Difference between revisions of "Lutz Dammbeck"

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; Films
 
; Films
* [http://www.youtube.com/watch?v=xLqrVCi3l6E ''The Net: The Unabomber, LSD and the Internet''], 2003, 115 min.
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* ''[https://archive.org/details/dammbeck-herakles-1984 Herakles]'', 1984.
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* ''[https://archive.org/details/realfilm1986 REALFilm]'', 1986.
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* [https://archive.org/details/DasNetz_LutzDammbeck ''The Net: The Unabomber, LSD and the Internet''], 2003, 115 min.
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; Literature
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* Christine Rahn, ''[[Media:Rahn_Christine_Multimedia_in_der_DDR_Das_Herakles-Konzept_von_Lutz_Dammbeck_2007.pdf|Multimedia in der DDR. Das ''Herakles-Konzept'' von Lutz Dammbeck]]'', Leipzig: Universität Leipzig, 2007, 134 pp. Master's thesis. {{de}}
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* Seth Howes, "''Heraklesmaschine'': Lutz Dammbeck's Experimental Cinema and the Expropriation of Senses", ch 2 in Howes, ''Moving Images on the Margins: Experimental Film in Late Socialist East Germany'', Rochester, NY: Camden House, 2019. [https://books.google.com/books?id=9GKtDwAAQBAJ&pg=PA36] {{en}}
  
 
; Links
 
; Links

Latest revision as of 20:08, 17 April 2020

Painter, graphician, filmmaker, intermedia artist. Born 1948 in Leipzig. In his Mediencollagen [media collages] performances presented mainly in the underground scenes in GDR in the 1980s he combined media artifacts – image, sound and text – taken from German contemporary history and cultural heritage.

Films
Literature
  • Christine Rahn, Multimedia in der DDR. Das Herakles-Konzept von Lutz Dammbeck, Leipzig: Universität Leipzig, 2007, 134 pp. Master's thesis. (German)
  • Seth Howes, "Heraklesmaschine: Lutz Dammbeck's Experimental Cinema and the Expropriation of Senses", ch 2 in Howes, Moving Images on the Margins: Experimental Film in Late Socialist East Germany, Rochester, NY: Camden House, 2019. [1] (English)
Links