Difference between revisions of "Nicolas Bourriaud"
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− | Nicolas Bourriaud (1965) is a French curator and art critic. | + | '''Nicolas Bourriaud''' (1965) is a French curator and art critic. |
==Works== | ==Works== | ||
− | |||
− | * | + | * editor, ''Traffic'', Bordeaux: Capmusée d'art contemporain, 1996. Exh. cat. {{fr}} |
− | |||
− | * '' | + | * ''L'ère tertiaire: roman'', Paris: Flammarion, 1997, 227 pp. Novel. {{fr}} |
− | * '' | + | *{{a|Bourriaud1998}}''[http://library.memoryoftheworld.org/#/book/6676a069-fe4a-469a-95de-64263822c3ec Esthétique relationnelle]'', Dijon: Les Presses du réel, 1998, 123 pp; new ed., 2004, 123 pp. [https://www.lespressesdureel.com/EN/ouvrage.php?id=4&menu=0 Publisher]. {{fr}} |
+ | ** ''Relational Aesthetics'', trans. Simon Pleasance and Fronza Woods with Mathieu Copeland, Dijon: Les Presses du réel, 2002, 125 pp; [http://library.memoryoftheworld.org/#/book/f173eb4f-6aaa-413a-85a4-7291a72fbf13 repr.], 2009, 125 pp, [http://library.memoryoftheworld.org/#/book/b04ccfe3-9529-47ad-9ce0-e1705614d3df PDF]. [https://www.lespressesdureel.com/EN/ouvrage.php?id=5 Publisher]. Reviews: [[Bishop#Bishop2004|Bishop]] (October), [[Media:Foster_Hal_2003_Arty_Party.pdf|Foster]] (London Rev Books), [https://sci-hub.st/10.1080/09528820701433323 Martin] (Third Text). {{en}} | ||
+ | ** ''İlişkisel estetik'', trans. Saadet Özen, Istanbul: Bağlam Yayıncılık, 2005, 179 pp; 2nd ed., 2018. [https://www.baglam.com/home/book/iliskisel-estetik Publisher]. {{tr}} | ||
+ | ** ''Relationel æstetik'', trans. Morten Salling, Copenhagen: Det Kongelige Danske Kunstakademi, 2005, 127 pp. {{da}} | ||
+ | ** ''[http://libgen.rs/book/index.php?md5=7B8AA85573FF7663A8133068A7EA24AB Estética relacional]'', trans. Cecilia Beceyro and Sergio Delgado, Buenos Aires: Adriana Hidalgo, 2006, 143 pp; [http://libgen.rs/book/index.php?md5=5C2B817230B045F606559CFBC3BA52B1 repr.], 2017. [https://www.adrianahidalgo.com/libro/estetica-relacional-nicolas-bourriaud/ Publisher]. {{es}} | ||
+ | ** ''Relasjonell estetikk'', trans. Boel Christensen-Scheel, Oslo: Pax, 2007, 237 pp. {{no}} | ||
+ | ** "Relacijska estetika", trans. Tanja Lesničar-Pučko, in Bourriaud, ''Relacijska estetika. Postprodukcija: kultura kot scenarij: kako umetnost reprogramira sodobni svet'', afterw. Nataša Petrešin, Ljubljana: Maska, 2007. [https://maska.si/knjiga/nicolas-bourriaud-relacijska-estetika-in-postprodukcija/ Publisher]. {{sl}} | ||
+ | ** ''Relációesztétika'', trans. Judit Pálfi and Bálint Pinczés, Budapest: Műcsarnok, 2007, 94 pp. Reviews: [http://buksz.c3.hu/1002/05feher.pdf Fehér] (Buksz), [https://revizoronline.com/nicolas-bourriaud-relacioesztetika-utomunkalatok/ Kürti] (Revizor). {{hu}} | ||
+ | ** "Estetica relaţională", trans. Cristian Nae, in Bourriaud, ''[[Media:Bourriaud_Nicolas_Estetica_relationala_Postproductie_2007.pdf|Estetica relaţională. Postproducţie: cultura ca scenariu: cum reprogramează arta lumea contemporană]]'', Cluj-Napoca: Idea Design & Print, 2007. {{ro}} | ||
+ | ** ''[[Media:Bourriaud Nicolas Estetica relacional 2009.pdf|Estética relacional]]'', trans. Denise Bottmann, São Paulo: Martins Fontes, 2009, 151 pp. [https://www.emartinsfontes.com.br/arte-e-design/estetica-relacional Publisher]. {{br-pt}} | ||
+ | ** ''[http://libgen.rs/book/index.php?md5=3ADC9619517B322CEBC81BB2FCF7971F Estetica relazionale]'', trans. Marco Enrico Giacomelli, Milan: Postmedia, 2010, 127 pp; 2nd ed., 2016, 141 pp; 3rd ed., 2020, 157 pp. {{it}} | ||
+ | ** 관계의 미학, Seoul: Mijinsa (미진사), 2011, 223 pp. {{ko}} | ||
+ | ** ''Estetyka relacyjna'', trans. Łukasz Białkowski, Cracow: Muzeum Sztuki Współczesnej MOCAK, 2012, 150 pp. [https://www.mocak.pl/estetyka-relacyjna Publisher]. Review: [http://dx.doi.org/10.12775/RF.2014.024 Barcikowska] (Ruch fil). {{pl}} | ||
+ | ** ''Kankeisei no bigaku'' [関係性の美学], trans. Tsuji Noriyuki, Tokyo: 水声社, 2024, 244 pp. {{jp}} | ||
− | * ''Radicant: pour une esthétique de la globalisation'', Paris: Denoël, 2009. | + | * ''Formes de vie: l'art moderne et l'invention de soi: essai'', Paris: Denoël, 1999, 187 pp; new ed., 2003, 168 pp; repr., 2009, 168 pp. {{fr}} |
− | ** ''The Radicant'', New York: Lukas and Sternberg, 2009, [http:// | + | ** ''Formas de vida: el arte moderno y la invención de sí'', Murcia: Cendeac, 2009. {{es}} |
+ | ** ''[[Media:Bourriaud Nicolas Formas de vida a arte moderna e a invencao de si 2011.pdf|Formas de vida: a arte moderna e a invenção de si]]'', trans. Dorothée de Bruchard, São Paulo: Martins Fontes, 2011, 192 pp. [https://www.emartinsfontes.com.br/arquitetura-e-urbanismo/formas-de-vida-a-arte-moderna-e-a-invencao-de-si Publisher]. Review: [https://revistas.marilia.unesp.br/index.php/transformacao/article/view/2628/2061 Fabbrini] (Trans/Form/Ação). {{br-pt}} | ||
+ | ** ''Forme di vita: l'arte moderna e l'invenzione del sè'', Milan: Postmedia, 2015, 141 pp. {{it}} | ||
+ | |||
+ | *{{a|Bourriaud2002}}''Postproduction. La culture comme scénario: comment l’art reprogramme le monde contemporain'', Dijon: Les Presses du réel, 2002; repr., 2009, 95 pp. {{fr}} | ||
+ | ** ''Postproduction: Culture as Screenplay: How Art Reprograms the World'', trans. Jeanine Herman, New York and Berlin: Lukas & Sternberg, 2002; [https://monoskop.org/log/?p=348 2nd ed.], 2005; [http://libgen.rs/book/index.php?md5=4A58704F4BEF49750DF05F5D3906FC9D 3rd ed.], 2007. {{en}} | ||
+ | ** ''[https://monoskop.org/log/?p=348 Postproducción. La cultura como escenario: modos en que el arte reprograma el mundo contemporáneo]'', trans. Silvio Mattoni, Buenos Aires: Adriana Hidalgo, 2004; repr., 2007, 128 pp; 3rd ed., 2009, 123 pp. [https://www.adrianahidalgo.com/libro/postproduccion-nicolas-bourriaud/ Publisher]. {{es}} | ||
+ | ** ''Postproduction: come l'arte riprogramma il mondo'', Milan: Postmedia, 2004, 95 pp. [https://domenicoquaranta.com/public/TEACHING/CATT/Bourriaud_Postproduction.pdf Chapter 1]. [https://www.studocu.com/en-us/document/accademia-di-belle-arti-di-brera/fenomenologia-delle-arti-contemporanee/postproduction-come-larte-riprogramma-il-mondo-libro-pdf/16224920] {{it}} | ||
+ | ** ''Postprodüksiyon: senaryo olarak kültür: sanat dünyayı nasıl yeniden programlıyor'', trans. Nermin Saybaşılı, Istanbul: Bağlam Yayıncılık, 2004, 148 pp; 2nd ed., 2018. [https://www.baglam.com/images/samples/postproduksiyon.pdf Foreword]. [https://www.baglam.com/home/book/postproduksiyon Publisher]. {{tr}} | ||
+ | ** ''[https://monoskop.org/log/?p=348 Postprodukce: kultura jako scénář: jak umění nově programuje současný svět]'', trans. Petr Turek, Prague: tranzit.cz (navigace 1), 2004, 106 pp. {{cz}} | ||
+ | ** ''Postproduktion'', trans. Morten Salling, Copenhagen: Det Kgl. Danske Kunstakademi, 2006, 95 pp. {{da}} | ||
+ | ** "Postprodukcija", trans. Tanja Lesničar-Pučko, in Bourriaud, ''Relacijska estetika. Postprodukcija: kultura kot scenarij: kako umetnost reprogramira sodobni svet'', afterw. Nataša Petrešin, Ljubljana: Maska, 2007. [https://maska.si/knjiga/nicolas-bourriaud-relacijska-estetika-in-postprodukcija/ Publisher]. {{sl}} | ||
+ | ** ''[https://monoskop.org/log/?p=348 Utómunkálatok. Hogyan programozza át a művészt korunk világát]'', trans. Júlia Jancsó, Budapest: Műcsarnok, 2007, 66 pp. Reviews: [http://buksz.c3.hu/1002/05feher.pdf Fehér] (Buksz), [https://revizoronline.com/nicolas-bourriaud-relacioesztetika-utomunkalatok/ Kürti] (Revizor). {{hu}} | ||
+ | ** "Postproducţie", trans. Cristian Nae, in Bourriaud, ''[https://monoskop.org/log/?p=348 Estetica relaţională. Postproducţie: cultura ca scenariu: cum reprogramează arta lumea contemporană]'', Cluj-Napoca: Idea Design & Print, 2007. {{ro}} | ||
+ | ** ''[https://monoskop.org/log/?p=348 Pós-produção: como a arte reprograma o mundo contemporâneo]'', trans. Denise Bottmann, São Paulo: Martins Fontes, 2009, 112 pp. [https://www.emartinsfontes.com.br/arte-e-design/pos-producao-como-a-arte-reprograma-o-mundo-contemporaneo Publisher]. {{br-pt}} | ||
+ | ** ''Hou zhi pin: wen hua ru ju ben: yi zhu yi he zhong fang shi zhong zu dang dai shi jie'' [后制品: 文化如剧本: 艺术以何种方式重组当代世界], Beijing: 金城出版社, 2014, 104 pp. {{cn}} | ||
+ | ** 포스트프로덕션: 시나리오로서의 문화, 예술은 세상을 어떻게 재프로그램 하는가, Seoul: 그레파이트 온 핑크, 2016, 136 pp. {{ko}} | ||
+ | ** ''Postprodukcja: kultura jako scenariusz - jak sztuka przeprogramowuje współczesny świat'', Cracow: Wydawnictwo Akademii Sztuk Pięknych im. Jana Matejki w Krakowie, 2023, 80 pp. {{pl}} | ||
+ | |||
+ | * editor, ''Playlist'', Paris: Palais de Tokyo/Editions cercle d'art, 2004, 220 pp. Exh. cat. {{fr}} | ||
+ | |||
+ | * editor, ''Altermodern: Tate Triennial'', London: Tate, 2009, 224 pp. Exh. cat. [http://library.memoryoftheworld.org/#/book/cc44593d-e455-4c0a-96fb-857052298ecf Introduction]. {{en}} | ||
+ | |||
+ | * ''Radicant: pour une esthétique de la globalisation'', Paris: Denoël, 2009, 217 pp. {{fr}} | ||
+ | ** ''[http://library.memoryoftheworld.org/#/book/8768d40a-8ed0-438c-b120-6235594ef84a The Radicant]'', trans. Lili Porten and James Gussen, New York: Lukas and Sternberg, 2009, 177 pp. {{en}} | ||
+ | ** ''[http://libgen.rs/book/index.php?md5=9EAB57731CB8BD9A06F6A16E643C36B7 Radicante]'', trans. Michèle Guillemont, Buenos Aires: Adriana Hidalgo, 2009, 226 pp; repr., 2018. [https://www.adrianahidalgo.com/libro/radicante-nicolas-bourriaud/ Publisher]. {{es}} | ||
+ | ** ''Radikant'', Berlin: Merve, 2009, 203 pp. {{de}} | ||
+ | ** ''Radicante: por uma estética da globalização'', trans. Dorothée de Bruchard, São Paulo: Martins Fontes, 2011, 196 pp. [https://www.emartinsfontes.com.br/arte-e-design/radicante-por-uma-estetica-da-globalizacao Publisher]. Review: [https://revistas.marilia.unesp.br/index.php/transformacao/article/view/2628/2061 Fabbrini] (Trans/Form/Ação). {{br-pt}} | ||
+ | ** 래디컨트: 니꼴라 부리요의 현대 미술이론, trans. Jungae Park (박정애), Seoul: Mijinsa (미진사), 2013, 256 pp. {{ko}} | ||
+ | ** ''Il radicante: per un'estetica'', Milan: Postmedia, 2014, 207 pp. {{it}} | ||
+ | ** ''Radikan'', trans. Talat Mehmet Öngüt, Istanbul: Bağlam Yayıncılık, 2019, 215 pp. [https://www.baglam.com/home/book/radikan Publisher]. {{tr}} | ||
+ | ** ''Radikanto: gurōbarizēshon no bigaku ni mukete'' [ラディカント: グローバリゼーションの美学に向けて], Tokyo: フィルムアート社, 2022, 294 pp. {{jp}} | ||
+ | |||
+ | * ''La Exforma'', trans. Eduardo Berti, Buenos Aires: Adriana Hidalgo, 2015, 142 pp. [https://www.adrianahidalgo.com/libro/la-exforma-nicolas-bourriaud/ Publisher]. {{es}} | ||
+ | ** ''[http://library.memoryoftheworld.org/#/book/d979d80c-cc4b-449d-92e2-d41bcae36440 The Exform]'', trans. Erik Butler, London: Verso, 2016, xvii+107 pp. [https://www.versobooks.com/en-gb/products/192-the-exform Publisher]. {{en}} | ||
+ | ** ''L'exforma: arte, ideologia e scarto'', trans. Michela Dellaia, Milan: Postmedia, 2016, 107 pp. {{it}} | ||
+ | ** ''L'exforme: art, idéologie et rejet'', Paris: Presses Universitaires de France, 2017, 139 pp. {{fr}} | ||
+ | ** ''Exform'', trans. Uli Nickel, Leipzig: Merve, 2020, 152 pp. {{de}} | ||
+ | ** ''Ekseupom'' [엑스폼 : 미술, 이데올로기, 쓰레기], Seoul: ····A : hyeonsil Munhwa Yeongu (····A : 현실문화연구), 2022, 223 pp. {{ko}} | ||
+ | |||
+ | * ''Formes et trajets'', 2 vols., Dijon: Les presses du réel, and Zurich: JRP Ringier, 2018, 233 & 331 pp. {{fr}} | ||
+ | |||
+ | * ''Inclusiones: estética del capitaloceno'', trans. Eduardo Berti, Buenos Aires: Adriana Hidalgo, 2020, 231 pp. [https://www.adrianahidalgo.com/libro/inclusiones-nicolas-bourriaud/ Publisher]. {{es}} | ||
+ | ** ''Inclusioni: estetica del capitalocene'', Milan: Postmedia, 2020, 159 pp. {{it}} | ||
+ | ** ''Inclusions: esthétique du capitalocène'', Paris: Presses universitaires de France, 2021, 227 pp. Review: [https://journals.openedition.org/critiquedart/85374?lang=en Dommergue] (Critique d'art). {{fr}} | ||
+ | ** ''Inclusions: Aesthetics of the Capitalocene'', trans. Denyse Beaulieu, London: Sternberg Press, 2022, 144 pp. [https://www.sternberg-press.com/product/inclusions/ Publisher]. {{en}} | ||
+ | |||
+ | * editor, ''Planète B: le sublime et la crise climatique'', Paris: Radicants, 2022, 131 pp. Exh. cat. Review: [https://journals.openedition.org/critiquedart/97409 Dommergue] (Critique d'art). [https://www.lespressesdureel.com/ouvrage.php?id=9422] {{fr}} | ||
+ | ** ''Planet B: Climate Change and the New Sublime'', trans. Denyce Beaulieu, Paris: Radicants, 2022, 131 pp. {{en}} | ||
+ | ** 플래닛 B.: 기후 변화 그리고 새로운 숭고, trans. 안소현, Seoul: 이안북스, 2023, 143 pp. {{ko}} | ||
==Links== | ==Links== | ||
− | |||
* http://www.archivesdelacritiquedart.org/outils_documentaires/critiques_d_art/220 | * http://www.archivesdelacritiquedart.org/outils_documentaires/critiques_d_art/220 | ||
+ | * [https://fr.wikipedia.org/wiki/Nicolas_Bourriaud Wikipedia-FR] | ||
+ | |||
+ | [[Series:Art history]] [[Series:Art writers]] | ||
+ | {{DEFAULTSORT:Bourriaud, Nicolas}} |
Latest revision as of 11:04, 20 February 2024
Nicolas Bourriaud (1965) is a French curator and art critic.
Works[edit]
- editor, Traffic, Bordeaux: Capmusée d'art contemporain, 1996. Exh. cat. (French)
- L'ère tertiaire: roman, Paris: Flammarion, 1997, 227 pp. Novel. (French)
- Esthétique relationnelle, Dijon: Les Presses du réel, 1998, 123 pp; new ed., 2004, 123 pp. Publisher. (French)
- Relational Aesthetics, trans. Simon Pleasance and Fronza Woods with Mathieu Copeland, Dijon: Les Presses du réel, 2002, 125 pp; repr., 2009, 125 pp, PDF. Publisher. Reviews: Bishop (October), Foster (London Rev Books), Martin (Third Text). (English)
- İlişkisel estetik, trans. Saadet Özen, Istanbul: Bağlam Yayıncılık, 2005, 179 pp; 2nd ed., 2018. Publisher. (Turkish)
- Relationel æstetik, trans. Morten Salling, Copenhagen: Det Kongelige Danske Kunstakademi, 2005, 127 pp. (Danish)
- Estética relacional, trans. Cecilia Beceyro and Sergio Delgado, Buenos Aires: Adriana Hidalgo, 2006, 143 pp; repr., 2017. Publisher. (Spanish)
- Relasjonell estetikk, trans. Boel Christensen-Scheel, Oslo: Pax, 2007, 237 pp. (Norwegian)
- "Relacijska estetika", trans. Tanja Lesničar-Pučko, in Bourriaud, Relacijska estetika. Postprodukcija: kultura kot scenarij: kako umetnost reprogramira sodobni svet, afterw. Nataša Petrešin, Ljubljana: Maska, 2007. Publisher. (Slovenian)
- Relációesztétika, trans. Judit Pálfi and Bálint Pinczés, Budapest: Műcsarnok, 2007, 94 pp. Reviews: Fehér (Buksz), Kürti (Revizor). (Hungarian)
- "Estetica relaţională", trans. Cristian Nae, in Bourriaud, Estetica relaţională. Postproducţie: cultura ca scenariu: cum reprogramează arta lumea contemporană, Cluj-Napoca: Idea Design & Print, 2007. (Romanian)
- Estética relacional, trans. Denise Bottmann, São Paulo: Martins Fontes, 2009, 151 pp. Publisher. (Brazilian Portuguese)
- Estetica relazionale, trans. Marco Enrico Giacomelli, Milan: Postmedia, 2010, 127 pp; 2nd ed., 2016, 141 pp; 3rd ed., 2020, 157 pp. (Italian)
- 관계의 미학, Seoul: Mijinsa (미진사), 2011, 223 pp. (Korean)
- Estetyka relacyjna, trans. Łukasz Białkowski, Cracow: Muzeum Sztuki Współczesnej MOCAK, 2012, 150 pp. Publisher. Review: Barcikowska (Ruch fil). (Polish)
- Kankeisei no bigaku [関係性の美学], trans. Tsuji Noriyuki, Tokyo: 水声社, 2024, 244 pp. (Japanese)
- Formes de vie: l'art moderne et l'invention de soi: essai, Paris: Denoël, 1999, 187 pp; new ed., 2003, 168 pp; repr., 2009, 168 pp. (French)
- Formas de vida: el arte moderno y la invención de sí, Murcia: Cendeac, 2009. (Spanish)
- Formas de vida: a arte moderna e a invenção de si, trans. Dorothée de Bruchard, São Paulo: Martins Fontes, 2011, 192 pp. Publisher. Review: Fabbrini (Trans/Form/Ação). (Brazilian Portuguese)
- Forme di vita: l'arte moderna e l'invenzione del sè, Milan: Postmedia, 2015, 141 pp. (Italian)
- Postproduction. La culture comme scénario: comment l’art reprogramme le monde contemporain, Dijon: Les Presses du réel, 2002; repr., 2009, 95 pp. (French)
- Postproduction: Culture as Screenplay: How Art Reprograms the World, trans. Jeanine Herman, New York and Berlin: Lukas & Sternberg, 2002; 2nd ed., 2005; 3rd ed., 2007. (English)
- Postproducción. La cultura como escenario: modos en que el arte reprograma el mundo contemporáneo, trans. Silvio Mattoni, Buenos Aires: Adriana Hidalgo, 2004; repr., 2007, 128 pp; 3rd ed., 2009, 123 pp. Publisher. (Spanish)
- Postproduction: come l'arte riprogramma il mondo, Milan: Postmedia, 2004, 95 pp. Chapter 1. [1] (Italian)
- Postprodüksiyon: senaryo olarak kültür: sanat dünyayı nasıl yeniden programlıyor, trans. Nermin Saybaşılı, Istanbul: Bağlam Yayıncılık, 2004, 148 pp; 2nd ed., 2018. Foreword. Publisher. (Turkish)
- Postprodukce: kultura jako scénář: jak umění nově programuje současný svět, trans. Petr Turek, Prague: tranzit.cz (navigace 1), 2004, 106 pp. (Czech)
- Postproduktion, trans. Morten Salling, Copenhagen: Det Kgl. Danske Kunstakademi, 2006, 95 pp. (Danish)
- "Postprodukcija", trans. Tanja Lesničar-Pučko, in Bourriaud, Relacijska estetika. Postprodukcija: kultura kot scenarij: kako umetnost reprogramira sodobni svet, afterw. Nataša Petrešin, Ljubljana: Maska, 2007. Publisher. (Slovenian)
- Utómunkálatok. Hogyan programozza át a művészt korunk világát, trans. Júlia Jancsó, Budapest: Műcsarnok, 2007, 66 pp. Reviews: Fehér (Buksz), Kürti (Revizor). (Hungarian)
- "Postproducţie", trans. Cristian Nae, in Bourriaud, Estetica relaţională. Postproducţie: cultura ca scenariu: cum reprogramează arta lumea contemporană, Cluj-Napoca: Idea Design & Print, 2007. (Romanian)
- Pós-produção: como a arte reprograma o mundo contemporâneo, trans. Denise Bottmann, São Paulo: Martins Fontes, 2009, 112 pp. Publisher. (Brazilian Portuguese)
- Hou zhi pin: wen hua ru ju ben: yi zhu yi he zhong fang shi zhong zu dang dai shi jie [后制品: 文化如剧本: 艺术以何种方式重组当代世界], Beijing: 金城出版社, 2014, 104 pp. (Chinese)
- 포스트프로덕션: 시나리오로서의 문화, 예술은 세상을 어떻게 재프로그램 하는가, Seoul: 그레파이트 온 핑크, 2016, 136 pp. (Korean)
- Postprodukcja: kultura jako scenariusz - jak sztuka przeprogramowuje współczesny świat, Cracow: Wydawnictwo Akademii Sztuk Pięknych im. Jana Matejki w Krakowie, 2023, 80 pp. (Polish)
- editor, Playlist, Paris: Palais de Tokyo/Editions cercle d'art, 2004, 220 pp. Exh. cat. (French)
- editor, Altermodern: Tate Triennial, London: Tate, 2009, 224 pp. Exh. cat. Introduction. (English)
- Radicant: pour une esthétique de la globalisation, Paris: Denoël, 2009, 217 pp. (French)
- The Radicant, trans. Lili Porten and James Gussen, New York: Lukas and Sternberg, 2009, 177 pp. (English)
- Radicante, trans. Michèle Guillemont, Buenos Aires: Adriana Hidalgo, 2009, 226 pp; repr., 2018. Publisher. (Spanish)
- Radikant, Berlin: Merve, 2009, 203 pp. (German)
- Radicante: por uma estética da globalização, trans. Dorothée de Bruchard, São Paulo: Martins Fontes, 2011, 196 pp. Publisher. Review: Fabbrini (Trans/Form/Ação). (Brazilian Portuguese)
- 래디컨트: 니꼴라 부리요의 현대 미술이론, trans. Jungae Park (박정애), Seoul: Mijinsa (미진사), 2013, 256 pp. (Korean)
- Il radicante: per un'estetica, Milan: Postmedia, 2014, 207 pp. (Italian)
- Radikan, trans. Talat Mehmet Öngüt, Istanbul: Bağlam Yayıncılık, 2019, 215 pp. Publisher. (Turkish)
- Radikanto: gurōbarizēshon no bigaku ni mukete [ラディカント: グローバリゼーションの美学に向けて], Tokyo: フィルムアート社, 2022, 294 pp. (Japanese)
- La Exforma, trans. Eduardo Berti, Buenos Aires: Adriana Hidalgo, 2015, 142 pp. Publisher. (Spanish)
- The Exform, trans. Erik Butler, London: Verso, 2016, xvii+107 pp. Publisher. (English)
- L'exforma: arte, ideologia e scarto, trans. Michela Dellaia, Milan: Postmedia, 2016, 107 pp. (Italian)
- L'exforme: art, idéologie et rejet, Paris: Presses Universitaires de France, 2017, 139 pp. (French)
- Exform, trans. Uli Nickel, Leipzig: Merve, 2020, 152 pp. (German)
- Ekseupom [엑스폼 : 미술, 이데올로기, 쓰레기], Seoul: ····A : hyeonsil Munhwa Yeongu (····A : 현실문화연구), 2022, 223 pp. (Korean)
- Formes et trajets, 2 vols., Dijon: Les presses du réel, and Zurich: JRP Ringier, 2018, 233 & 331 pp. (French)
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