Difference between revisions of "Katherine Liberovskaya"
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| − | + | '''Katherine Liberovskaya''' is a Canadian artist based in [[New York]]. She has been involved in experimental video since the 1980s and has produced numerous single-channel video art pieces, installations, performances, and works in other media that have been shown around the world. Since 2001, her work predominantly focuses on the intersection of moving image with sound in various ephemeral and fixed forms, most notably through collaborations with many composers and sound artists in improvised live video and sound concerts, where her live visuals seek to create improvisatory “music” for the eyes. Her frequent collaborators include: [[Phill Niblock]], Dafna Naphtali, Keiko Uenishi, Shelley Hirsch, Barbara Held, Mia Zabelka, Al Margolis (IF,BWANA), and David Watson among many others. In addition to her artwork, she curates events in experimental video/film, sound/music, and A/V performance, notably the Screen Compositions evenings at [[Experimental Intermedia]] Foundation, the OptoSonic Tea salons (co-curated with [[Ursula Scherrer]]), and various nomadic locations in North America and Europe as well as online during the Covid pandemic. In 2014, she completed a PhD in art practice entitled ''Improvisatory Live Visuals: Playing Images Like a Musical Instrument'' at the Université du Québec à Montréal (UQAM). [https://www.eventbrite.com/e/phill-niblock-and-katherine-liberovskaya-tickets-779855156767 (2023)] | |
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| + | ; See also | ||
| + | * [[Phill Niblock]] | ||
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| + | ; Links | ||
| + | * [https://www.experimentalintermedia.org/rantdance/ Website] | ||
Latest revision as of 22:27, 8 January 2024
Katherine Liberovskaya is a Canadian artist based in New York. She has been involved in experimental video since the 1980s and has produced numerous single-channel video art pieces, installations, performances, and works in other media that have been shown around the world. Since 2001, her work predominantly focuses on the intersection of moving image with sound in various ephemeral and fixed forms, most notably through collaborations with many composers and sound artists in improvised live video and sound concerts, where her live visuals seek to create improvisatory “music” for the eyes. Her frequent collaborators include: Phill Niblock, Dafna Naphtali, Keiko Uenishi, Shelley Hirsch, Barbara Held, Mia Zabelka, Al Margolis (IF,BWANA), and David Watson among many others. In addition to her artwork, she curates events in experimental video/film, sound/music, and A/V performance, notably the Screen Compositions evenings at Experimental Intermedia Foundation, the OptoSonic Tea salons (co-curated with Ursula Scherrer), and various nomadic locations in North America and Europe as well as online during the Covid pandemic. In 2014, she completed a PhD in art practice entitled Improvisatory Live Visuals: Playing Images Like a Musical Instrument at the Université du Québec à Montréal (UQAM). (2023)
- See also
- Links
