Difference between revisions of "Alberto de Campo"

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Born 1964. Studied classical composition and jazz guitar in  Austria. As guest researcher and later research director at CREATE, UC Santa Barbara, he worked with Curtis Roads on experimental synthesis instruments,  and wrote the tutorial for SuperCollider2. He taught at the IEM Graz, and at the Academy for Media and Arts (KHM) Cologne. There, long term collaborations  began with Florian Hecker, earweego, the band powerbooks_unplugged, and realtime research.  In 2004/2005, Alberto de Campo held the Edgard Varèse guest professorship  for Electronic Music at TU Berlin.
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Alberto de Campo (born 1964) studied classical composition with Andrej Dobrowolski, Georg Haas, and Beat Furrer; Jazz guitar with Adelhard Roidinger and Peter O'Mara, and electronic music with Curtis Roads and Stephen Travis Pope. After being a Visiting Scholar and Research Director at CREATE (UC Santa Barbara), he taught at IEM Graz (Austria) and at the Academy for Media and Arts (KHM) in Cologne and as Edgard Varèse guest professor for Elektronic Music at Technical University Berlin.
  
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From 2005-2007, he was lead researcher in  the SonEnvir project at IEM Graz, where an interdisciplinary team of scientists  studied the applicability of sonification in diverse fields. With the team, de  Campo wrote numerous publications, and organised a concert of sonifications  of social data for the ICAD 2006 conference in London.  In 2007 he became professor for Music Informatics at the Institute For Music And  Media (IMM), Robert Schumann Music University Düsseldorf, and since 2009,  he is Professor for Generative Art/Computational Art at the Institute for Time-  based Media, Arts University Berlin (UdK).
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From 2005-2007 he led the research team of 'SonEnvir' (at IEM Graz), a project he initiated, where an interdisciplinary team studied the applicability of data sonification in different scientific disciplines and contexts.
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Did a research project on sonification for scientific contexts - http://sonenvir.at
 
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Plays with live coding/just in time programming ensemble "powerbooks unplugged" - http://pbup.goto10.org;
 
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plays in Quiet Noise Quartet (with Matthias Mainz, Albrecht Maurer, Hannes Hoelzl) - http://www.syntopia.net/QNQ_d.html;
 
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plays improvised performances with Elisabeth Harnik, Mario de Vega, Hannes Hoelzl, Joker Nies, and others.
 
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Lives in [[Berlin]].
 
  
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With the team he wrote numerous publications, and organized a concert of sonifications of social data for the ICAD conference 2006 in London ('Global Music - The world by ear').
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From 2007-2009 he was Professor for Music Informatics at the Institut Fuer Musik and Medien of the Robert Schumann Hochschule Düsseldorf, and since 2009 he is Professor for Generative Art / Computational Art at the Institute for time based media at the University for the Arts Berlin.
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* http://albertodecampo.net/
  
 
[[Category:SuperCollider|Campo, Alberto de]]
 
[[Category:SuperCollider|Campo, Alberto de]]

Revision as of 18:21, 21 December 2014

Alberto de Campo (born 1964) studied classical composition with Andrej Dobrowolski, Georg Haas, and Beat Furrer; Jazz guitar with Adelhard Roidinger and Peter O'Mara, and electronic music with Curtis Roads and Stephen Travis Pope. After being a Visiting Scholar and Research Director at CREATE (UC Santa Barbara), he taught at IEM Graz (Austria) and at the Academy for Media and Arts (KHM) in Cologne and as Edgard Varèse guest professor for Elektronic Music at Technical University Berlin.

From 2005-2007 he led the research team of 'SonEnvir' (at IEM Graz), a project he initiated, where an interdisciplinary team studied the applicability of data sonification in different scientific disciplines and contexts.

With the team he wrote numerous publications, and organized a concert of sonifications of social data for the ICAD conference 2006 in London ('Global Music - The world by ear').

From 2007-2009 he was Professor for Music Informatics at the Institut Fuer Musik and Medien of the Robert Schumann Hochschule Düsseldorf, and since 2009 he is Professor for Generative Art / Computational Art at the Institute for time based media at the University for the Arts Berlin.

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