Difference between revisions of "Sofia Bempeza"

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Dr. Sofia Bempeza (Σοφία Μπέμπεζα) is an artist, art/cultural theorist, and educator based in Zürich and Athens. Her work (research, performance, interventions) is focused on the politics of public spaces as well as queer-feminist subjectivities in the art and knowledge production. Her research interests concerns conflictual art practices in relation to the politics of dissent, subversion and cultural strategies of the New Right. Teaching practice: Zurich University of the Arts (2011–2017), Haute école d'art et de design – Genève (2012), F+F Schule für Kunst & Design (2018), Municipal Cultural Center Petroupolis/Athens (2003–2005). She has been active as a board member of Shedhalle Zürich (2014–2018) and language-facilitator at the Autonome Schule Zürich (2013-2015). Currently she is a guest scientist at the Institute of Philosophy and Theory of Art and lecturer in the Mas­ters pro­gram­me in Culture, Arts and Media at Leuphana University Lüneburg. https://sofiabempeza.org
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Dr. '''Sofia Bempeza''' (Σοφία Μπέμπεζα) is an artist, art/cultural theorist, poet and educator from Athens, based in Vienna. She is Univ. Professor for Art and Communication Practices at the University of Applied Arts Vienna. Her* work (writing, performance, poetry, curating) is focused on the politics of dissent, queer-feminist art and knowledge practices as well as decolonial educational practices. Her* research concerns the history of art strike(s); collectivities and polyphonic aesthetics; cultural strategies of the (New) Right and anti-gender narratives.  
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'''selected publications'''
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Sofia Bempeza, „The Desire of the Exhausted – Notes on Resilience, Resistance and Adraneia”, in: Eduardo, John, Jordan, Rauch et.al. (eds.), On Withdrawal – Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices, Zurich: Diaphanes 2023.
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93 (ΠΑΡΑ) ΟΙΚΙΑΚΕΣ ΙΣΤΟΡΙΕΣ ΓΙΑ ΤΗΝ ΕΛΕΝΗ / 93 (PARA) DOMESTIC STORIES FOR HELEN, Published by A) GLIMPSE) OF), Athens 2023.
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Sofia Bempeza, “Just joking – just trolling? The Anti-gender Movement and the Cultural Tactics of the New Right“, in: Lesvies mou, Athens: Lesvies sta Prothyra, futura 2023. (in Greek)
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Sofia Bempeza, "(Re-)Produktion in der Kunst – Arbeit als Subjektivierungsform", Online-Publikation des Salon IDA, Lucerne University of Applied Sciences and Arts, 2021.
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Sofia Bempeza, Desire, Dissent, Empathy in the Art Field ‒ Biographic Records and Institutional Gaps (Επιθυμία, διαφωνία και ενσυναίσθηση στο πεδίο της τέχνης: βιωματικές καταγραφές και θεσμικά κενά ), in: feministiqa Nr. 5/2022. (in Greek)
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Sofia Bempeza,Die Kunst der Nicht-Anpassung: Verweigerung und Widerstandstechniken in Zeiten der Pandemie, in: Wissenschaft & Kunst Forum, Paris Lodron Universität Salzburg, 2021.  
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Sofia Bempeza, Curving the Flat, Distancing the Social: Side Effects Without Remuneration
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in: Texte zur Kunst, Notes from Quarantine, 2020.
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Sofia Bempeza, Aesthetic Practices of the New Right – Fake and Post-truth as a Challenge for Contemporary Transgressive Art and Cultural Practices, in: Medienimpulse – Beiträge zur Medienpädagogik, Bd. 58/Nr.2, 2020.
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Sofia Bempeza, Geschichte(n) des Kunststreiks, Wien: transversal texts 2019.
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Sofia Bempeza, Christoph Brunner, Katharina Hausladen, Ines Kleesattel, Ruth Sonderegger, Polyphone Ästhetik. Eine kritische Situierung, Wien: transversal texts 2019.
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Sofia Bempeza, Georgia Sagri, "Parrhesiastic Acts", in: DESTE Prize: An Anniversary Exhibition 1999-2015, Athens: Deste Foundation 2017.
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Sofia Bempeza, "Dissensuelle Partizipation. Die Kunst des Scheiterns und die Stärke der Konfliktivität", in: Leonhard Emmerling, Ines Kleesattel (Hg.), Politik der Kunst – Über Möglichkeiten, das Ästhetische politisch zu denken, Bielefeld: Transcript 2016.
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; Links
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* [https://sofiabempeza.org Website]
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* [https://sofiabempeza.substack.com/ Poems]

Latest revision as of 17:18, 26 December 2023

Dr. Sofia Bempeza (Σοφία Μπέμπεζα) is an artist, art/cultural theorist, poet and educator from Athens, based in Vienna. She is Univ. Professor for Art and Communication Practices at the University of Applied Arts Vienna. Her* work (writing, performance, poetry, curating) is focused on the politics of dissent, queer-feminist art and knowledge practices as well as decolonial educational practices. Her* research concerns the history of art strike(s); collectivities and polyphonic aesthetics; cultural strategies of the (New) Right and anti-gender narratives.

selected publications

Sofia Bempeza, „The Desire of the Exhausted – Notes on Resilience, Resistance and Adraneia”, in: Eduardo, John, Jordan, Rauch et.al. (eds.), On Withdrawal – Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices, Zurich: Diaphanes 2023.

93 (ΠΑΡΑ) ΟΙΚΙΑΚΕΣ ΙΣΤΟΡΙΕΣ ΓΙΑ ΤΗΝ ΕΛΕΝΗ / 93 (PARA) DOMESTIC STORIES FOR HELEN, Published by A) GLIMPSE) OF), Athens 2023.

Sofia Bempeza, “Just joking – just trolling? The Anti-gender Movement and the Cultural Tactics of the New Right“, in: Lesvies mou, Athens: Lesvies sta Prothyra, futura 2023. (in Greek)

Sofia Bempeza, "(Re-)Produktion in der Kunst – Arbeit als Subjektivierungsform", Online-Publikation des Salon IDA, Lucerne University of Applied Sciences and Arts, 2021.

Sofia Bempeza, Desire, Dissent, Empathy in the Art Field ‒ Biographic Records and Institutional Gaps (Επιθυμία, διαφωνία και ενσυναίσθηση στο πεδίο της τέχνης: βιωματικές καταγραφές και θεσμικά κενά ), in: feministiqa Nr. 5/2022. (in Greek)

Sofia Bempeza,Die Kunst der Nicht-Anpassung: Verweigerung und Widerstandstechniken in Zeiten der Pandemie, in: Wissenschaft & Kunst Forum, Paris Lodron Universität Salzburg, 2021.

Sofia Bempeza, Curving the Flat, Distancing the Social: Side Effects Without Remuneration in: Texte zur Kunst, Notes from Quarantine, 2020.

Sofia Bempeza, Aesthetic Practices of the New Right – Fake and Post-truth as a Challenge for Contemporary Transgressive Art and Cultural Practices, in: Medienimpulse – Beiträge zur Medienpädagogik, Bd. 58/Nr.2, 2020.

Sofia Bempeza, Geschichte(n) des Kunststreiks, Wien: transversal texts 2019.

Sofia Bempeza, Christoph Brunner, Katharina Hausladen, Ines Kleesattel, Ruth Sonderegger, Polyphone Ästhetik. Eine kritische Situierung, Wien: transversal texts 2019.

Sofia Bempeza, Georgia Sagri, "Parrhesiastic Acts", in: DESTE Prize: An Anniversary Exhibition 1999-2015, Athens: Deste Foundation 2017.

Sofia Bempeza, "Dissensuelle Partizipation. Die Kunst des Scheiterns und die Stärke der Konfliktivität", in: Leonhard Emmerling, Ines Kleesattel (Hg.), Politik der Kunst – Über Möglichkeiten, das Ästhetische politisch zu denken, Bielefeld: Transcript 2016.


Links
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