Difference between revisions of "Annet Dekker"

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'''Annet Dekker''' is an independent researcher and curator. She is currently Researcher Digital Preservation at Tate, London, Visiting Lecturer & part-time Research Fellow at London South Bank University in collaboration with The Photographers' Gallery, London, tutor at [[Piet Zwart Institute]], Rotterdam, and Fellow at [[Het Nieuwe Instituut|The New Institute]], Rotterdam. She initiated aaaan.net with [[Annette Wolfsberger]] in 2009; they coordinate artists-in-residences and set up strategic and sustainable collaborations with national and international arts organisations. Previously she worked as Web curator for [[SKOR]] (Foundation for Art and Public Domain, 2010–12), was programme manager at [[Virtueel Platform]] (2008–10), and head of exhibitions, education and artists-in-residence at the [[NIMk|Netherlands Media Art Institute]] (1999–2008). Together with [[Annette Wolfsberger]], she produced ''Funware'', an international touring exhibition in 2010 and 2011 about fun in software (curated by [[Olga Goriunova]]). From 2008-2014 she wrote her Ph.D. at the Centre for Cultural Studies, Goldsmiths University, London, under the supervision of [[Matthew Fuller]]. The thesis is titled: ''[http://research.gold.ac.uk/11155/1/CCS_thesis_DekkerA2014.pdf Enabling the Future, or How to Survive FOREVER. A study of networks, processes and ambiguity in net art and the need for an expanded practice of conservation]''.
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'''Annet Dekker''' is Associate Professor Cultural Analysis and MA Coordinator Archival and Information Studies at the University of Amsterdam and Visiting Professor and co-director of the Centre for the Study of the Networked Image at London South Bank University. She has previously been Researcher Digital Preservation at Tate, London, core tutor at [[Piet Zwart Institute]], Rotterdam and Fellow at [[Het Nieuwe Instituut]], Rotterdam. She also worked as web curator for [[SKOR]] (Foundation for Art and Public Domain, 2010-2012), was programme manager at [[Virtueel Platform]] (2008-2010) and curator/head of exhibitions, education and artists in residence at the [[NIMk|Netherlands Media Art institute]] (1999-2008). She has published in numerous collections and journals and is the editor of several volumes, among others, ''Lost and Living [in] Archives. Collectively Shaping New Memories'' (Valiz, 2017) and ''Speculative Scenarios, or What Will Happen to Digital Art in the (Near) Future?'' (Baltan Laboratories/Virtueel Platform, 2013). Her recent monograph, ''Collecting and Conserving Net Art'' (Routledge, 2018) is a seminal work in the field of new media conservation. [http://aaaan.net/annetd/ (2024)]
  
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; Publications
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==Publications==
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* editor, with Annette Wolfsberger, ''[http://aaaan.net/wp-content/uploads/2015/05/2009walledgarden.pdf Walled Garden]'', Amsterdam: Virtueel Platform, 2009, 119 pp.
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* editor, with Cathy Brickwood, ''[[Media:Dekker_Brickwood_eds_Navigating_E-culture_2009.pdf|Navigating E-culture]]'', Amsterdam: Virtueel Platform, 2009, 128 pp.
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* editor, with Annette Wolfsberger, ''[[Media:Dekker_Annet_Wolfsberger_Annette_eds_Walled_Garden_2009.pdf|Walled Garden]]'', Amsterdam: Virtueel Platform, 2009, 119 pp.
 
* editor, ''[http://monoskop.org/log/?p=1354 Archive2020 – Sustainable Archiving of Born-Digital Cultural Content]'', Amsterdam: Virtueel Platform, 2010, 112 pp.
 
* editor, ''[http://monoskop.org/log/?p=1354 Archive2020 – Sustainable Archiving of Born-Digital Cultural Content]'', Amsterdam: Virtueel Platform, 2010, 112 pp.
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* with Rachel Somers-Miles, ''[[Media:Dekker_Somers-Miles_Virtueel_Platform_Research_Archiving_the_Digital_2011.pdf|Virtueel Platform Research: Archiving the Digital]]'', Amsterdam: Virtueel Platform, 2011, 35 pp.
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* with Rachel Somers-Miles, ''[[Media:Dekker_Somers-Miles_Virtueel_Platform_Research_Blast_Theory_2011.pdf|Virtueel Platform Research: Blast Theory]]'', Amsterdam: Virtueel Platform, 2011, 35 pp.
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* editor, Martine Neddam, ''[[Media:Neddam_Martine_Because_Im_an_Artist_Too_2011.pdf|Because I'm an Artist Too...]]'', Amsterdam: SKOR, 2011, 32 pp.
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* editor, Virtueel Platform Research, ''[[Media:Virtueel_Platform_Research_Born-digital_kunstwerken_in_Nederland_2012.pdf|Born-digital kunstwerken in Nederland]]'', Amsterdam: Virtueel Platform, 2012, 95 pp. {{nl}}
 
* editor, ''[http://monoskop.org/log/?p=8884 Speculative Scenarios, or What Will Happen to Digital Art in the (Near) Future?]'', Eindhoven: Baltan Laboratories, 2013, 144 pp.
 
* editor, ''[http://monoskop.org/log/?p=8884 Speculative Scenarios, or What Will Happen to Digital Art in the (Near) Future?]'', Eindhoven: Baltan Laboratories, 2013, 144 pp.
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* editor, ''[https://monoskop.org/log/?p=21799 Lost and Living (in) Archives: Collectively Shaping New Memories]'', Amsterdam: Valiz, 2017, 285 pp.
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* ''[https://monoskop.org/log/?p=20110 Collecting and Conserving Net Art: Moving beyond Conventional Methods]'', London/New York: Routledge, 2018, x+192 pp.
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* ''[https://monoskop.org/log/?p=20288 Enduring Liveness: An Imaginary Retrospective of Tino Sehgal’s Constructed Situations]'', Amsterdam: Monoskop, 2018, 89 pp. Artist's book.
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* editor, ''Curating Digital Art: From Presenting and Collecting Digital Art to Networked Co-curation'', Amsterdam: Valiz, 2021, 256 pp. [https://valiz.nl/publicaties/curating-digital-art.html] [http://aaaan.net/curating-in-digital-art-from-presenting-and-collecting-digital-art-to-networked-co-curation/] [https://twitter.com/aaaannet/status/1364987566185979905]
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* editor, with Gabriella Giannachi, ''[http://libgen.rs/book/index.php?md5=D9AB0B6EFC64E10CE006B9CD8BBCE9F2 Documentation as Art: Expanded Digital Practices]'', Routledge, 2023, 216 pp. [https://www.routledge.com/Documentation-as-Art-Expanded-Digital-Practices/Dekker-Giannachi/p/book/9780367673123 Publisher]. [https://documentingdigitalart.exeter.ac.uk/publications/] [https://www.centreforthestudyof.net/?page_id=758]
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* editor, with Gabriella Giannachi, [https://perfomap.de/map14/editorial-14 ''MAP - Media / Archive / Performance'' 14: "Doing Documentation"], Mar 2024.
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==Links==
  
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; Links
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* [http://aaaan.net/ Website]
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* http://aaaan.net
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* [https://uva.academia.edu/annetdekker Academia.edu]
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* http://goldsmiths.academia.edu/annetdekker
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* [[Base:Mastodon|Mastodon:]] [[Mastodon::https://post.lurk.org/@aaaannet]], [https://mastodon.social/@aaaannet]
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* http://twitter.com/aaaannet
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* [https://instagram.com/aaaaaaaaaannet/ Instagram]
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* [https://twitter.com/aaaannet Twitter]
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* [https://www.uva.nl/en/profile/d/e/a.dekker/a.dekker.html Profile on U Amsterdam]
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* [https://nl.wikipedia.org/wiki/Annet_Dekker Wikipedia-NL]
  
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[[Category:Media archives|Dekker, Annet]] [[Category:Writers|Dekker, Annet]]
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[[Series:Writers]] [[Series:Art writers]] [[Series:Net art]] [[Series:Net culture]] [[Series:Software art]] [[Series:Art conservation]]
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{{DEFAULTSORT:Dekker, Annet}}

Latest revision as of 15:56, 13 October 2024

Annet Dekker is Associate Professor Cultural Analysis and MA Coordinator Archival and Information Studies at the University of Amsterdam and Visiting Professor and co-director of the Centre for the Study of the Networked Image at London South Bank University. She has previously been Researcher Digital Preservation at Tate, London, core tutor at Piet Zwart Institute, Rotterdam and Fellow at Het Nieuwe Instituut, Rotterdam. She also worked as web curator for SKOR (Foundation for Art and Public Domain, 2010-2012), was programme manager at Virtueel Platform (2008-2010) and curator/head of exhibitions, education and artists in residence at the Netherlands Media Art institute (1999-2008). She has published in numerous collections and journals and is the editor of several volumes, among others, Lost and Living [in] Archives. Collectively Shaping New Memories (Valiz, 2017) and Speculative Scenarios, or What Will Happen to Digital Art in the (Near) Future? (Baltan Laboratories/Virtueel Platform, 2013). Her recent monograph, Collecting and Conserving Net Art (Routledge, 2018) is a seminal work in the field of new media conservation. (2024)

Publications[edit]

Links[edit]

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