Difference between revisions of "Jose-Carlos Mariategui"
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| − | ''' | + | '''José-Carlos Mariátegui''' is a writer, curator, scholar and entrepreneur on culture and technology. Studied Biology and Applied Mathematics and holds both Masters and Doctoral degrees in Information Systems and Innovation from the London School of Economics and Political Science – LSE (London). Dr. Mariátegui is the founder of Alta Tecnología Andina – ATA (Lima, Peru), an organization working at the intersection of art, science, technology and society in Latin America. He is a Lecturer at LUISS (Rome), a Senior Visiting Fellow at the Department of Media and Communications at the LSE and a Board Member of Future Everything (UK). Has published in journals such as ''AI & Society, Third Text, The Information Society, Telos'' and ''Leonardo''. His multidisciplinary research embraces media archeology, digitization, video archives and the impact of technology in memory institutions. He has curated internationally for more than two decades. One of his latest exhibitions, Quántica /Broken Symmetries (co-curated with [[Monica Bello]]), explores transdisciplinary artistic practice in interaction with scientists at CERN. He recently co-edited a special issue for ''AI & Society'' on ''Cybernetics in Latin America''. |
Latest revision as of 13:42, 1 October 2022
José-Carlos Mariátegui is a writer, curator, scholar and entrepreneur on culture and technology. Studied Biology and Applied Mathematics and holds both Masters and Doctoral degrees in Information Systems and Innovation from the London School of Economics and Political Science – LSE (London). Dr. Mariátegui is the founder of Alta Tecnología Andina – ATA (Lima, Peru), an organization working at the intersection of art, science, technology and society in Latin America. He is a Lecturer at LUISS (Rome), a Senior Visiting Fellow at the Department of Media and Communications at the LSE and a Board Member of Future Everything (UK). Has published in journals such as AI & Society, Third Text, The Information Society, Telos and Leonardo. His multidisciplinary research embraces media archeology, digitization, video archives and the impact of technology in memory institutions. He has curated internationally for more than two decades. One of his latest exhibitions, Quántica /Broken Symmetries (co-curated with Monica Bello), explores transdisciplinary artistic practice in interaction with scientists at CERN. He recently co-edited a special issue for AI & Society on Cybernetics in Latin America.
