Difference between revisions of "Erwin Panofsky"
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{{Infobox artist | {{Infobox artist | ||
|image = Panofsky.jpg | |image = Panofsky.jpg | ||
− | |imagesize = | + | |imagesize = 338px |
|birth_date = {{birth date|1892|03|30|mf=y}} | |birth_date = {{birth date|1892|03|30|mf=y}} | ||
− | |birth_place = Hanover, | + | |birth_place = Hanover, Province of Hanover, Kingdom of Prussia |
|death_date = {{Death date and age|1968|03|14|1892|03|30|mf=y}} | |death_date = {{Death date and age|1968|03|14|1892|03|30|mf=y}} | ||
− | |death_place = Princeton, New Jersey, | + | |death_place = Princeton, New Jersey, United States |
+ | |web = [[Aaaaarg::http://aaaaarg.fail/maker/53106f50334fe0726920296d|Aaaaarg]], [[Wikipedia::http://en.wikipedia.org/wiki/Erwin_Panofsky|Wikipedia]], [[Wikipedia::http://de.wikipedia.org/wiki/Erwin_Panofsky|Wikipedia-DE]], [[OpenLibrary::http://openlibrary.org/authors/OL118686A|Open Library]] | ||
}} | }} | ||
'''Erwin Panofsky''' was a German art historian. | '''Erwin Panofsky''' was a German art historian. | ||
Line 11: | Line 12: | ||
==Works== | ==Works== | ||
===Books=== | ===Books=== | ||
− | * '' | + | * ''[https://aaaaarg.fail/thing/5249a8a8307888fc49000004 Dürers Kunsttheorie. Vornehmlich in ihrem Verhältnis zur Kunsttheorie der Italiener]'', Berlin: G. Reimer, 1915, 209 pp. Dissertation. {{de}} |
− | * ''Idea: A Concept in Art Theory'', | + | |
− | ** ''Idea: Prilog povijesti pojma starije teorije umjetnosti'', trans. Irena Martinović and Boris Nikšić, Zagreb: Golden marketing, 2002, [ | + | * {{a|Panofsky1924}} ''Idea: ein Beitrag zur Begriffsgeschichte der älteren Kunsttheorie'', Leipzig/Berlin: Teubner, 1924; 2nd ed., rev., Berlin: Hessling, 1960. {{de}} |
− | * | + | ** ''Idea: contributo alla storia dell'estetica'', trans. Edmondo Cione, Firenze: La Nuova Italia, 1952, xxii+204 pp. {{it}} |
− | * [[Media:Erwin_Panofsky_Studies_in_Iconology_1972.djvu|'' | + | ** ''[[Media:Panofsky Erwin Idea A Concept in Art Theory 1968.pdf|Idea: A Concept in Art Theory]]'', trans. Joseph J.S. Peake, Columbia, SC: University of South Carolina Press, 1968, xiii+268 pp, [https://archive.org/details/ideaconceptinart0000pano IA]; New York: Harper & Row, 1968. {{en}} |
− | * ''The Life and Art of Albrecht Dürer'', | + | ** ''[[Media:Panofsky_Erwin_Ideea_Contributie_la_istoria_teoriei_artei_1975.pdf|Ideea. Contribuţie la istoria teoriei artei]]'', trans. Amelia Pavel and Serban Mironescu, Bucharest: Univers, 1975, 206 pp. [http://idea.ro/revista/?q=ro/node/40&articol=733 Review] {{ro}} |
− | * ''Gothic Architecture and Scholasticism'', Latrobe | + | ** ''[[Media:Panofsky_Erwin_Idea_contribucion_a_la_historia_de_la_teoria_del_arte_1998.pdf|Idea. Contribución a la historia de la teoría del arte]]'', trans. Maria Teresa Pumarega, Madrid: Catedra, 1989, 136 pp; new ed., 1998, 136 pp. {{es}} |
− | ** [[Media:Panofsky_Erwin_Arquitectura_Gotica_y_Pensamiento_Escolastico_1986.pdf|''Arquitectura | + | ** ''Idea: contribuição à história do conceito da antiga teoria da arte; a evolução do conceito de belo'', trans. Paulo Neves, São Paulo: Martins Fontes, 1994, 259 pp; new ed., 2000, 259 pp. {{br-pt}} |
− | ** [[Media:Panofsky_Erwin_Arhitectura_gotica_si_gandire_scolastica_1999.Pdf|''Arhitectură gotică și gândire scolastică'']], trans. Marina Zavaca, | + | ** ''[[Media:Panofsky_Erwin Idea Prilog povijesti pojma starije teorije umjetnosti 2002.pdf|Idea: Prilog povijesti pojma starije teorije umjetnosti]]'', trans. Irena Martinović and Boris Nikšić, Zagreb: Golden marketing, 2002. {{cr}} |
− | * ''Early Netherlandish Painting'', 1953. | + | ** ''Idea. Příspěvek k historii pojmu starší teorie umění'', Prague: Malvern, 2014. [http://malvern.cz/domains/malvern.cz/obsah/erwin-panofsky-idea-p%C5%99%C3%ADsp%C4%9Bvek-k-historii-pojmu-star%C5%A1%C3%AD-teorie-um%C4%9Bn%C3%AD] {{cz}} |
− | * ''Galileo as a Critic of the Arts'', The Hague: Martinus Nijhoff, 1954; 2nd | + | |
− | * [[Media:Panofsky_Erwin_Meaning_in_the_Visual_Arts.pdf|''Meaning in the Visual Arts'']], 1955. | + | * {{a|Panofsky1927}} [http://monoskop.org/log/?p=9730 "Die Perspektive als 'symbolische Form'"], in ''Vorträge der Bibliothek Warburg 1924-1925'', Leipzig/Berlin: Teubner, 1927, pp 258-330; repr. in Panofsky, ''Aufsätze zu Grundfragen der Kunstwissenschaft'', eds. Hariolf Oberer and Egon Verheyen, 1974; Berlin 1992, pp 99-167. {{de}} |
− | * with Dora Panofsky, [[Media:Panofsky_Dora_and_Erwin_Pandoras_Box_The_Changing_Aspects_of_a_Mythical_Symbol.pdf|''Pandora's Box: the Changing Aspects of a Mythical Symbol'']], 1956 | + | ** ''La prospettiva come forma simbolica: e altri scritti'', ed. Guido D. Neri, comm. Maria Dalai, Milan: Feltrinelli, 1961, 237 pp; 2nd ed., 1973; 3rd ed., 1976; 4th ed., 1979; 1982; 1983; 1991; 10th ed., 1994; 12th ed., 1997; 13th ed., 1999; 2007; 2013. {{it}} |
− | * ''Renaissance and Renascences in Western Art'', 1960. | + | ** ''[[Media:Panofsky_Erwin_La_perspectiva_como_forma_simbolica.pdf|La perspectiva como forma simbolica]]'', trans. Virginia Careaga, Barcelona: Tusquets, 1973, 123 pp; 2nd ed., 1978; 3rd ed., 1980; 4th ed., 1983; 5th ed., 1985; 6th ed., 1990; 7th ed., 1995; 1999; 2003; 2008; 2010. {{es}} |
− | * ''Tomb Sculpture'', 1964. | + | ** ''La perspective comme forme symbolique et autres essais. Précédés de la question perspective'', trans. Guy Ballangé and Marisa Dalai Emiliani, Paris: Minuit, 1975, 273 pp; 1981; 1987; 1991; 2002. {{fr}} |
− | * with Raymond Klibansky and Fritz Saxl, [[Media:Raymond_Klibansky,_Erwin_Panofsky,_Fritz_Saxl_Saturn_and_melancholy_studies_in_the_history_of_natural_philosophy,_religion_and_art_1979.pdf|''Saturn and Melancholy: Studies in the History of Natural Philosophy, Religion, and Art'']], 1964, 1979. | + | ** ''[http://monoskop.org/log/?p=9730 Perspective as Symbolic Form]'', trans. Christopher S. Wood, New York: Zone Books, 1991, 196 pp, [http://tems.umn.edu/pdf/Erwin%20Panofsky%20-%20Perspective%20as%20Symbolic%20Form.pdf PDF]; 1997; 2002; 2005; 2009. Review: [http://gombricharchive.files.wordpress.com/2011/04/showrev7.pdf Gombrich] (NYRB 1997). {{en}} |
− | * ''Problems in Titian, | + | ** ''A perspectiva como forma simbólica'', trans. Elisabete Nunes, Lisbon: Edições 70, 1993, 139 pp. {{pt}} |
− | * ''Three Essays on Style'', ed. Irving Lavin, 1995. | + | ** ''Perspektivet som symbolisk form'', trans. Sölve Olsson, Stockholm: B. Östlings bokförl. Symposion, 1994, 160 pp. {{sw}} |
+ | ** ''Perspektywa jako "forma symboliczna"'', trans. & intro. Grażyna Jurkowlaniec, Warsaw: Wydawnictwo Uniwersytetu Warszawskiego, 2008, 205 pp. {{pl}} | ||
+ | |||
+ | * {{a|Panofsky1939}} ''Studies in Iconology: Humanistic Themes in the Art of the Renaissance'', Oxford University Press, 1939; new ed., New York: Harper and Row, 1962; [[Media:Erwin_Panofsky_Studies_in_Iconology_1972.djvu|rev.ed.]], [https://archive.org/details/studiesiniconolo00pano New York: Harper & Row, 1972], xliii+262 pp. The Mary Flexner Lectures, 1937. {{en}} | ||
+ | ** ''Essais d'iconologie, thèmes humanistes dans l'art de la Renaissance'', trans. Claude Herbette and Bernard Teyssèdre, intro. & annot. Bernard Teyssèdre, Paris: Gallimard, 1967, 396 pp. {{fr}} | ||
+ | ** ''Iconologie: thema's en symboliek bij de renaissanceschilders'', trans. Casper de Jong, Utrecht: Het Spectrum, 1970, 316+96 pp. {{nl}} | ||
+ | ** ''Estudios sobre iconología'', intro. Enrique Lafuente Ferrari, trans. Bernardo Fernández, Madrid: Alianza, 1971, xl+350 pp. {{es}} | ||
+ | ** [https://www.ipu.hr/content/zivot-umjetnosti/ZU_17-1972_067-079_Panofsky.pdf "Ikonografija i ikonologija: Uvod u proučavanje renesansne umjetnosti"], trans. Žarko Domljan, ''Život umjetnosti'' 17, Zagreb, 1972, pp 67-79. Trans. of excerpt. {{sc}} | ||
+ | ** ''Studi di iconologia: i temi umanistici nell'arte del Rinascimento'', intro. Giovanni Previtali, trans. Renato Pedio, Torino: Einaudi, 1975, xxxii+387 pp. {{it}} | ||
+ | ** ''Ikonološke studije: humanističke teme u renesansnoj umetnosti'', trans. Svetozar M Ignačević, Belgrade: Nolit, 1975, 284 pp. {{sr}} | ||
+ | ** ''Studien zur Ikonologie: humanistische Themen in der Kunst der Renaissance'', Cologne: DuMont, 1980, 356 pp. {{de}} | ||
+ | ** ''Estudos de iconologia: temas na arte do renascimento'', trans. Olinda Braga de Sousa, Lisbon: Estampa, 1986, 237 pp. {{pt}} | ||
+ | ** ''Meletes eikonologias: oumanistika themata stēn Technē tēs Anagennēsēs'', trans. Andreas Pappas, Athens: Nephelē, 1991, 427 pp. {{gr}} | ||
+ | ** ''Ikonorojī kenkyū: Runesansu bijutsu ni okeru jimbun shugi no sho-tēma'', trans. Tōru Asano, Tokyo: Bijutsu Shuppansha, 1993, xxii+374 pp. {{jp}} | ||
+ | ** ''Tosang haesŏkhak yŏn'gu: Rŭnesangsŭ misul esŏ ŭi Inmunjuŭijŏk chujedŭl'', trans. Yi Han-sun, Seoul: Sigongsa, 2002, 535 pp. {{ko}} | ||
+ | |||
+ | * ''Albrecht Dürer'', 2 vols., Princeton University Press, 1943; 2nd ed., rev., 1945; 3rd ed., 1948; 4th ed. as ''[[Media:Panofsky_Erwin_The_Life_and_Art_of_Albrecht_Duerer_1955.pdf|The Life and Art of Albrecht Dürer]]'', 1955, xxxii+317+148 pp. {{en}} | ||
+ | |||
+ | * ''Gothic Architecture and Scholasticism'', Latrobe: Archabbley Press, 1951, xviii+108 pp, [http://openlibrary.org/books/OL6221625M/ OL]. Wimmer lecture, 1948. {{en}} | ||
+ | ** ''Architecture gothique et pensée scolastique. Précédé de L'abbé Suger de Saint-Denis'', trans. & postf. Pierre Bourdieu, Paris: Minuit, 1967, 217+38 pp. {{fr}} | ||
+ | ** ''Architettura gotica e filosofia scolastica'', trans. & intro. Francesco Starace, Naples: Liguori, 1986, 103 pp. {{it}} | ||
+ | ** ''Arquitectura gótica y escolástica'', trans. Enrique Revol, Buenos Aires: Infinito, 1959, 132 pp. {{es}} | ||
+ | ** [[Media:Panofsky_Erwin_Arquitectura_Gotica_y_Pensamiento_Escolastico_1986.pdf|''Arquitectura gotica y pensamiento escolastico'']], intro. Francisco Calvo Serraller, trans. Julia Varela and Fernando Alvarez-Uría, Madrid: La Piqueta, 1986, 140 pp. {{es}} | ||
+ | ** ''Gotische Architektur und Scholastik: zur Analogie von Kunst, Philosophie und Theologie im Mittelalter'', ed. & afterw. Thomas Frangenberg, trans. Helga Willinghöfer, Cologne: DuMont, 1989, 136+48 pp. {{de}} | ||
+ | ** ''Arquitetura gótica e escolástica: sobre a analogia entre arte, filosofia e teologia na Idade Média'', ed. & postf. Thomas Frangenberg, trans. Wolf Hörnke, São Paulo: Martins Fontes, 1991, 132 pp. {{br-pt}} | ||
+ | ** [[Media:Panofsky_Erwin_Arhitectura_gotica_si_gandire_scolastica_1999.Pdf|''Arhitectură gotică și gândire scolastică'']], trans. Marina Zavaca, Bucharest: Anastasia, 1999. {{ro}} | ||
+ | ** ''Goticheskata arkhitektura i skholasikata'', trans. Todor Todorov, Sofia: Agata-A, 2002, 263 pp. {{bg}} | ||
+ | |||
+ | * ''Early Netherlandish Painting: Its Origins and Character'', 2 vols., Harvard University Press, 1953, [http://openlibrary.org/books/OL15086194M/ OL]. Charles Eliot Norton lectures, 1947-1948. [http://aaaaarg.fail/thing/51c58bfe6c3a0eda0b508300] {{en}} | ||
+ | ** ''Los primitivos flamencos'', trans. Carmen Martínez Gimeno, Madrid: Cátedra, 1998, 593 pp. {{es}} | ||
+ | |||
+ | * ''[http://archive.org/details/ErwinPanofskyauth.GalileoAsACriticOfTheArtsSpringerNetherlands1954 Galileo as a Critic of the Arts]'', The Hague: Martinus Nijhoff, 1954, 41 pp; 2nd ed., Springer, 1956. {{en}} | ||
+ | ** ''Galileo critico delle arti'', trans. Maria Cecilia Mazzi, Venezia: Cluva, 1985, 114 pp. {{it}} | ||
+ | ** ''Galilée, critique d'art'', trans. & pref. Nathalie Heinich, Paris: Impressions nouvelles, 1992, 117 pp. With ''Attitude esthétique et pensée scientifique'' by Alexandre Koyré. {{fr}} | ||
+ | ** ''Galileo Galilei und die Bildkünste'', intro. Horst Bredekamp, trans. Heinz Jatho, Zürich: Diaphanes, 2012, 116 pp. {{de}} | ||
+ | |||
+ | * [[Media:Panofsky_Erwin_Meaning_in_the_Visual_Arts.pdf|''Meaning in the Visual Arts: Papers in and on Art History'']], Garden City, NY: Doubleday, 1955, xviii+384+64 pp. {{en}} | ||
+ | ** ''L'oeuvre d'art et ses significations: essai sur les "arts visuels"'', trans. Bernard Teyssèdre and Marthe Teyssèdre, Paris: Gallimard, 1969, 327 pp. {{fr}} | ||
+ | ** [http://www.ipu.hr/content/zivot-umjetnosti/ZU_13-1971_086-096_Panofsky.pdf "Povijest umjetnosti kao humanistička disciplina"], trans. Žarko Domljan, ''Život umjetnosti'' 13, Zagreb, 1971, pp 86-96. Trans. of excerpt. [http://www.ipu.hr/content/zivot-umjetnosti/ZU_13-1971_083-085_Domljan.pdf Introduction by Žarko Domljan]. {{sc}} | ||
+ | ** ''[[Media:Panofsky_Erwin_El_significado_en_las_artes_visuales_1979.pdf|El significado en las artes visuales]]'', trans. Nicanor Ancochea, Buenos Aires: Infinito, 1970, 301+72 pp; Madrid: Alianza Forma, 1979, 386 pp; 1987. {{es}} | ||
+ | ** ''Artă şi semnificaţie'', Ștefan Stoenescu, Bucharest: Meridiane, 1980, 441+72 pp. {{ro}} | ||
+ | ** ''Význam ve výtvarném umění'', trans. Lubomír Konečný, afterw. Josef Krása, Prague: Odeon, 1981, 371 pp; 2nd ed., Prague: Malvern, 2013, 399+44 pp. [http://malvern.cz/domains/malvern.cz/obsah/erwin-panofsky-v%C3%BDznam-ve-v%C3%BDtvarn%C3%A9m-um%C4%9Bn%C3%AD] {{cz}} | ||
+ | ** ''A jelentés a vizuális művészetekben: tanulmányok'', trans. Beke László, Budapest: Gondolat, 1984, 410 pp. {{hu}} | ||
+ | ** ''Shi jue yi shu de han yi'' [视觉艺朮的含义], Shenyang Shi: Liaoning ren min chu ban she, 1987, 403+53 pp. {{cn}} | ||
+ | ** ''[http://libgen.rs/book/index.php?md5=0e5398e7de827b747640a754e73588d5 Significado das artes visuais]'', São Paulo: Perspectiva, 2009. {{br-pt}} | ||
+ | |||
+ | * with Dora Panofsky, [[Media:Panofsky_Dora_and_Erwin_Pandoras_Box_The_Changing_Aspects_of_a_Mythical_Symbol.pdf|''Pandora's Box: the Changing Aspects of a Mythical Symbol'']], New York: Pantheon Books, 1956, xiv+158 pp. {{en}} | ||
+ | ** ''La Caja de Pandora: aspectos cambiantes de un símbolo mítico'', Barcelona: Barral, 1975, 224 pp. {{es}} | ||
+ | ** ''La boîte de Pandore [les métamorphoses d'un symbole mythique'', trans. Maud Sissung, Paris: Hazan, 1990, 156 pp; 2014. {{fr}} | ||
+ | ** ''Die Büchse der Pandora. Bedeutungswandel eines mythischen Symbols'', trans. & afterw. Peter D. Krumme, Frankfurt a.M.: Campus, 1992, 199 pp. {{de}} | ||
+ | ** ''Il vaso di Pandora: i mutamenti di un simbolo'', Torino: Einaudi, 1992, xiv+170 pp. {{it}} | ||
+ | ** ''A caixa de Pandora: as transformações de um símbolo mítico'', trans. Vera Pereira ; ed. Sergio Miceli, São Paulo: Companhia das Letras, 2009. {{br-pt}} | ||
+ | |||
+ | * ''[http://archive.org/details/0064300269 Renaissance and Renascences in Western Art]'', Westview Press, 1960. {{en}} | ||
+ | ** ''Rinascimento e rinascenze nell' arte occidentale'', ed. Gregor Paulsson, trans. Maurizio Taddei, Milan: Feltrinelli, 1971, 271+52 pp. {{it}} | ||
+ | ** ''Renacimiento y renacimientos en el arte occidental'', Madrid: Alianza, 1975, 338+103 pp. {{es}} | ||
+ | ** ''La Renaissance et ses avants-courriers dans l'art d'Occident'', trans. Laure Verron, Paris: Flammarion, 1976, 250 pp. {{fr}} | ||
+ | ** ''Renessans i 'renessansy' v isskusstve zapada'', trans. A.G. Gabrichevsky, Moscow: Iskusstvo, 1998, 362 pp. {{ru}} | ||
+ | |||
+ | * ''Tomb Sculpture: Four Lectures on its Changing Aspects from Ancient Egypt to Bernini'', ed. H.W. Janson, New York: Harry N. Abrams, 1964, 319 pp, [http://openlibrary.org/books/OL5913166M/ OL]. {{en}} | ||
+ | ** ''La sculpture funéraire : de l'ancienne Égypte au Bernin'', trans. Dennis Collins, Paris: Flammarion, 1995, 268 pp. {{fr}} | ||
+ | |||
+ | * with Raymond Klibansky and Fritz Saxl, [[Media:Raymond_Klibansky,_Erwin_Panofsky,_Fritz_Saxl_Saturn_and_melancholy_studies_in_the_history_of_natural_philosophy,_religion_and_art_1979.pdf|''Saturn and Melancholy: Studies in the History of Natural Philosophy, Religion, and Art'']], London: Nelson, 1964, 429 pp; Nendeln: Kraus Reprint, 1979. {{en}} | ||
+ | ** ''Saturno e la melanconia: studi di storia della filosofia naturale, religione, arte'', trans. Renzo Federici, Torino: Einaudi, 1983, xxv+401 pp. {{it}} | ||
+ | ** ''Saturne et la mélancolie: études historiques et philosophiques: nature, religion, médecine et art'', Paris: Gallimard, 1989, 738 pp. {{fr}} | ||
+ | ** ''Saturn und Melancholie: Studien zur Geschichte der Naturphilosophie und Medizin, der Religion und der Kunst'', trans. Christa Buschendorf, Frankfurt am Main: Suhrkamp, 1990, 640+50 pp. {{de}} | ||
+ | ** ''Saturno y la melancolía : estudios de historia de la filosofía de la naturaleza, la religión y el arte'', trans. María Luisa Balseiro, Madrid: Alianza, 1991, 427 pp. {{es}} | ||
+ | ** ''Saturn şi melancolia: studii de filosofie a naturii, religie şi artă'', trans. Miruna Tătaru-Cazaban, Bogdan Tătaru-Cazaban and Adela Văetişi, postf. Bogdan Tătaru-Cazaban, Iaşi: Polirom, 2002. {{ro}} | ||
+ | |||
+ | * ''Problems in Titian, Mostly Iconographic'', New York University Press, 1969, xv+208+134 pp; London: Phaidon, 1969. The Wrightsman lectures. {{en}} | ||
+ | |||
+ | * ''Three Essays on Style'', ed. Irving Lavin, MIT Press, 1995, 245 pp. Review: [http://gombricharchive.files.wordpress.com/2011/04/showrev7.pdf Gombrich] (NYRB 1997). {{en}} | ||
===Selected articles=== | ===Selected articles=== | ||
Line 46: | Line 118: | ||
===Bibliography=== | ===Bibliography=== | ||
− | * [http://www.uniurb.it/Filosofia/bibliografie/PANOFSKY/Bibliografia.htm | + | * [http://www.uniurb.it/Filosofia/bibliografie/PANOFSKY/Bibliografia.htm Compiled by Alessia Tacchi] |
==Literature== | ==Literature== | ||
− | * Michael Ann Holly, ''Panofsky and the Foundations of Art History'' | + | * Michael Ann Holly, ''Panofsky and the Foundations of Art History'', Cornell University Press, 1985. {{en}} |
− | * Sylvia Ferretti, ''Cassirer, Panofsky, Warburg: Symbol, Art, and History'' | + | * Roelof van Straten, ''Een inleiding in de iconografie: enige theoretische en praktische kennis'', Muiderberg: Coutinho, 1985, 96 pp; rev.ed., 1991, 96 pp. {{nl}} |
+ | ** ''Einführung in die Ikonographie'', trans. Rahel E. Feilchenfeldt, Berlin: Reimer, 1989, 165 pp; 3rd ed., rev., 2004, 169 pp. [http://www.reimer-mann-verlag.de/controller.php?cmd=detail&titelnummer=101308&verlag=4] {{de}} | ||
+ | ** ''[http://libgen.rs/book/index.php?md5=A9842F16EFFA1EA72132E84E8879EB22 An Introduction to Iconography]'', trans. Patricia de Man, Langhorne, PA: Gordon and Breach, 1993, xv+151 pp. Trans. of 1991 rev.ed. Originally presented as the author's doctoral thesis at U Leiden. {{en}} | ||
+ | ** ''Uvod u ikonografiju : teoretske i praktičke upute'', trans. Martina Wolf-Zubović and Maya de Graaf, Zagreb: Institut za povijest umjetnosti, 2003, 142 pp. {{cr}} | ||
+ | ** ''Uvod v ikonografijo: teoretični in praktični napotki'', trans. Alenka Vodnik and Barbara Murovec, Ljubljana: Založba ZRC, ZRC SAZU, 2006, 143 pp. {{sl}} | ||
+ | ** ''Introduzione all'iconografia'', trans. Roberto Cassanelli, Milan: Jaca Book, 2009, 189 pp. {{it}} | ||
+ | * Sylvia Ferretti, ''Cassirer, Panofsky, Warburg: Symbol, Art, and History'', Yale University Press, 1989. {{en}} | ||
==Links== | ==Links== | ||
− | + | * [http://www.dictionaryofarthistorians.org/panofskye.htm Panofsky at Dictionary of Art Historians] | |
− | + | * [http://web.archive.org/web/20141111033232/http://kirjasto.sci.fi/panof.htm Biography by Petri Liukkonen] | |
− | |||
− | * [http://www.dictionaryofarthistorians.org/panofskye.htm Panofsky at Dictionary of | ||
− | * [http:// | ||
− | |||
− | {{DEFAULTSORT:Panofsky, Erwin}} | + | {{DEFAULTSORT:Panofsky, Erwin}} [[Series:Art history]] |
− | [[ |
Latest revision as of 13:39, 20 December 2023
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Born |
March 30, 1892 Hanover, Province of Hanover, Kingdom of Prussia |
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Died |
March 14, 1968 Princeton, New Jersey, United States | (aged 75)
Web | Aaaaarg, Wikipedia, Wikipedia-DE, Open Library |
Erwin Panofsky was a German art historian.
Works[edit]
Books[edit]
- Dürers Kunsttheorie. Vornehmlich in ihrem Verhältnis zur Kunsttheorie der Italiener, Berlin: G. Reimer, 1915, 209 pp. Dissertation. (German)
- Idea: ein Beitrag zur Begriffsgeschichte der älteren Kunsttheorie, Leipzig/Berlin: Teubner, 1924; 2nd ed., rev., Berlin: Hessling, 1960. (German)
- Idea: contributo alla storia dell'estetica, trans. Edmondo Cione, Firenze: La Nuova Italia, 1952, xxii+204 pp. (Italian)
- Idea: A Concept in Art Theory, trans. Joseph J.S. Peake, Columbia, SC: University of South Carolina Press, 1968, xiii+268 pp, IA; New York: Harper & Row, 1968. (English)
- Ideea. Contribuţie la istoria teoriei artei, trans. Amelia Pavel and Serban Mironescu, Bucharest: Univers, 1975, 206 pp. Review (Romanian)
- Idea. Contribución a la historia de la teoría del arte, trans. Maria Teresa Pumarega, Madrid: Catedra, 1989, 136 pp; new ed., 1998, 136 pp. (Spanish)
- Idea: contribuição à história do conceito da antiga teoria da arte; a evolução do conceito de belo, trans. Paulo Neves, São Paulo: Martins Fontes, 1994, 259 pp; new ed., 2000, 259 pp. (Brazilian Portuguese)
- Idea: Prilog povijesti pojma starije teorije umjetnosti, trans. Irena Martinović and Boris Nikšić, Zagreb: Golden marketing, 2002. (Croatian)
- Idea. Příspěvek k historii pojmu starší teorie umění, Prague: Malvern, 2014. [1] (Czech)
- "Die Perspektive als 'symbolische Form'", in Vorträge der Bibliothek Warburg 1924-1925, Leipzig/Berlin: Teubner, 1927, pp 258-330; repr. in Panofsky, Aufsätze zu Grundfragen der Kunstwissenschaft, eds. Hariolf Oberer and Egon Verheyen, 1974; Berlin 1992, pp 99-167. (German)
- La prospettiva come forma simbolica: e altri scritti, ed. Guido D. Neri, comm. Maria Dalai, Milan: Feltrinelli, 1961, 237 pp; 2nd ed., 1973; 3rd ed., 1976; 4th ed., 1979; 1982; 1983; 1991; 10th ed., 1994; 12th ed., 1997; 13th ed., 1999; 2007; 2013. (Italian)
- La perspectiva como forma simbolica, trans. Virginia Careaga, Barcelona: Tusquets, 1973, 123 pp; 2nd ed., 1978; 3rd ed., 1980; 4th ed., 1983; 5th ed., 1985; 6th ed., 1990; 7th ed., 1995; 1999; 2003; 2008; 2010. (Spanish)
- La perspective comme forme symbolique et autres essais. Précédés de la question perspective, trans. Guy Ballangé and Marisa Dalai Emiliani, Paris: Minuit, 1975, 273 pp; 1981; 1987; 1991; 2002. (French)
- Perspective as Symbolic Form, trans. Christopher S. Wood, New York: Zone Books, 1991, 196 pp, PDF; 1997; 2002; 2005; 2009. Review: Gombrich (NYRB 1997). (English)
- A perspectiva como forma simbólica, trans. Elisabete Nunes, Lisbon: Edições 70, 1993, 139 pp. (Portuguese)
- Perspektivet som symbolisk form, trans. Sölve Olsson, Stockholm: B. Östlings bokförl. Symposion, 1994, 160 pp. (Swedish)
- Perspektywa jako "forma symboliczna", trans. & intro. Grażyna Jurkowlaniec, Warsaw: Wydawnictwo Uniwersytetu Warszawskiego, 2008, 205 pp. (Polish)
- Studies in Iconology: Humanistic Themes in the Art of the Renaissance, Oxford University Press, 1939; new ed., New York: Harper and Row, 1962; rev.ed., New York: Harper & Row, 1972, xliii+262 pp. The Mary Flexner Lectures, 1937. (English)
- Essais d'iconologie, thèmes humanistes dans l'art de la Renaissance, trans. Claude Herbette and Bernard Teyssèdre, intro. & annot. Bernard Teyssèdre, Paris: Gallimard, 1967, 396 pp. (French)
- Iconologie: thema's en symboliek bij de renaissanceschilders, trans. Casper de Jong, Utrecht: Het Spectrum, 1970, 316+96 pp. (Dutch)
- Estudios sobre iconología, intro. Enrique Lafuente Ferrari, trans. Bernardo Fernández, Madrid: Alianza, 1971, xl+350 pp. (Spanish)
- "Ikonografija i ikonologija: Uvod u proučavanje renesansne umjetnosti", trans. Žarko Domljan, Život umjetnosti 17, Zagreb, 1972, pp 67-79. Trans. of excerpt. (Serbo-Croatian)
- Studi di iconologia: i temi umanistici nell'arte del Rinascimento, intro. Giovanni Previtali, trans. Renato Pedio, Torino: Einaudi, 1975, xxxii+387 pp. (Italian)
- Ikonološke studije: humanističke teme u renesansnoj umetnosti, trans. Svetozar M Ignačević, Belgrade: Nolit, 1975, 284 pp. (Serbian)
- Studien zur Ikonologie: humanistische Themen in der Kunst der Renaissance, Cologne: DuMont, 1980, 356 pp. (German)
- Estudos de iconologia: temas na arte do renascimento, trans. Olinda Braga de Sousa, Lisbon: Estampa, 1986, 237 pp. (Portuguese)
- Meletes eikonologias: oumanistika themata stēn Technē tēs Anagennēsēs, trans. Andreas Pappas, Athens: Nephelē, 1991, 427 pp. (Greek)
- Ikonorojī kenkyū: Runesansu bijutsu ni okeru jimbun shugi no sho-tēma, trans. Tōru Asano, Tokyo: Bijutsu Shuppansha, 1993, xxii+374 pp. (Japanese)
- Tosang haesŏkhak yŏn'gu: Rŭnesangsŭ misul esŏ ŭi Inmunjuŭijŏk chujedŭl, trans. Yi Han-sun, Seoul: Sigongsa, 2002, 535 pp. (Korean)
- Albrecht Dürer, 2 vols., Princeton University Press, 1943; 2nd ed., rev., 1945; 3rd ed., 1948; 4th ed. as The Life and Art of Albrecht Dürer, 1955, xxxii+317+148 pp. (English)
- Gothic Architecture and Scholasticism, Latrobe: Archabbley Press, 1951, xviii+108 pp, OL. Wimmer lecture, 1948. (English)
- Architecture gothique et pensée scolastique. Précédé de L'abbé Suger de Saint-Denis, trans. & postf. Pierre Bourdieu, Paris: Minuit, 1967, 217+38 pp. (French)
- Architettura gotica e filosofia scolastica, trans. & intro. Francesco Starace, Naples: Liguori, 1986, 103 pp. (Italian)
- Arquitectura gótica y escolástica, trans. Enrique Revol, Buenos Aires: Infinito, 1959, 132 pp. (Spanish)
- Arquitectura gotica y pensamiento escolastico, intro. Francisco Calvo Serraller, trans. Julia Varela and Fernando Alvarez-Uría, Madrid: La Piqueta, 1986, 140 pp. (Spanish)
- Gotische Architektur und Scholastik: zur Analogie von Kunst, Philosophie und Theologie im Mittelalter, ed. & afterw. Thomas Frangenberg, trans. Helga Willinghöfer, Cologne: DuMont, 1989, 136+48 pp. (German)
- Arquitetura gótica e escolástica: sobre a analogia entre arte, filosofia e teologia na Idade Média, ed. & postf. Thomas Frangenberg, trans. Wolf Hörnke, São Paulo: Martins Fontes, 1991, 132 pp. (Brazilian Portuguese)
- Arhitectură gotică și gândire scolastică, trans. Marina Zavaca, Bucharest: Anastasia, 1999. (Romanian)
- Goticheskata arkhitektura i skholasikata, trans. Todor Todorov, Sofia: Agata-A, 2002, 263 pp. (Bulgarian)
- Early Netherlandish Painting: Its Origins and Character, 2 vols., Harvard University Press, 1953, OL. Charles Eliot Norton lectures, 1947-1948. [2] (English)
- Los primitivos flamencos, trans. Carmen Martínez Gimeno, Madrid: Cátedra, 1998, 593 pp. (Spanish)
- Galileo as a Critic of the Arts, The Hague: Martinus Nijhoff, 1954, 41 pp; 2nd ed., Springer, 1956. (English)
- Galileo critico delle arti, trans. Maria Cecilia Mazzi, Venezia: Cluva, 1985, 114 pp. (Italian)
- Galilée, critique d'art, trans. & pref. Nathalie Heinich, Paris: Impressions nouvelles, 1992, 117 pp. With Attitude esthétique et pensée scientifique by Alexandre Koyré. (French)
- Galileo Galilei und die Bildkünste, intro. Horst Bredekamp, trans. Heinz Jatho, Zürich: Diaphanes, 2012, 116 pp. (German)
- Meaning in the Visual Arts: Papers in and on Art History, Garden City, NY: Doubleday, 1955, xviii+384+64 pp. (English)
- L'oeuvre d'art et ses significations: essai sur les "arts visuels", trans. Bernard Teyssèdre and Marthe Teyssèdre, Paris: Gallimard, 1969, 327 pp. (French)
- "Povijest umjetnosti kao humanistička disciplina", trans. Žarko Domljan, Život umjetnosti 13, Zagreb, 1971, pp 86-96. Trans. of excerpt. Introduction by Žarko Domljan. (Serbo-Croatian)
- El significado en las artes visuales, trans. Nicanor Ancochea, Buenos Aires: Infinito, 1970, 301+72 pp; Madrid: Alianza Forma, 1979, 386 pp; 1987. (Spanish)
- Artă şi semnificaţie, Ștefan Stoenescu, Bucharest: Meridiane, 1980, 441+72 pp. (Romanian)
- Význam ve výtvarném umění, trans. Lubomír Konečný, afterw. Josef Krása, Prague: Odeon, 1981, 371 pp; 2nd ed., Prague: Malvern, 2013, 399+44 pp. [3] (Czech)
- A jelentés a vizuális művészetekben: tanulmányok, trans. Beke László, Budapest: Gondolat, 1984, 410 pp. (Hungarian)
- Shi jue yi shu de han yi [视觉艺朮的含义], Shenyang Shi: Liaoning ren min chu ban she, 1987, 403+53 pp. (Chinese)
- Significado das artes visuais, São Paulo: Perspectiva, 2009. (Brazilian Portuguese)
- with Dora Panofsky, Pandora's Box: the Changing Aspects of a Mythical Symbol, New York: Pantheon Books, 1956, xiv+158 pp. (English)
- La Caja de Pandora: aspectos cambiantes de un símbolo mítico, Barcelona: Barral, 1975, 224 pp. (Spanish)
- La boîte de Pandore [les métamorphoses d'un symbole mythique, trans. Maud Sissung, Paris: Hazan, 1990, 156 pp; 2014. (French)
- Die Büchse der Pandora. Bedeutungswandel eines mythischen Symbols, trans. & afterw. Peter D. Krumme, Frankfurt a.M.: Campus, 1992, 199 pp. (German)
- Il vaso di Pandora: i mutamenti di un simbolo, Torino: Einaudi, 1992, xiv+170 pp. (Italian)
- A caixa de Pandora: as transformações de um símbolo mítico, trans. Vera Pereira ; ed. Sergio Miceli, São Paulo: Companhia das Letras, 2009. (Brazilian Portuguese)
- Renaissance and Renascences in Western Art, Westview Press, 1960. (English)
- Rinascimento e rinascenze nell' arte occidentale, ed. Gregor Paulsson, trans. Maurizio Taddei, Milan: Feltrinelli, 1971, 271+52 pp. (Italian)
- Renacimiento y renacimientos en el arte occidental, Madrid: Alianza, 1975, 338+103 pp. (Spanish)
- La Renaissance et ses avants-courriers dans l'art d'Occident, trans. Laure Verron, Paris: Flammarion, 1976, 250 pp. (French)
- Renessans i 'renessansy' v isskusstve zapada, trans. A.G. Gabrichevsky, Moscow: Iskusstvo, 1998, 362 pp. (Russian)
- Tomb Sculpture: Four Lectures on its Changing Aspects from Ancient Egypt to Bernini, ed. H.W. Janson, New York: Harry N. Abrams, 1964, 319 pp, OL. (English)
- La sculpture funéraire : de l'ancienne Égypte au Bernin, trans. Dennis Collins, Paris: Flammarion, 1995, 268 pp. (French)
- with Raymond Klibansky and Fritz Saxl, Saturn and Melancholy: Studies in the History of Natural Philosophy, Religion, and Art, London: Nelson, 1964, 429 pp; Nendeln: Kraus Reprint, 1979. (English)
- Saturno e la melanconia: studi di storia della filosofia naturale, religione, arte, trans. Renzo Federici, Torino: Einaudi, 1983, xxv+401 pp. (Italian)
- Saturne et la mélancolie: études historiques et philosophiques: nature, religion, médecine et art, Paris: Gallimard, 1989, 738 pp. (French)
- Saturn und Melancholie: Studien zur Geschichte der Naturphilosophie und Medizin, der Religion und der Kunst, trans. Christa Buschendorf, Frankfurt am Main: Suhrkamp, 1990, 640+50 pp. (German)
- Saturno y la melancolía : estudios de historia de la filosofía de la naturaleza, la religión y el arte, trans. María Luisa Balseiro, Madrid: Alianza, 1991, 427 pp. (Spanish)
- Saturn şi melancolia: studii de filosofie a naturii, religie şi artă, trans. Miruna Tătaru-Cazaban, Bogdan Tătaru-Cazaban and Adela Văetişi, postf. Bogdan Tătaru-Cazaban, Iaşi: Polirom, 2002. (Romanian)
- Problems in Titian, Mostly Iconographic, New York University Press, 1969, xv+208+134 pp; London: Phaidon, 1969. The Wrightsman lectures. (English)
- Three Essays on Style, ed. Irving Lavin, MIT Press, 1995, 245 pp. Review: Gombrich (NYRB 1997). (English)
Selected articles[edit]
- "Der Begriff des Kunstwollens", 1920; repr. in Aufsaetze zu Grundfragen der Kunstwissenschaft, Berlin, 1964. (German)
- "The Concept of Artistic Volition", trans. Kenneth J. Northcott and Joel Snyder, Critical Inquiry 8:1 (Autumn 1981), pp 17-33. [4]
- with Fritz Saxl, "Classical Mythology in Mediaeval Art", Metropolitan Museum Studies 4:2 (Mar 1933), pp 228-280.
- "Style and Medium in the Motion Pictures" [1934], in Film: An Anthology, ed. Daniel Talbot, University of California Press, 1966, pp 15-32.
- "Jan van Eyck's Arnolfini portrait", The Burlington Magazine for Connoisseurs, 1934.
- "The Friedsam Annunciation and the Problem of the Ghent Altarpiece", The Art Bulletin, 1935.
- "The Early History of Man in a Cycle of Paintings by Piero di Cosimo", Journal of the Warburg Institute, 1937.
- "Galileo as a Critic of the Arts: Aesthetic Attitude and Scientific Thought", Isis 47:1 (Mar 1956), pp. 3-15.
- with Ernest C. Hassold, "Wilhelm Voge: A Biographical Memoir", Art Journal 28 (1968).
- "Erasmus and the Visual Arts", in: Journal of the Warburg and Courtauld Institutes 32 (1969), pp 200-227.
- "Reflections on Historical Time", Critical Inquiry 30:4 (Summer 2004), pp 691-701.
- "On the Relationship of Art History and Art Theory: Towards the Possibility of a Fundamental System of Concepts for a Science of Art", trans. Katharina Lorenz and Jas’ Elsner, Critical Inquiry 35:1 (Autumn 2008), pp 43-71.
- "On the Problem of Describing and Interpreting Works of the Visual Arts", trans. Katharina Lorenz and Jas’ Elsner, Critical Inquiry 38:3 (Spring 2012), pp 467-482.
Bibliography[edit]
Literature[edit]
- Michael Ann Holly, Panofsky and the Foundations of Art History, Cornell University Press, 1985. (English)
- Roelof van Straten, Een inleiding in de iconografie: enige theoretische en praktische kennis, Muiderberg: Coutinho, 1985, 96 pp; rev.ed., 1991, 96 pp. (Dutch)
- Einführung in die Ikonographie, trans. Rahel E. Feilchenfeldt, Berlin: Reimer, 1989, 165 pp; 3rd ed., rev., 2004, 169 pp. [5] (German)
- An Introduction to Iconography, trans. Patricia de Man, Langhorne, PA: Gordon and Breach, 1993, xv+151 pp. Trans. of 1991 rev.ed. Originally presented as the author's doctoral thesis at U Leiden. (English)
- Uvod u ikonografiju : teoretske i praktičke upute, trans. Martina Wolf-Zubović and Maya de Graaf, Zagreb: Institut za povijest umjetnosti, 2003, 142 pp. (Croatian)
- Uvod v ikonografijo: teoretični in praktični napotki, trans. Alenka Vodnik and Barbara Murovec, Ljubljana: Založba ZRC, ZRC SAZU, 2006, 143 pp. (Slovenian)
- Introduzione all'iconografia, trans. Roberto Cassanelli, Milan: Jaca Book, 2009, 189 pp. (Italian)
- Sylvia Ferretti, Cassirer, Panofsky, Warburg: Symbol, Art, and History, Yale University Press, 1989. (English)