move: radical art and the regenerate city'', published by Mute in October 2010.
 
 
 
Over the last ten years he has collaborated extensively with artists and musicians on talks, discussions, workshops, performances, exhibitions, film screenings and publications.
 
  
 
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; Links
http://www.metamute.org/en/content/anthony_iles
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* [https://saladofpearls.wordpress.com/ Blog]
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* [http://www.metamute.org/editorial/articles/anthony-iles Profile on ''Mute'']
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* [https://www.mdx.ac.uk/about-us/our-people/staff-directory/profile/iles-anthony Profile on Middlesex U]
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* [https://aaaaarg.fail/maker/53107f8e334fe07269206b46 ARG]
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* [https://independent.academia.edu/AnthonyIles Academia.edu]
  
[[Category:Writers|Iles, Anthony]]
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[[Series:Writers|Iles, Anthony]]

Latest revision as of 23:21, 25 February 2023

Anthony Iles is a doctoral candidate and Visiting Tutor at the School of Art & Design, Middlesex University. He is a Commissioning Editor for the series Documents in Contemporary Art published by the Whitechapel Gallery and MIT Press. A founder member of the Full Unemployment Cinema and a Contributing Editor with Mute / Metamute since 2005, he is the author, with Josephine Berry, of the book, No Room to Move: Art and the Regenerate City (Mute, London 2011), contributing editor to the recent publications, Provocative Alloys: A Post-Media Anthology (Mute, London, and Post-Media Lab, Lüneburg, 2013), Anguish Language: Writing and Crisis (Archive Books, Berlin, 2015), and Look at Hazards, Look at Losses (Mute/Kuda, 2017) and a contributor to Brave New Work: A Reader on Harun Farocki’s Film A New Product (Buchhandlung Walther König, 2014). Other recent essays by Anthony have been published in the journals Cesura//Acceso, Mute, Radical Philosophy, Rab-Rab: Journal for Political and Formal Inquiries in Art and Logos. (2019)

Links